Tag Archives: poetry

Genius: Mildred and Bill

by Thomas Davis

To Mildred Hart Shaw and Paul Pletka

A sherry in her hand, surrounded by
the books that filled the room from floor to ceiling,
she watched the young man, self-absorbed, apply
a tiny brush to lead-framed glass, a feeling
of richness emanating from a scene
of large-eared rabbits sitting in the snow
beside a gully, mountains rising white, pristine,
into a winter sky that almost glowed.

The glass had traveled west a hundred years ago
strapped in a wagon pulled by two huge horses.
“That’s good,” she said. “It has a Christmas glow.
No rivers, but it sets the rivers in their courses.”

“A Christmas door,” he said. “It’s here, but then
you’ll wipe it clean to make it just a door again.”

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To the Innocent

For Troy Davis

by Ethel Mortenson Davis

I hope you are
in a place
where there is justice,

where there is love
unconditionally,
the end

where young men
no longer are lynched
by ropes,
or the machinations of killers,

where there is light
and not the suffocating,
ethered mud,

a place where you will
rise above humanness.

I hope you are in a place
called Justice,
a place that will never be named
Georgia.

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A Life Piles Up in Heaps of Moments

by Thomas Davis

A life piles up in heaps of moments locked
Inside a memory that sputters like
An engine on a day when trees are frocked
In ice and cold coagulates and strikes

Into the spirit of mechanics, heart
Of arrogance engendered by humanity.
My mother, eighty-five and still as smart
As when a forest fire compelled her family

To flee the lumber camp in Colorado,
Remembers how she acted when a plate
Of deep-fried whistle-pig, her mother’s bravado,
Seemed like the inevitability of fate.

But yet she has no memory of what
My father faced at Anzio Beach in World War II
Where death walked sandy shores and lives were cut
From life as sunrise glinted light from morning dew.

My wife walked out onto a ridge as lines
of light streaked clouds down from a thunderous sky.
She did not see the stallion in its prime
Half merged into the land, its wild, deep eyes

Fixed on small tufts of dried-out grass and weeds–
Her life encased by all the great immensities
Surrounding her and him and all the seeds
Of memory that bloom, meander, flee.

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The Bell

by Ethel Mortenson Davis

I heard
a temple bell
far away—
a deep rich
summoning voice.

Then
a medicine man
came to my bed,
beating the air
around my feet
and head,
beating the cobwebs
of sadness stretched
over me.

A dream.
I know because
the dog did not stir.

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An Eve of Wind and Shakespeare

by Ethel Mortenson Davis

This wind of eve
has a tinge of Hamlet’s madness
that harbors
the fear of this world
and the next.

The howling witch
casts a fear of man
across my throat and chin.
Blackness seeps
into my brain.
We cannot live,
nor do we want to die.
It is the worst of life and death.

How can I say
or write this word
when she takes
my tongue and hands
and leaves in their place
twigs to scratch with.

I glimpse the view
of the moon backwards
in my mirror—a kinder,
gentler heart.

This windy eve has a tinge
of Hamlet’s madness.

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The Poet and the Artist

by Thomas Davis

Inside the trailer sitting by a ditch,
the mixing bowl still clinging to the dough
that went into the oven hours before
to make the fresh-bread smell of early morning,
the poet, young, sat down to write a poem.
She pursed her lips and pledged a word to paper,
stopped, got up from the folding table, looked
as if a storm had started brewing thunderheads
behind her eyes, crossed out the word she’d written,
put down another word, and then another,
decided that the first line was not right,
crossed out the line, and searched for fire, for stone
grown out of ancient trees into a rainbow
of carbon, agate, life long gone remembered
in music swelled out of the lines she wrote.

She worked for hours, the crossed out words and lines
alive, then petrified into oblivion
across a half a dozen pages, images
half formed, then tossed away into the blaze
of other images born from the dance
of words dredged out of who she was inside
where light burned, thoughts danced, deep emotions swirled.

When, at long last, the poem was done, she shrugged,
picked up a stick of charcoal, stormed a portrait
of Pasternak, romantic, breathing, flaring
into his Russian world, onto a newsprint pad

and finished faster than the morning’s bread had cooled.

