Ground Cover Abstract

a photograph by Sonja Bingen

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The Move

by Ethel Mortenson Davis

They packed
the odds and ends
of the house in the car—
along with the plants and dog.
She wanted to leave
at noon, but he wanted
more time to say goodbye
to his friends.

They left at 6.00 P.M.
No one was there
to say goodbye
after twenty-five years.

They pulled out onto the Interstate
towards Duluth- a six hour drive.
They waved goodbye
and also said some
“Good Riddances”
to “Their Town.”

A semi was following
behind them
and pulled up alongside.
He rolled down his window
and hollered goodbye—
Then waved again.

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Looking for the Light

a pastel by Ethel Mortenson Davis

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Of Love

by Thomas Davis

The round, close face,
Soft like gentle hills
And as misty as the sky
Full of coming rain,
Inspires this song—

The beauty beyond thought
And love beyond the beauty.

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Esopus Lighthouse on the Hudson River

photograph by Alazanto, Kevin Davis, our son

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Jays

by Ethel Mortenson Davis

We saw
jays
emaciated
from the drought,
crying in the desert.

I remember…
As little girls
we leaned close
to listen
to the tallest
of us
as she said,

“I know how the world will end…

Man will destroy himself.”

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Sweet Corn in the Desert

Ethel grew up on a dairy farm not far from Wausau, Wisconsin. The farm, its woods, and the stream that ran through the farm often finds its way into her poetry, but perhaps the greatest skill she took away from her childhood was her ability to grow anything anywhere. The Pueblo and Navajo who live in the country around Continental Divide have traditionally grown the three sisters: Corn, squash, and beans. We had not lived in New Mexico for long before Ethel picked up the magic of this combination of plants. This year, however, her corn has been the most spectacular of any year since we moved here. She made compost all winter and spring and has fed the small corn patch in our yard strategically since early spring. She has watered most mornings during this terrible year of drought, and the result is the tallest sweet corn to be found anywhere close to here. The beans, wrapped around the corn stalks, is just as profuse, resulting in a good year for Ethel’s crops.

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27. Conversation From Love Through Fear

As Mmirrimann stirred, lost in ancient times,
A great green dragon in a cave as black
As scales that somehow gleamed inside the dark,
He felt Ssruanne beside him, sending life
Into the dreams that tried to capture him
And let him drift away into forgetfulness.
Then, slicing through his dream as if a claw
Had separated clouds, revealing sky,
An image of a valley high above
The caves, beneath a shining silver moon,
Filled up the emptiness inside of him.

He opened up his eyes and saw Ssruanne.
Her head raised up, her eyes awhirl with colors,
Engaged with all the images that flooded
Through Mmirrimann and forced him back to life.

He stirred, his thoughts replete with shadowed shapes,
And concentrated on his long-time love.
She saw his grin and puffed a ring of smoke
Into the darkness of the icy cave.

“What did you find?” she asked inside her head.

He looked away from eyes that seemed to scald
His life with endless memories, the two of them,
Wings filled with power, spiraling toward
The summer sun as passion trumpeted
Their fervor to the mountain peaks below.

“The mother of the girl has built a bridge
Of power in the purgatorial space
Where winds that are no winds blow in a gale,”
He grumbled deep inside his massive chest.
“She needs to save her child and interrupts
The natural order of the universe.”

Ssruanne stayed still, and let her body’s heat
Send life into the love she’d cherished through
The human wars into the days of peace.

“The geas is right?” she asked. “The child must live?”

“I took the woman’s bridge from nothingness,”
He answered. “When I passed I’m sure the bridge
Disintegrated into nothingness.”

“It’s over then? The child has lost her powers?”

“Shrrunak has left his cave and gathers males
Around him for another human war,”
He said, the image of the valley bathed
In silver light inside his head. “I felt
The rage the witch felt when I used her bridge.
She’ll not give up. She’ll make another bridge.”

Ssruanne looked at the smudge of morning light
That tinged a small cloud’s underside outside
The cave, dawn gray and cold with winter winds.

“How can you build a bridge between the wall
That separates reality from death?”
She asked. “I know the spirit beasts can find
A moment anchored in our time, but they
Are insubstantial, not quite corporal.”

“Perhaps the child should perish,” Mmirrimann
Said softly. “But I fear the forces spinning
From where I was into this world or ours.
I don’t believe the dragon race can live
Unless we find a way to live in peace.
The human girl is like a key stone strong
Inside a wall, but if it’s taken out,
The wall will crumble to a pile of dust.
Shrrunak can send all that we’ve built to dust.”

Ssruanne looked long at him and hummed her fear.

“We’re old,” she said. “Shrrunak can char our scales.”

“He’s gathering a dragon army, figuring
He’ll use the tactics made by human wiles
To waste the villages and towns that sprout
Like mushrooms all across the wilderness.”

“The deathless realms will fill with spirits then,”
She said. “Both dragons and their human foes
Will die in droves. As dragons we won’t win.”

“Shrrunak has left the caves and won’t be back
Until he’s built his dragon army, ravening
Across the landscape like a fiery scythe.”

Ssruanne’s scales rippled her distress that made
Her move from Mmirrimann. He did not move.

“We’ll face our doom,” he said at last. “I need
To rest and think about experiencing
The winds of purgatory, what I’ve learned.
I did not journey past my memories
To die,” he said. “I trekked to find a path
That leads to dragons hatching out of eggs
Into the glories of a dragon’s life.”

To listen to this section of the epic, click on Conversation from Love through Fear.

Note: This is the twenty-seventh section of a long narrative poem, which has grown into The Dragon Epic. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward. Go to Escaping Possession to go to the section previous to this one. To read the next poem in the series, click on Unexpected Warning.

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Untitled, a photograph by Sonja Bingen

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The Visit

by Ethel Mortenson Davis

From the air
I recognize
the greenness of the land,
but especially
the straight, square lines
of sections and highways—
unlike the winding, dusty
roads back home.

I bring a rose
for you, Mama,
nestled in among
names like Berg, Nyquist
And Olson.

Even here
they pick on a person
that does not fit in—
like chickens do
to the least of their own.

These are the descendents
of people who threw
boiling water
from upstairs windows
on the Anishinabe people
as they were marched through
the little towns of Minnesota.

I touch the turquoise
around my neck
and feel its warmth.

In that vast desert
back home,
there is a place called acceptance,
a place my people
would call
a wasteland.

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