Spring

by Ethel Mortenson Davis

The perfumed night
comes like a thief.
There is hardly time
to turn
to see his face,
and like some
ancient shaman
he sends my head spinning
into a sweet,
magnetic spell.

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Star

an abstract pastel by Ethel Mortenson Davis

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Shining Waters and Sonnet 44

photograph by Sonja Bingen

This photograph was taken after the memorial for Kevin Michael Davis, organized by Sonja and Mary Wood, our daughters, was held at Newport Beach on the tip of Door County in Wisconsin, one of Kevin’s favorite places when he was a child and young adult. This beautiful place looks out on Lake Michigan and is filled with the sounds of birds and lapping of waves on sand and wet, black stones. Passing ships are often small dots on the distant horizon.

Sonnet 44

by Thomas Davis

To sum an individual life with words
is like endeavoring to touch a hand
through shadows on a wall. Like falling sand
words flow around our substance; sounds unheard
dance symphonies of brilliant mockingbirds
into an absence; moments fade into a fairyland.

Our son was loved; he loved; he made a mark
in web design, fought deep depression, wrote
some poems and essays, loved to walk the dark,
taught everyone around him, wore a coat
of many-colors from the spirit of his heart,
and blessed his father, mother as he taught

us courage as he faced life torn apart.
His death left us bereft, alone, distraught.

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Gangs

by Ethel Mortenson Davis

The local people say,
don’t walk out in the wilderness
unless you carry a gun,
because of large predators
and wild dogs—

dogs turned loose
in the desert, abused and neglected.
Now in the hundreds of thousands,
they pack up
to find food and survive.
They kill elk and cattle,
and people—
a man in his fifties.

Children abused
And neglected
join gangs in order to survive.
In order to live—
they kill people.

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The Marriage

a pastel by Ethel Mortenson Davis

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13. The Substance of Light

by Thomas Davis

The frost upon the window melted, Wei
Stared out at evening skies and watched as dragons
Launched flight from caves in numbers greater than
She’d ever seen before, their colored scales
Dramatic in the sunset’s streaming fires.
She wondered what was wrong. They all seemed stressed,
As if they had to flee their underground.
She watched to see the golden dragon’s scales,
But if she flew, she flew outside Wei’s sight.
She watched until the shadows brought the night,
Then went to sit beside the fireplace fire.

In front of warmth brought by the cheerful flames
She felt half dazed, as if the day’s events
Had been too much, and now she wanted rest.
She looked down at her fingers, made a bar
Of light stream out into the darkness, held
It in the air until it looked as if
It was a substance rather than a stream of light.
She smiled, then stopped the motion made to make
The light. The light fell down and clinked on stone.
Her mind was suddenly awake; a chill
Made hair behind her neck stand up and tremble.
The bar was fading on the floor, the light
Bleached out, its substance round and strangely long,
As if its substance was not made on earth.

She put her legs beneath her, stretched her hand
Toward the substance made from light she’d made,
And gingerly, as if it might be hot,
Touched light congealed into a strange, long rod.
The rod was warm and seemed to still contain
A memory of light that it had been.
She sat back, saw the golden dragon’s eyes
Stare as it flew so close above her head.
She felt the darkness shift, as if her time
Was not the time where she was at inside
The cottage built below the dragon caves.

She made another stream of steady light
And welded it into the rod she’d made,
And then she made another rod until
She had a rabbit cage designed to capture
The meal she had not had for much too long.

She looked toward her mother’s empty bed
And saw her mother faintly in the dark.
Behind her mother, coaching her, his hands
So large they seemed as if they had the strength
To hold the world, her father, dead so long
She only had the vaguest memory
Of what his face had looked like during life,
Was pantomiming every move her mother
Was making as she sent the moves to Wei.

Wei gasped. Her mother looked into her eyes,
Smiled sadly, let the dark intensify,
And left the room to emptiness and night.
Wei felt as if she’d never move again.
She glanced toward the rabbit trap she’d made.
Her mother, from her grave, had made her daughter
As powerful a witch as ever lived.
She felt the song she’d sing to bring the rabbits
To where they’d find themselves inside her trap.

She felt so restless that she rose and walked
To where the window looked into the night.
Outside she saw the flames of dragon breath
Light up the darkness like the fireflies did
On summer nights. A dragon knew no fear.
Their largeness dwarfed the strength that humans had.
What madness made them fireflies in the dark?

She moved her hands, her eyes intent on where
She’d seen her father and her mother’s forms.
She concentrated on the golden dragon’s scales
And let her fingers shoot light through the air.
A golden scale, as hard as iron, suspended air,
Burned with a light so bright it blinded Wei.
She brought the scale onto her arm, singed flesh,
The smell and pain tears running down her face.
She felt so strange she thought she heard the stars
Sing songs of dragon fire into the night.
Her tingling arm felt like it was not her,
But separate, more dragon than a girl.

The light stopped flowing, made her gasp;
She slumped down to the floor, her consciousness
A dream she’d conjured from her mother’s grave.

Audio of The Substance of LightVN800015

Note: This is the thirteenth installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward. Go to 12 to read the section before this one. Go to 14 to read the next section.

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Darfur

a poster design by Alazanto, Kevin Davis, our son

Kevin’s note with the design: A simple play on the Sudanese flag to bring greater attention towards the ongoing Darfur situation.

The Darfur conflict is still ongoing even though the region, the size of France, gained independence in 2011. Kevin was part of the movement to protest what he saw as genocide in Darfur and created this poster as part of that movement. The poster gained national notice.

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Flying

by Ethel Mortenson Davis

For Li Po

In the spring
I think about
water and flying,
clear water running
over moss-covered stones.

Poets are forever,
banished from
the village,
cut loose
in order
to wander
the desert,
to fly just barely above
the juniper and salt brush.

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Weather Upside Down, a photo essay

Snow came to Continental Divide yesterday and last night. Sometimes it was so thick you could not see the Zuni Mountains out the back window.

Ethel Mortenson Davis’s photograph of flowers blooming as snow fell

Up north in Wisconsin, where Sonja Bingen lives, spring is bursting with intensity.

Sonja Bingen’s photographs

Is the north becoming the south?

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Sonnet 43

by Thomas Davis

Grief leaps from cracks and corners, as I walk
or sit beside our window looking out
toward the mountains, like a fierce-eyed hawk
that slashes from the sky and grabs a trout
that flips and struggles as sharp talons snuff
light out of day, the beating from the heart.

Grief seizes life grown wearisome and tough
beyond all hope that might one day jumpstart
time’s stream and let the sunlight filter down
into the shadows, wakening the joys
that often went unnoticed as I walked on ground
made blessed by my wife, girls, precious boy.

The gray miasma leaps from corners, cracks.
I startle as the sun turns dark, then black.

Note: There are two more sonnets in the sequence I have been posting for months now. Most of the sonnets were written while Ethel’s and my son, Kevin Michael Davis, was in the hospital or at home under hospice care. These last sonnets were written shortly after his death a little over a year ago.

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