Pasternak, a Portrait
by Ethel Mortenson Davis

“Pasternak” originally appeared in The Rimrock Poets Magazine, Thomas Davis, Richard Brenneman, and Art Downing, editors, December 1967, Vol. 1, No. 1.

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September 11, 2001

by Thomas Davis

1

On the road home, Jack Briggs in the back seat ill,
The first phenomenon we noticed was empty skies:
No silver airplanes glinting light, no white cloud trails,
An emptiness that had existed before the Wright brothers and Kitty Hawk
Stretching back to beginning birds, dragonflies, butterflies.

In Ohio we began to see people with flags on overpasses,
Sometimes just standing, other times waving at passing traffic.
Once or twice small clumps of people looked like they were singing.
We were driving fast and could not hear them.

2

I had been in the offices of Internet Two, where futures are building,
When the first plane hit the first of the Twin Towers in New York City.
A young technician, voice puzzled, went from office to office
Telling us we had better come into where big monitors were turned to CNN.
The first images of the first plane were exploding dread into consciousness
When the rumors started: The White House had been bombed;
The Pentagon had been hit; something awful was happening on the Mall;
A car bomb had exploded at the State Department.

Then, as two women started sobbing—they had friends working at the World
Trade Center—
After we had leaned back against walls, or wandered away in disbelief,
Or sat down numb before the large television screens,
The second plane exploded into the second tower,
A blossoming flare of flame slicing through steel and concrete
And human lives living high above New York City streets.

More people sat on chairs or on the floor; crying intensified.
You could feel the room’s fear and a cold, stomach queasy dread
That seemed like it could never end—not if the world was sane.
People had been sitting in the seats of those planes.
I had landed at Washington National Airport the day before.
I would fly in an airplane back to Duluth, Minnesota in four days.
People had been working in the offices when two planes had slammed fire
Into the innocence of a beautiful September sky.
I was sitting in an office watching as people died.

Then one rumor was confirmed. The Pentagon had just been hit.
Black smoke and fire were pouring into Washington sky.
I was in Washington. More attacks were expected.
Internet Two was to offload its responsibilities.
The federal government was to close its Washington offices.
The President was in Florida and was coming home.

A man visiting the offices came into the crowded monitor room looking
dazed.
“I went out for a smoke,” he said. “I decided to call home.
A Secret Service agent came out of nowhere and made me give him my cell.”

On the monitor a sober announcer said another plane was down
In a rural Pennsylvania field. Words swirled into rumors
Those still monitoring the Internet kept bringing into offices
Like sentry ravens blackly bent on telling the world
A pack of wolves had come hungry into the woods.

3

Later that night my young soldier-nephew met me at my hotel
After struggling against the flow of downtown Washington leaving.
Walking from Internet Two to the hotel I had passed a half dozen military
guards
On street corners, carrying rifles, looking nervous.
When Grant and I left the hotel into glorious evening
After discovering that cabdrivers, along with the other workers,
Had abandoned downtown and that most restaurants were closed,
We started walking toward Georgetown where you could still get a meal.
The great city was quieter than I would have believed possible.
The only people on the streets were nervous soldier holding loaded guns.
They looked straight at you as you walked past.
We had only walked a block when we saw the first Humvee,
Two soldiers standing in back holding guns to chests
As they kept scanning and scanning empty, darkening streets and sidewalks.

4

That night we rented a cot for Grant. The Metro was closed. There were no
cabs.
He could not make it back to base. He had to stay in my room.

5

In Chicago, driving past O’Hare , we saw the first plane we had seen in days.
Huge, military, black, loud, bristling with communication equipment,
It roared right over our heads. Startled, I jerked the steering wheel.

6

Then, after Virginia, Maryland, Pennsylvania, Ohio, Indiana, and Illinois, we
were in Wisconsin.
In Indiana, at a gas station, a clerk had told me he had never seen so many
rental cars on the road.
We left cities behind and drove into greenness. The sun shined.
Once over the Minnesota border we opened car windows
And breathed Minnesota air and kept saying how good it was to be almost home.
People with flags were on every overpass and sometimes in an empty field.
You could see their flags, and them, coming
And then in the rearview mirror after you had passed.

