Tag Archives: poetry

Midas had no Regrets on the Day When Poetry and Family Died

by Thomas Davis

The unemployment rate during this time of the Great Recession is haltingly going downward. It is acting like a rusted pair of gears that have been unused for years, but now someone has decided to make them do their old work again. They turn, but so slowly they barely seem to move. A little oil might help the economy’s gears, but that, coagulated in the veins of political discourse, seems to be in short supply. Republicans are into magical thinking: Motivate the rich, and they will invest the new money they get, even though they are not investing the piles they have piled up now, and the gears will not be only oiled, but greased. They seem to be incapable of understanding that money is not the central reason for living and therefore not the Great Motivator they would make it seem.

Of course, maybe they have not learned what Midas learned. If all you care about is gold you run the risk of turning into a Midas-shaped gold bar. Maybe they are so tuned into the vibrations of the wealthy’s economic machinery that they have forgotten to feel how sharp wind is as snow pelts out of the dark skies of early morning. Maybe they can no longer see the beauty in a mountain chickadee braving the storm for the last seeds left in bird feeders in the pinyon tree outside the kitchen window. Eyes made of gold have trouble seeing out of their golden pupils.

The Democrats are a little better. They seem to understand that when people buy and use the goods and services of commerce, the gears work a little better, but they seem caught in a spider’s web of Republican actions and words and their own dreams of golden sunrises pouring lucre in their pockets from the Great Wealthy. Even Obama, who I once thought was the Great Hope, does not seem to be able to maneuver even modest amounts of oil onto the gears. You can sense he is trying when the great Golden Powers That Be are not yanking his chain toward the magical thinking they espouse, but the gears are moving slowly.

As I sit my cluttered home office in Continental Divide, New Mexico touching my keyboard’s keys, I am haunted by so many things I can hardly visualize them. They flit in and out of existence as if thoughts are more miasma than words.

If I am motivated by anything, it is poetry: The words, thoughts, visualization of a graceful pinyon growing out of a crack in a sandstone slope so steep it is almost a cliff, ideas, symbols and metaphors echoing back into the history of human writing and thought, deepness of my love for Ethel, my wife for going-on 44 years. To sit down and write a sonnet is a joy that has always, even in grief’s entrails, made life worth living. But, of course, poetry is not enough. Not really.

Family, wives, sons, daughters, granddaughters, grandsons, all the relationships that make us who we are as humans, is more important than poetry, or the words that sound endlessly in our human heads, or anything else that comes solely from ourselves. Neither our selves nor those who make up our relationships will last forever, but while we are here, flailing about in the noise and contemporary world’s tumult, they provide a place where joy and happiness can exist. The people in the family have to be strong and gentle in their relationship to you and each other. Love true and generous can lift you past the humdrum of everyday while living through the everyday, but a good family and good relationships are much more important than even poetry, though God knows I love poetry and sometimes (if they are not too full of themselves and what they do) poets.

But inside these goodnesses is the canker of how to make a living, how to be part of the middle class always striving to make ends meet and go out on the town by buying a meal at a restaurant. Poets can starve. That’s the poet’s old image. Families can struggle. Relationships always take work and struggle. But if a nation has a purpose, its purpose is to take care of its people, to make both poetry and family possible in a way that does not force poets to starve and struggle does not wholly define and mar relationships in a family.

The Great Recession is not a blessing for either poetry or families or much of anything else. Ethel and I have been lucky. As an educator, working hard to make the future better for students and the Navajo Nation, I have been joyfully employed during this difficult time. But my students and their families are struggling even more than they struggled with poverty during better economic times, and as the middle class my parents struggled so hard to find their way into thrashes like a blind, caught beast in the trap it finds itself in, feeling like it is dying a slow death if not actually dying that death, I despair. What is going on? What is the answer?

Is technology the culprit underlying the foolish and miasmic words and actions of the political elite? Does it eat jobs as if they are a great crocodile’s prey, threatening the livelihoods people all over the world need in order to have the chance to live good lives? I have embraced technology and the future it promises all my life, but maybe I was wrong. Will innovation, the panacea offered by political speeches and my instincts, truly be the savior? Does one profession really die only to be replaced by another that spins human society on down the road to an improving future?

Has education, the deepest of my passions after poetry and family, become obsolete?

I reject that notion with every fiber in who I am, but I also know that a teacher, trying to teach with thirty-five students anything in a classroom, is just a talking head, and all over the nation Governors of the Great State Of are forcing more and more students into classrooms that cannot effectively act as places where learning can occur. Accountability! the pundits cry out. Accountability! All the while saying you can’t throw good money at problems. You have to solve the problem, forgetting that once this country had the greatest education system and greatest economy that ever existed until their wisdom started tinkering with it. The day Accountability! became the mantra and Those Who Raised Themselves By Their Bootstraps after inheriting their Daddy’s money began wanting the education system to increase their personal wealth by training students in a way that took the burden of training workers off them and their business, the performance of public schools began spiraling downward. Charter schools, tax breaks for property owners, especially for the elderly (meaning, of course, for the guy who owned the factory in the center of town and the rich Cadillac dealer on the corner), databased outcomes, and testing, testing, testing! followed the creation of an issue that has now become a crisis. The education system is broken, they say. Teachers are freeloaders living off the fat cats’ largesse that they have to give out in taxes their tax breaks fail to save them from, and it is wrong.

