Viquae

a design by Alazanto, Kevin Davis, our son

Note: Kevin was best known as a web designer. His designs were given as examples in books published both in the United States and Japan. In addition he did a number of art designs of which Viquae is one. Typographically expressive, Kevin said, about this design: “The wings, faces, reflection, and roots are represenative of the creative mind.”

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Horses

by Ethel Mortenson Davis

Because they can’t feed them,
the poorest people
turn their horses loose
in the desert.

These horses find some
grass and weeds
a couple of months in a year,
but mostly brown stubble,
and water that is impossible
to find.

Finally they round some of them up,
with sand in their bellies,
and ship them to slaughter houses
in Mexico
where men with knives kill them
by stabbing them up to twenty times
before they are brought down,

before they see
grass as tall as their shoulders
near a watering stream.

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Early Spring

a photograph by Sonja Bingen

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Sonnet 40

by Thomas Davis

The doctor, looking down at him, her voice
as soft as early springtime rains: “I hate
how cancer takes a person, steals their choice,
and makes inevitable their certain fate.”
She paused, a stranger. Then she shook her head.
“He was extraordinary. You can tell.”
She gently touched his clutched-tight hand, the bed…

“He asks the nurses how they are. The hell
he’s going through, he wants to know if they’re okay.”
She sighs and looks at Ethel, then at me.
“This ward is tough. Old cancer never plays,
but does his business, never lets us plea

for mercy.” Silence. “Fighting him is hard.
He leaves us memories, our lives in shards.”

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Dream of Horses

an abstract pastel by Ethel Mortenson Davis

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Soliloquy

By Ethel Mortenson Davis

I have been a soliloquy
upon the landscape–
A letter on the horizon’s poem.

I have been accustomed
to aloneness.
We travel well
together.
She has been with me
when I searched
the deep forest
as a child
and
now in the desert,
allowing me to be
who I am,
learning from the sacred earth—
the poetic ground.

She has made me
resilient
like the coral desert blossom
I picked yesterday
and found in my pocket
today,
still fresh, still alive,
still vibrant,
drawing from the deep water
held tightly
within.

© 2010, I Sleep Between the Moons of New Mexico

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Waterfall

a photograph by Sonja Bingen

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9. Ruarther’s Threat

by Thomas Davis

As Reestor glared at him, Ruarther felt
As if he’d turned to stone, his spirit hard
And eyes as cold as when the wall of ice
Had overtaken him inside the field.

“We’ve been at peace with dragons much too long
To start a war with them,” the old man said.
“You’re dreaming’s not enough to have them fly
Above us as their breaths chars all we love.”

“It was no dream,” Ruarther growled, his temper blazing.
“The dragon singed me with her stream of fire!
We have to kill the witches’ girl, or else
The world will change in ways that weird us all!”

Ruanne, disoriented, looked at her only love.
He’d kill the child? She’d dreamed of having children
Since childhood, playing with her handmade dolls.
What child had powers strong enough to cause
Grown men to quail before their unlived lives?
She tried to see inside Ruather’s rage
And understand what fear was driving him.
A hundred times she’d thought she’d earned his love,
But every time he’d danced away from her.

“Why do you meld the dragon with the child?”
A stubborn Reestor asked, eyes fixed on rage.
The man was weak yet, still affected by
The storm he’d barely made it through to home.

Around them half the village stood inside
The hall, the argument a bane when winter
Was harsh enough to threaten all of them
If they could not depend on long-term braids
To knit their wills together as they strove
To live until the distant, longed-for spring.

“The dragon spoke about the child,” Ruarther spat.
“Why wouldn’t they be linked? She spoke of her.
If not from spelling by the witch’s child,
Why would a dragon speak again to men?”

Old Molly grasped Ruanne’s slim hand and hissed.
“You’re young, young man,” she said. “Your blood runs hot
Or else you would have known what good is yours.
You’re foolish. In the past we fought the dragons,
And many died, but then the dragons seldom
Attacked unless they were alone, but now
They have communities just like this place.
If stirred, they’ll come together in a pack.”

Ruanne felt like she ought to scream the swirl
Of roiling feelings trapped inside her chest.

“The storm is done,” Ruarther said. “I’ll go.
It doesn’t matter what the village thinks.
I see the danger rising in a cloud,
and like I’ve brought back game when others failed,
I’ll save the village from temerity.
The weirding’s got to stop. The girl is dead.”

Ruanne heard children screeching in the snow.
The storm was over. Now they’d laugh and sing
As if the awful winds and cold had never been.
Inside her mind she felt the dragons flying
In multi-colored packs, an endless stream
Of fire and deadly claws out of their caves.

“I’m leader still. Not you, not yet. You won’t
Go up the mountain,” Reestor said. “We need
More meat. The hunters have to hunt for game.”

Ruarther glared at him. He glanced at Brand.
The hunter looked away as if he heard
His young ones as they worked to dig a path
Between the cottages through feet of snow.
At last Brand looked into Ruarther’s eyes.

“No hunter has your strength or skill,” he said.
“You need to throw your madness out and be
The leader that you’ve always been for us.”

“Nobody understands,” Ruarther said,
His bitterness a rancor in his voice.
“Nobody felt the heat of dragon flame.”
He turned and looked toward the hall’s great door.
He looked at Reestor. “I have always done
What’s good for all of us,” he said. “I’m certain
Deep down that what I’m doing’s for the best.”

Before the men around him moved, he strode
Toward the door, his face implacable.

Ruanne took flight outside her thoughts, her feelings
As raw as skin upon the head of children
Brought out into the light outside the womb.

“You’re wrong,” she heard herself say, voice as sharp
As sharpened knives. “You cannot kill the child!
To kill a child forever marks the soul
With blackness stained into an evil life.”

Ruarther stopped and looked into her panicked eyes.

“I’ll love you all my life,” he said, voice loud.

He turned, picked up his bow, plowed through the snow
Toward the stone wall built around the village.
Inside the hall a hunter, Cragdon, startled,
Then left the hall to join Ruarther’s rage.
His young wife grabbed at him, missed, wailed with fear.
The young man did not stop or even pause.

Audio of Ruarther’s Threat

Note: This is the eighth installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward, 8 to read the installment before this one. Click on 10 to read the next section.

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Patch of Life

a photograph by Alazanto, Kevin Davis, our son

Note: This was taken on the day that Ethel wrote about in the poem, “Train Ride,” below.

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Train Ride

by Ethel Mortenson Davis

She feeds him sweets;
he, her, in the seat
ahead of us.

Yesterday, we were young,
but today,
as we climbed
in the Adirondacks,
we felt our age–
hand over hand,
root over root,
tripping over history
and boulders.

I waited for you,
you, for me,
our legs straining
like stressed trees,
trees that send out
a chemical substance
like aspirin
to buffer
their dying–

a train we too
will have to catch.

All four of us stopped
to photograph
droplets of water
on the red maple leaves
suspended like placid lakes
in the rain-soaked day.

But now,
the conductor calls out,
“Express train to
Manhattan,
Grand Central Station–
The Big Apple.”

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