a photograph by Sonja Bingen
Life
Filed under Art, Photography
The Source
by Ethel Mortenson Davis
I am going deep within myself,
to where gates no longer open,
but instead
walls are crossed upon walls
between the four directions.
Here is where the wolf
cannot penetrate again,
and the lion cannot eat my flesh.
Like some wounded animal
that crawls back to his source,
I am going deep within myself
to find the cool stillness.
I will not come out again
until my skin has thickened.
Filed under Ethel Mortenson Davis, Poetry
Sonnet 34
by Thomas Davis
We talked about the birthday cake he’d had
for over twenty years. He couldn’t eat,
but said, I’d eat a bite right now. His mother, glad
to feed his memories, got to her feet
and drove to Rhinebeck for the right supplies,
the afternoon familiar as she whipped and stirred
an angel food and let it slowly rise
into an arabesque of whipped cream whirred
with Marciano cherries, chocolate,
and mother’s love as old as he was on that day.
She brought the cake out with a coffee pot
and beamed to see a smile and sense of play
that fought, a moment, pain and hours of dread
he braved while in the prison of his bed.
Note:Kevin and Tamar’s apartment, where we spent two weeks under Hospice care, is located in Rhinesbeck, NY.
Filed under Poetry, Thomas Davis
Leo
a photograph by Alazanto, Kevin Davis, our son
Note: Leo was one of the most wonderful parts of Kevin’s life. He rescued Leo as a wild kitten from underneath his car on a cold morning in Poughkeepsie, New York. When Kevin was extremely ill Leo came to the hospital, and even though Kevin could no longer walk, he slipped out of his wheelchair and got on the floor where Leo immediately snuggled up to him. This photo was taken November 4, 2007.
Filed under Art, Photography
John Hope Franklin
by Ethel Mortenson Davis
John Hope Franklin
remembers
he and his mother
boarding a train
and getting on a white coach
by accident.
“They stopped the train
and threw us off.”
He was six years old,
crying and afraid,
but his mother told him
that he was as good
as anyone else
in the whole world,
and that he shouldn’t
waste his energy crying,
but instead use it
to prove his worth.
John Hope went on
to get a PhD from Harvard,
rewriting American-African history.
In 1934 he handed
Franklin Roosevelt a petition
against the Cordie Cheek lynching,
marched for civil rights
in Montgomery Alabama in 1965,
testified against Robert Bork’s
nomination to the Supreme Court in 1987,
and won the Medal of Freedom in 1995.
He recently said,
“when I reached 80 years old
I thought it would change,
but instead I’m insulted every day
of my life.”
Copyright © 2010, I Sleep Between the Moons of New Mexico
Notes: A “quiet lynching” is how Sheriff Claude Godwin described the hanging of Cord Cheek, a twenty-year-old African American. Cheek was accused of, but never indicted for, attacking an eleven-year-old white girl. When the Maury County,Tennessee grand jury refused to indict Cheek for the alleged attack, residents took matters in their own hands in 1933. Franklin’s testimony during the confirmation of conservative Robert Bork to the Supreme Court in 1987 helped lead to Bork’s failure to gain confirmation by the United States Senate.
Filed under Ethel Mortenson Davis, Poetry
A Poet’s Age
by Thomas Davis
He walked into the dark, high, empty room
And moved into the labyrinth of racks
Until, at last, the winter cold so sharp
His breath flowed white then disappeared in air,
He reached the shelf beside the ancient tomb
Of some forgotten king, the zodiac
Portrayed above a dimly painted harp,
And took a book in hand with tender care.
The darkness seemed to dance with wisps of light
As, walking through the stacks, he seemed to grow
As shadows leapt before him on the floor.
He seemed a shadow, like reflections deep
In Plato’s cave where shadows thought that night
Is all there is—that what their minds could know
Was real and true in spite of how the door
Of waking opened only in their sleep.
He left the racks and put the massive book
Upon a marble table, struck a match
And lit a candle placed beside a jar of ink
And took an old black pen and set the quill
Upon rich velum, in his eyes a blazing look
Of fire, as if his mind could swiftly snatch
His blood and flesh and make his true self shrink
To strong, honed words shaped by his flawless skill.
For thirty years his pen had moved his hand
And bled his life into the book, each day
His writing draining life from who he was
Into the words that crawled from page to page
As pages seemed to magically expand
Each time he walked through stacks and made his way
To sit down at the table as the buzz
Of life wrote songs that made his spirit age.
As words flowed from his pen, his hair grew white,
And in his heart the burdens placed by years
Wrapped tight against the beating of the drum
That let him be the poet that he wished to be.
The pages glowed and danced as if the plight
Of humans and their lives were only fears
That scattered when the words began to strum
Their shining lives into eternity.
His hands began to shake. His wrinkles spread
Across his face and hands. He felt so old
The thought of living yet another day
Seemed heavier than what his heart could bear.
He sighed inside the darkness, closed the dread
That emanated from the words that told
The story of the love that rises fey
Into the human self, our spirit’s prayer—
And as the book’s dark cover slowly closed,
The book’s soft light lit up the poet’s flesh,
Long years fled from his pain-filled, reddened eyes
And, in a moment, time reversed its flow.
He got up, made himself calm, strong, composed,
Walked to a rope, pulled, let the daylight’s fresh,
Sweet light spill from the winter’s cold blue skies
Into the darkness, on the book’s soft glow,
Then turned and took the book into his hands
And walked through racks so filled with endless books
They seemed to never end, the evidence
Humanity still lives, thinks, feels, and sings.
Around him whispered time’s ephemeral sands;
He reached the last, cold shelf and heard the rooks
Of spring alive in ancient forests dense
With life before there were lost graves for kings.
Note: This poem follows the conventions of an octave, but expands that convention to eight stanzas.
Filed under Poetry, Thomas Davis
Song of Ecstasy
a pastel and poem by Ethel Mortenson Davis
Song of Ecstasy
She is the sort that hears the song
the hills make after a heavy rain—
a humming sound one hears
first through the finger tips,
then the ears.
She’s the sort that dances with antelope at dusk,
playing in the field until dawn.
She’s the sort that makes the insect song—
not bell, nor click, but a rhythm in-between:
like the sound the silver pieces
sewn on her dress and leggings make,
a sound like wind and bell
as she makes her grand entry
in a circle around the village—
head held high,
her hair flowing behind her—
tasting the song of pure ecstasy
like honey on the tongue.
Filed under Art, Ethel Mortenson Davis, Photography, Poetry
Tecumseh
by William Bingen, our grandson, his first poem
The white people took his land.
Earned respect from his people.
Confidently fought in battles.
United the Shawnee People with his bravery.
Many people didn’t believe the white people had the right to take the land.
Shawnee battled the new settlers.
Earth is beloved to them.
He died in the Battle of Thames in 1813.
Filed under Poetry
Horses Outside of Thoreau
Filed under Art, Photography