In the end Midas had no regrets. He was a golden statue looking out with sightless eyes at the universe’s beauty around him. Hopefully the Occupy and 99% movement, flaring in cities around the world, will wake up politicians and get them to provide at least a little grease for the economy’s rusted gears. May God grant that there is still room in the universe for poetry and families that have a chance of living the American dream inside a cocoon of the middle class. May the Education Reform movement choke on its numbers so that teachers can teach again and awake the genius of innovation and art in our wonderful children. May poets and teachers both celebrate the honors that they deserve.

And, as I move into the twilight of my life, may I be at peace, believing that the arrow of time is not carrying us toward a dead statue standing in a pool of greed that shines as golden as an indifferent sun.

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Moonlight’s Footings

by Alazanto

The moonlight:
bloody and scathed,
yet still intimate with a surreptitious fog,
crawls under the roots of November oaks.

The crows:
Forms shifting,
aspirations tuned to the leaves,
plot their conquest of riches untold.

I lean against an old light post:
Its tenuous figure leads my gaze toward a languid archway.

Dim shadows can’t stop whispering
as they congregate among misplaced bricks.

I want to talk to them,
but they scuttle away (in fear?),
spreading their wings atop higher estates.

As the streets, so tranquil, succumb to the fog,
the crows burst into chatter,
the oaks slip into laughter,
and the shadows, now mute, carry themselves into flight.

Anger pierces through the thick, grey and encroaching,
dragging along what mooning remains.

The archway awakens with unease.
My footings lost, I fall through its twilit bosom,
only to find you, my love,
at sea in a serene slumber.

That which haunts us shall set aside a bearing

of touch (to awaken),
so gentle of knowing,
that it may resound
in a moon

finally restored.

Note: There are a couple of versions of this poem. This version was on our home laptop. It is shorter than the other versions, and I like it the best. I believe Kevin put it on the laptop during one of his visits to New Mexico since I do not remember doing so.

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Cryptic Moon

A sonnet by Thomas Davis

The moon rose over Grand Mesa’s dark blue rim
dark red, a presence hanging ominously vast
above our heads, the hills around us, dim
from fading light, now eerie, light recast
into a land of shadows burned with burnished red
that made the piñon’s stillness bristle gloom
and rocks elongate as they shined and bled
across a landscape rising toward the moon.

We walked, hand clasped in hand, our love intense,
into the weirding light, our senses shocked
by how the day had disconcerted sense,
transmuted time, the spirit of the rocks.

We walked in silence as the red, red moon
compressed to gold, then silver, a cryptic rune.

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Myth

by Thomas Davis

1

A young man with a fear of spiders on a train
Saw spiders inside, outside the dining car.
His heart began to beat; he had no breath,
Sweat poured from pours he did know he had.

The spiders, hairy, black and yellow, eyes
As big as saucers put beneath a coffee cup,
Ignored the man, but wove their silken webs
Into the air, silk flowing from the train
Into the soils, the meadows, mountains, seas.

As eons passed inside the young man’s mind,
A revelation germinated fire
Inside his head as blinding streams of light
Lit up the beads of rain drops on the web
Where rain was falling, making verdant earth.

He heard the elephants sing songs with voices
So low that only other elephants
Could hear the rumbling along deep veins of rock.
He saw, in total blackness, octopi
Illuminating barren sands with rainbow light.
He understood, at last, how small he was,
How much he throbbed inside the living earth.

Inside immenseness, fear, sweat, beating heart
Were melodies, part of the melodies
Sung softly by the planet earth to space.

2

A woman crawled into a gaping hole,
A lamp strapped on her forehead, ropes and pitons
Tied to her dull green army issued belt.
She clambered over rocks, around a fissure,
Until she found a cavern sparkling
With crystal white stalactites hanging down
From ceilings covered with the wings of bats.

She smiled and crawled until she came
Upon a pool of water clear as glass,
The stone beneath its depths a smooth, round bowl.
She bent and took a drink from waters cold
As all beginnings, as all the universe.

The water in the pool sank into earth.
The woman, startled, jumped back from the pool.
The water shimmered in the darkness, breathing
Around the smallness of her small, harsh lamp.

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Language of the Women

by Ethel Mortenson Davis

The women of the village
started to weave
a new language
into their fabric—
shapes and forms
into their dress,
so they could communicate
with each other.

The men of the village
had treated them cruelly,
along with the children
and the animals
(whose spirits are interwoven).
Girls that tried to escape
had their ears and noses
cut off or worse.

Now, when the women
are in the market,
watched and separated,
they are able to send
messages to each other.