7

Back home in Carlton, after dropping Jack Briggs, feeling better, in
Minneapolis
And Dave Wise, my other traveling companion, at home,
My wife and I walked down Munger Trail in the morning, beside Otter Creek.
Birds flitted from branch to branch in the trees.
A raven hopped onto the trail and looked quizzically at a rabbit two feet
away.
The creek sang, frothed, and tumbled toward the St. Louis River and Lake
Superior.
We breathed in the country that we were.
We sang the creek into our lungs and hearts.
We flitted in the pine, spruce, and poplar with sparrows, ravens, bluejays and
yellow finch.

8

We are American.
Bodies fell from the two towers in New York City
Before steel, glass, wood, bricks, and mortar collapsed into billowing black
clouds,
Spreading the environmental poisons of mankind
Into the lungs and hearts
Of streams of frightened people running from the clouds.
Black clouds rolled and cut us off from light and breath.

9

Beside Otter Creek my wife smiled,
And the water, birds, rabbit, wildflowers, brush, trees, grass, rocks,
And the earth surrounded us
And entered us
And knitted us connections
That flowed outward in concentric circles from where we were
Down the long road to DC into oceans, past islands, to distant continents
Where a dark-eyed, dark haired, dark skinned man and woman
Walked together by a creek or river or ocean shore
And felt the earth as I felt the earth,
As my wife felt the earth, that morning.

10

So I sing this song,
An American song,
That sings into the melody of a morning beside Otter Creek,
That sings into the swelling symphony earth
And all that is
Or yet may be.

The towers fell.
I saw them fall.
I saw black smoke billowing from a burning Pentagon.

This poem has been performed in Washington DC at the National Museum of the American Indian and in Carlton, Minnesota.

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Celestial Bird: The Poem

by Ethel Mortenson Davis

One
became caught
last night
in my net.

This morning
I untangled him—
eyes true and bright,
magnificent iridescent feathers,
and a warm beating heart
that stayed in my hand
as I threw him up into the air
so he could
continue his flight
across the universe.

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Henry David Thoreau and John Boehner’s Stone Face Sitting Behind President Obama

Watching Speaker Boehner’s stone face during most of President Obama’s speech to the joint session of Congress on job creation Thursday night, I began to think of Henry David Thoreau and the beginning of his masterpiece, Walden. Thoreau believed he could find the universe in a few acres near the cabin he built for himself by Walden Pond. He thought that most activities pursued by the farmers and shopkeepers in and around Concord, Massachusetts missed the entire purpose of life. From his standpoint too many people lived to labor and complained about the difficulties of their lives. He believed in a businesslike approach to life, but also thought that one good line of poetry, or an understanding of why a common plant that others overlooked was beautiful, was more important in the long range of human and geologic history. “The mass of men live lives of quiet desperation,” he wrote. “But it is a characteristic of wisdom not to do desperate things.”

Looking at Congressman Boehner on the seat above the President and the well of the Congress, beside the Vice President, I thought that maybe he should heed Thoreau’s words: “Most of the luxuries of life, and many of the so-called comforts of life, are not only not indispensable, but positive hindrances to the elevation of mankind,” and realize that the job creators are not after the good of the common man, but after their own good. It is highly unlikely that their good will lead to either the elevation of mankind or even the U.S. economy’s stabilization.

I do not choose to go to the woods and live like Thoreau lived at Walden Pond, carefully keeping accounts of pennies I have spent on seed and materials while making a partnership with the land that feeds me well enough to let me apply myself to thoughts about universal truths and poetry. Although his attitude attracts me like nectar attracts a honeybee, I cannot, for the life of me, throw myself into poetry, philosophy, and science and ignore the daily news. I cannot even discover the wisdom that tells me how to avoid the desperation that surrounds us in these troubled times. Thursday night, driving home after work from Crownpoint through the canyon to Thoreau to Continental Divide, I listened to President Obama on radio and hoped he would get what he was eloquently pleading for even though I am afraid that an even bolder plan may be needed if I and Ethel are going to be able to retire with even a meager comfort.

