10. Not Just a Little Girl Alone

by Thomas Davis

I

The morning light spilled on the floor and woke
Wei from a dreamless sleep. She yawned and stretched,
Got up into the cold of early morning.
She built a fire to take the chill away,
Then fried potatoes on the stove before
She shrugged into her heavy coat and stood
Before the door, her heart-beat loud, her hands
So still they felt as if they’d never move.
She felt her mother’s hands move through the air.
She let her hands move like her mother’s hands.
Light jumped into the early morning light.
Outside a hissing sound steamed through the air.
Wei stopped the motions, pushed against the door.

A wall of snow confronted her beyond
The space her light had made around the door.
She started weaving hands again, the light
Streamed from her fingers in the frigid cold.
Snow turned to steam, a whiteness hissing up
Into the morning’s crystal clear blue sky.
She walked toward the wood pile, open ground
Materializing as she slowly walked.
She felt triumphant, filled with victory.
The storm was gone, and she could make a path
Through seven feet of hard packed, drifted snow.
She’d make it through the winter storms and cold.
She was not just a little girl alone.

II

The Old One, tired from lack of sleep, went out
Onto the ledge outside her cave and launched,
her wings alive to currents in the air,
Her eyes so deep with seeing that the universe
Throbbed, blazing morning light, around her head.

She flew above the cabin where the girl
Was steaming snow into the morning skies.
The sight of magic shining in the sun
Unsettled her; the girl unsettled her.

A moment later, higher in the sky,
She saw two hunters, with their snowshoes sunk
Into the sweeping plains of drifted snow,
Strain up the mountainside, the snow too deep
To let them make the three day trek to where
The human girl was gathering her wood.
They’d be at least a week at struggling
Up slopes that steepened rising into mountains.

What should she do? She asked herself, disquiet
a power in the steady beat of wings.
What madness had the girl brought to the world?

She swooped toward the hunters, forcing them
To see her hurtling from the shining skies.
The hunters stopped and looked at her, dismay
And fright stunned through the way they stood and looked.
The one she’d singed raised up his arm and fist.
She tipped her wings and soared toward the mountains.

She flew above the cottage where the girl
Was loaded down with heavy chunks of wood.
She swooped so low she had to swerve to miss
The cottage roof, her whirling, golden eyes
Locked deep into the girl’s small human eyes.

Wei did not flinch or turn her head away,
But looked into the Old One’s eyes, a question
Unsaid inside her look. Ssruanne soared high
Toward the mountain peaks again, toward
The places where the wind blew unabating
In fierce intensity and moaning rage.

III

Wei felt the dragon’s wings before she saw
The eyes that coldly bored into her mind.
She felt intelligence inside the glare
And felt the dragon searching deep inside
Wei’s heart. She stood and watched the golden dragon
Fly up toward the mountains high above
The peaks that towered over where Wei lived.
She fought to memorize the dragon’s shape
And how it felt inside its golden eyes.

IV

Inside the moaning winds the Old One sent her thoughts
Toward the human girl. Run child, she thought.
The hunter has his cunning and his bow.
The dragons have no love for human kind.
Child, run and hide, she thought. From all of us.

Audio: Not Just a Little Girl Alone

Note: This is the tenth installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward. Click on 9 to read the ninth section of the poem. Click on 11 to go forward one section.

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Night Blossoms

by Sonja Bingen, our daughter

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The Aureate Song

by Ethel Mortenson Davis

The golden-throated lark
has returned to play
his gilded song,
a three-dimensional tune,
as if it comes
from golden instruments
cast in some
heavenly place–
like the music
from the golden singing
bowls of Tibet,
hammered and made beautiful
by Buddhist monks.

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Viquae

a design by Alazanto, Kevin Davis, our son

Note: Kevin was best known as a web designer. His designs were given as examples in books published both in the United States and Japan. In addition he did a number of art designs of which Viquae is one. Typographically expressive, Kevin said, about this design: “The wings, faces, reflection, and roots are represenative of the creative mind.”

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Horses

by Ethel Mortenson Davis

Because they can’t feed them,
the poorest people
turn their horses loose
in the desert.

These horses find some
grass and weeds
a couple of months in a year,
but mostly brown stubble,
and water that is impossible
to find.

Finally they round some of them up,
with sand in their bellies,
and ship them to slaughter houses
in Mexico
where men with knives kill them
by stabbing them up to twenty times
before they are brought down,

before they see
grass as tall as their shoulders
near a watering stream.

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Early Spring

a photograph by Sonja Bingen

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Sonnet 40

by Thomas Davis

The doctor, looking down at him, her voice
as soft as early springtime rains: “I hate
how cancer takes a person, steals their choice,
and makes inevitable their certain fate.”
She paused, a stranger. Then she shook her head.
“He was extraordinary. You can tell.”
She gently touched his clutched-tight hand, the bed…

“He asks the nurses how they are. The hell
he’s going through, he wants to know if they’re okay.”
She sighs and looks at Ethel, then at me.
“This ward is tough. Old cancer never plays,
but does his business, never lets us plea

for mercy.” Silence. “Fighting him is hard.
He leaves us memories, our lives in shards.”

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Dream of Horses

an abstract pastel by Ethel Mortenson Davis

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Soliloquy

By Ethel Mortenson Davis

I have been a soliloquy
upon the landscape–
A letter on the horizon’s poem.

I have been accustomed
to aloneness.
We travel well
together.
She has been with me
when I searched
the deep forest
as a child
and
now in the desert,
allowing me to be
who I am,
learning from the sacred earth—
the poetic ground.

She has made me
resilient
like the coral desert blossom
I picked yesterday
and found in my pocket
today,
still fresh, still alive,
still vibrant,
drawing from the deep water
held tightly
within.

© 2010, I Sleep Between the Moons of New Mexico

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Waterfall

a photograph by Sonja Bingen

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