They are getting stronger
every day—

Mighty like the great river
that one day will flow out of that country.

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Unlike the song that I could sing,

if I had voice to make a song,

cold mist slips over red rock cliffs
and pours toward the valley floor
in falling streams of cloud-like veils.

In front of flowing mists cliffs jut
away from faces of the rock,
and sunshine lights afire the red
that burns the spirit of the rock alive.

The silence of the early morning song
is interrupted by the flash
of yellow on a black bird’s wings,
and then the liquid sound of birds
lifts from the valley’s desert floor

as mist slips over red rock cliffs
behind the sunfire streamed through clouds
into the pools of blackbird songs

unlike the song that I could sing.

Thomas Davis

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Prayer

Is the prayer
of the Snowy Egret
less

than the Monk’s supplication?

Ethel Mortenson Davis

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Autumn

Photograph by Sonja Bingen

poem by Ethel Mortenson Davis

She listens
as closely as a lover listens
for the first
sign of her love’s approaching.

Suddenly,
she rushes and embraces winter,
quieted and covered by the coolness
of his death-white arms.

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Old Galrug, a Dragon Ballad

by Thomas Davis

Deep in the swamp inside a cave,
Inside obsidian
That rises shining from the mud
Beneath a midnight sun,
Old Galrug sits and broods about
When dragons have to run

From puny men so small and ugly
And insignificant
That dragons ought to have the strength
To breathe long flames and let the brunt
Of greatness cause a scurrying
By frightened, cowering runts.

But in the gloaming wilds where forests
Loom high above the ground,
Old Galrug, feasting on a stag,
Was startled by the sounds
Of horses jangling through the woods
And turned, his rage unbound.

His nostrils streamed with smoke and flame;
He roared alive the world.
The leading knight came charging through
The trees and swung and hurled
A shining strand of woven rope
Abruptly, swiftly curled

Around Old Galrug’s swaying neck.
His rage transformed to fright
As other knights came charging, ropes
Strung over ropes, winged flight
Impossible as yet more ropes
Bound wings to body, tight.

The knights drew swords and brandished them
As horses charged his flank.
The biting of the gnats drew blood.
He writhed his body, shrank
Away from blow that followed blow.
His raging mind grew blank.

As slashes, pricks of sharpened swords
Sucked life through grievous wounds,
He slashed his tail in his fear
And ripped his body from the goons
Surrounding him and ran into the forest’s
Twilit, welcome gloom–

And as he ran he shed the ropes
That bound his wings and tied
Him to the ground where men were loud
With rage and cursed his hide
And forced their frightened horses forward,
Hearts bent on dragoncide.

He flexed his wings and struggled up
Into the heavy air,
Blood flowing from his dozen wounds.
The cries of men’s despair
A music ringing in his ears,
He flew toward his lair.

But now, inside his cave, he brooded, thought
About the dragons killed
In wars as old as dragon-kind—
The way men gathered, filled
Themselves with dreams of bravery
And dragons’ heartbeats stilled.

Why did so many have to die?
He asked himself. He thought
About the solitary paths
That dragons always sought,
Protecting human gold and other wealth
Their wiles and cunning bought.

Our solitude is killing us,
He thought. It is our flaw.
Inside obsidian he blazed
Frustration as he saw
His weakness lay inside his self.
He gnashed his massive jaws

And spread his massive purple wings
And breathed his stomach’s fire
Into his throat and, wounded, sick,
Displayed his dreadful ire
By roaring at a midnight sun,
Expressing his desire

To end the plague of human brains
That worked to end his kind
And make the world a better place
For human hearts and minds
So they could live their sentience
While dragon life declined.

As fires built deep inside his belly,
He spread his purple wings
And launched into the sun-weird night,
His rage a dragon scream
That had no mind, no hope, no aim
Except destruction’s sting.

He flew inside his red-eyed pain
Until he found a human place.
He shrieked from skies, a shaft of hate
That hurtled, clawing grace
Into the humans screaming, running
As lives were smashed, erased.

Exulting in his power, hate,
Old Galrug tried to roll
Away from ground that loomed too fast,
But as he turned, the toll
Of injuries inside his hatred bled
A flaming aureole,

Filmed over eyes abruptly blind,
And struck into his hearts
As pain became the universe,
And life became a part
Of some lost dream that dragons dream
As life, at last, departs.

The dragon crashed into the ground
And wailing shivered skies
And dying humans reveled at the ending
Old Galrug faced, his cries,
Malevolence, now blind
As, wracked with pain, he died.

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Life

by Ethel Mortenson Davis

we went past
somebody’s place,
and there were things
sitting all over
and kids
and a woman looking
out a window
at a cat,
and the kids
were in puddles
with their eyes in oceans,
and they were waiting
for a storm or something,
and the place
looked twice as junky
as it did when the snow was,
but it didn’t matter
because it smelled warm,
and the sky was heavy,
and life stood in the mud, open-mouthed.

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