by Ethel Mortenson Davis
In memory of Donald Sharp and Rumi
Was it the spring stream,
flowing out of the escarpment
tumbling, bubbling over fallen birch trees?
Or was it the large, sloppy snowflakes
falling in the spring morning’s forest,
as trees held their breath,
held their breathing
for the sun to overtake the cold,
that made my wings open and close,
readying me to take flight?
Filed under Ethel Mortenson Davis, poems, Poetry
by Ethel Mortenson Davis
There is a part
of me
that walks and talks and sees,
but then there is
another one
that has parts of wings:
Wings that take me
to the highest green cliff,
then drops me to the sea
to catch a ride on the back
of the dragonfly
as he crosses the land—
wings
that take me
to the farthest planet,
the red one,
then pulls me
back to the forest
where green moss
clings to the north side
of trees
in winter’s cascade
of blue shadows on snow and sparkling sun.
Filed under Ethel Mortenson Davis, Poetry
He sank into the raven’s eyes.
Their surface sheen reflected snow
Back at the whiteness of the skies.
A concave warp of vertigo
Unshrouded mice in tunnels cached
From clawing eyes that beaked black wings
Above the scurrying that snatched
Blood past the raven’s ravenings.
Inside his heart black feathers stirred
Into his hands, his human life.
A crucible croaked from the bird,
Its blood inside his blood a knife
That tunneled black rimmed raven eyes
Into a cedar block that pulsed with wings
And raucous swells of clawing cries
That made the forest’s stillness sing.
He shrugged his spirit from the bird
And left it listening to snow.
He walked through darkness, undeterred
By failing light, the silver glow
Of moonlight through the limbs of trees.
Outside the house he stopped and stared
At birds he’d carved into the eaves.
In rooms, on fence posts wings were flared
As birdsong choired cacophony
Into the silence of the night.
The house moved, spirit-fantasy
Of birds eternally in flight.
Note: This poet is a companion to “Encounter with a Gray Morph Owl.” The idea came from an essay by Norbert Blei in “Door Way, the People in the Landscape.”
Filed under Poetry, Thomas Davis
a design by Alazanto, Kevin Davis, our son
Note: Kevin was best known as a web designer. His designs were given as examples in books published both in the United States and Japan. In addition he did a number of art designs of which Viquae is one. Typographically expressive, Kevin said, about this design: “The wings, faces, reflection, and roots are represenative of the creative mind.”
Filed under Art
fourwindowspress 