Category Archives: Ethel Mortenson Davis

Horses

by Ethel Mortenson Davis

Because they can’t feed them,
the poorest people
turn their horses loose
in the desert.

These horses find some
grass and weeds
a couple of months in a year,
but mostly brown stubble,
and water that is impossible
to find.

Finally they round some of them up,
with sand in their bellies,
and ship them to slaughter houses
in Mexico
where men with knives kill them
by stabbing them up to twenty times
before they are brought down,

before they see
grass as tall as their shoulders
near a watering stream.

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Dream of Horses

an abstract pastel by Ethel Mortenson Davis

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Soliloquy

By Ethel Mortenson Davis

I have been a soliloquy
upon the landscape–
A letter on the horizon’s poem.

I have been accustomed
to aloneness.
We travel well
together.
She has been with me
when I searched
the deep forest
as a child
and
now in the desert,
allowing me to be
who I am,
learning from the sacred earth—
the poetic ground.

She has made me
resilient
like the coral desert blossom
I picked yesterday
and found in my pocket
today,
still fresh, still alive,
still vibrant,
drawing from the deep water
held tightly
within.

© 2010, I Sleep Between the Moons of New Mexico

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Train Ride

by Ethel Mortenson Davis

She feeds him sweets;
he, her, in the seat
ahead of us.

Yesterday, we were young,
but today,
as we climbed
in the Adirondacks,
we felt our age–
hand over hand,
root over root,
tripping over history
and boulders.

I waited for you,
you, for me,
our legs straining
like stressed trees,
trees that send out
a chemical substance
like aspirin
to buffer
their dying–

a train we too
will have to catch.

All four of us stopped
to photograph
droplets of water
on the red maple leaves
suspended like placid lakes
in the rain-soaked day.

But now,
the conductor calls out,
“Express train to
Manhattan,
Grand Central Station–
The Big Apple.”

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Branches and Sky, a Song

a photograph by Ethel Mortenson Davis

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Memories

by Ethel Mortenson Davis

I will take the key
that unlocks you
and peer inside
to see yards and yards
of colorful fabric
on assorted bolts,
some material so thin
air and light comes through,
some so soft and thick
it feels like gray wool
from the long haired mountain sheep.

There I find a memory
from a northern forest
when snow filled up the floor,
and wind blew so strong
we looked for shelter
and found a circle of white cedar
whose branches hung down like loving arms.
Inside the circle
snowflakes were suspended in mid-air
as if in a crystalline hour glass.

And then there was the memory
of the sweetest summer night
in the high desert
when cool breezes played with us
to the tune of dancing hummingbirds
chatting to each other
as the fullest moon came up over the hills:

Two braided ribbons I’ll place around my neck
and wear forever.

© 2010 I Sleep Between the Moons of New Mexico

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Broken Wings

an abstract pastel by Ethel Mortenson Davis

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All We Have Is Sky

by Ethel Mortenson Davis

In the end
all we have is sky.

He walked in winter
across the mountain
many times,
searching for the plant
dried by winter’s cold
that looks like all the others.

After many days
the medicine man
found the herb and planned
two ceremonies
for the whiteman,
a man who extended his arm
to The People, and they, The People,
extended their arms.

They took him
to a sacred place
high in the mountain,
performing the secret ceremony
where sky
is greater than the earth.

The white man walked
in two worlds.

“You will be okay,”
they said.

In the end all we have is sky.

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Summer Night Sounds

a pastel by Ethel Mortenson Davis

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Walk

by Ethel Mortenson Davis

March
and new snow
last night.

Black dog
on white,
two miles
into the woods,
and we see
timber wolf tracks.

Then sister wolf
flashes past us,
a great roaring ball
of white and gray
whose size
dwarfs you,
dog.

But we are
not afraid.
Just in awe.

To see a glimpse
of you
is like a gift,
like an eagle
taking off
into the air,
and we are lifted up.

I see a surprise
smile on your face.

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