Later, when I saw Boehner’s face after I got home and watched CNN and the blathering class blathering, I, along with the rest of the world, knew. The Republicans were not going to embrace the President’s proposals and try to rescue the country from its malaise, but were going to parse, give faint praise, and talk about consensus because the disaster they created for themselves out of the debt ceiling fight made them wary of going the way of the charging rhino into the market square again. They are going to dance the macabre dance of middle class destruction while singing as if they and the uber rich are going to make all right with the world again.

One of the questions that plagues me is this, how do we live in a world that seems to be going downhill without falling into a despair so black that we cannot see the horizon even if it exists? While the uber rich enrich themselves while increasing already too high piles of hindrances to the elevation of humankind, how can we, as individuals, smile when we see a field of wild sunflowers shining yellow in a late afternoon sun or laugh for joy when our grandchild hands us a strawberry he has just picked and looks puckishly at us to see if we get that this is his gift even though we are standing inside acres of fields of strawberries? How do we keep the quiet desperation of the mass of common men at bay long enough to live the lives that we could live if Boehner did not look so stone faced while sitting behind the President?

As far as I know I have written poetry since I was twelve years old, and I married an artist and a poet who still amazes me even after forty-three wondrous years of marriage. When Kevin, our son died so young of cancer, about the only solace I had was to sit in his sickroom and try to think through life by writing sonnets. The good lines of poetry Thoreau valued are hard to come by, but when they do come, there is a moment when peace slips through despair and allows us to understand, if only for a moment, the promises in every moment we take a breath.

In the end, in spite of the difficulties of life, John Boehner, and those that are hindrances to the good of humankind, I am a positive rather than a negative human being. I work everyday as an educator, trying my best to touch lives in positive, rather than negative ways. I look at my wife and marvel that she deigned to marry someone as unpromising as an unpublished poet. I write poetry and sing songs that search for emotions and truth that go to the center of what is good, rather than negative, about human beings. I try to keep my ego in check and realize that every time I honor someone that I know or who crosses my path I create a rhythm that pools outward and helps to make this day a slightly better day.

Henry David Thoreau was right. If we can plant a garden and tend it with our own labor and study the colors of sunset reflected off a small pond as the sun sinks in the west, then the day’s news is not as important as it seems. If we can spend a little bit of time working on moments that can make a difference for ourselves, our families, and those in our lives, then the stone faces of the world are not as important even if they are remembered fifty or a hundred years from now for their foolish arrogance. Let them fume, fuss, gather their loot, and place it in the tombs of their vaults. They cannot truly appreciate a single good line of poetry from any poet worth his or her salt.

Let us give them hell and try to limit the damage they are doing, but let us also remember that they are not the substance or the meaning of our lives.

Tomorrow, with any luck, Ethel and I will get up early, work on poems, and drive to Inscription Rock Trading Post for the every Sunday meeting of the Zuni Poets. We’ll forget, for awhile, about President Obama’s speech, John Boehner’s stone face, and the slow, unconscionable withering away of the middle class, and sit on the outdoor patio where the wind chimes sometimes make it hard to hear as we would like to hear as the other poets read their poems. We’ll store up eternity inside who we are as it is unleashed by poems as good as any being written in the world today, and the demons will snarl their deprecations of sanity away from where we are, and we will feel good as we drive around a bend and see the glory of Mount Taylor towering blue in the distance above the slopes of the Zuni Mountains.

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My One True Love And the Meaning of Moments

by Thomas Davis

She stands inside the garden’s blooming, still
As long green stalks that reach toward the sun.
Above her head the Arcosanti bell,
A gift brought to her by her lovely son,
Waits wind to stir its deep, pure voice to song.
Her graying hair shines in the early morning light:
A silent testament to births and how
Her son died in a place she did not understand
And how her daughters have a boundless grace
And how granddaughters gleam and grandsons spark,
One caught inside autism’s draining clinch—
A binding to the yellows, blues, and pinks
Of blooms she planted in the early spring

Then, whirring, one bold calliope bees
Up to the bright red feeder near her eyes
And slips its slender beak into the hole
Where nectar made inside her kitchen sink
Transmutes into an iridescent energy.
A moment more and clouds of hummingbirds
Kaleidoscope around her head; her eyes
And spirit swirled into a halo born
Of flowers, bell, the hummingbirds, the light
Of early morning, all the life she’s lived.

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