Pueblo Bonito Rock Fall

a photograph by Alazanto, Kevin Davis, our son

Pueblo Bonito Rock Fall

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Shell

by Ethel Mortenson Davis

I can’t remember when
the old man’s house became unliving,
when the closed-off rooms became closed-off
from life and put on the shelf,
unusable like the clock in the attic,
the meaning all but gone.

Like the grandchildren’s forgotten names–
who once were through his loins,
now faded memories–
where once the sea breezes of June
and August swept down the hills
and through the house where
now
the shell of a man sits,
a seashell washed up on the shoreline.

Life has long gone out,
and the smell of the air is overpowering,
and I turn away
because it is the smell of death.

The fresh sea breezes
blow down hills
sweet with the wild rose.

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Autumn Sky

a photograph by Sonja Bingen

Autumn Sky

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Ballad of the Barn

by Thomas Davis

“They’ve always been half nuts,” she said.
He frowned, looked pained, and shook his head.

“No matter what, they’re still my brothers,”
He said. “I almost hear my mother’s
Exasperation as she thinks
About the neighbor’s tongues, the stink
They’ve put the family in again.”

As pretty as an elf, her grin
Lit up her face and dark green eyes.
She looked up at the winter skies.
“Storms come and go,” she said, “and tongues
Will wag as long as songs are sung.”

“But Willie drove the tractor through
The barn’s west wall,” he wailed.

“The brew
That Sammy brews could make a knave
Out of a saint inside his grave,”
She laughed. “They had a high old time
Until their words became a crime
Against their sense, and Sammy blocked
The barn door, shotgun ready, cocked. . .”

“The tractor didn’t even stall,” he said.
“It smashed right through the wall and fled
Into the fields as Sammy laughed
As if he’d taken up witchcraft
And addled who he was and sent
His soul into dark devilment.”

“They’ve lived together all these years,”
She said. “They’re old now. Human fears
Stalk dreams and make them long to see
A day when aching bones are free
Of pain, and memories aren’t lost
With morning dew or winter frost.”

“You give them credit when I’d like
To treat them like two kids and strike
Them with a pliant willow switch.
The tractor’s wrecked inside a ditch,
The barn’s west wall is half a hole. . .”

She stopped him with her hand, a droll
Look sparking flitting feelings shuttered
Like screens across her face. He muttered,
Alarmed at how she looked at him.
He’d never felt so ill or grim.

“They’re old enough. . .”

She shook her head.
“They’re ninety eight years old,” she said.
“What is a tractor or a barn?
Ten grandkids hence, they’ll tell this yarn.”

He startled, grinned, chagrinned, and said,
“My mother’s neighbors are all dead.”

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By the Lake

a photograph by Sonja Bingen

By the Lake

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Brothers

I wonder what our families
would have been
had the older brother
taken the younger
into his heart,
protecting him,
helping him?

Had the older sister
loved the younger.
taking the difficult choices
with her?

What would the products
of these families,
the children—us—
have been to each other?

Would we have wanted
To destroy each other?

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Wisconsin Prairie in the Fall

a photograph by Sonja Bingen

Fall

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Spirit Bear

by Thomas Davis

As cold as fish, as gray as slate, a bear
Rose from a foaming wave and walked to shore.
Above gray limestone cliffs a fiery glare
Of maples bent into the tempest’s roar.

Out in the lake clouds churned a waterspout
Into a weave of water, waves, and sky
As frenzied schools of salmon, whitefish, trout
Leapt from the wind-whipped waves and tried to fly.

The bear, eyes black as lodestone stone, stood, roared
Into the roar of waves and shrieking wind
And tipped its massive head, its voice a chord
That stilled the storm and brought it to an end.

As winter gnarled inside the bear’s black eyes,
Its breath spilled geese into the lake and skies.

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Morning Moon, Hills, and Sunrise

Morning Moon and Hills

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October 14, 2013 · 9:55 am

Escape

by Ethel Mortenson Davis

Canadian geese,
gleaning after
the harvesting tractor,
is like
the soul searching
for a place
to enter,
or escape,
into the shafts of light—
like the light
outside the basement door
this morning…

Or was it two maples
that propelled me
across the bay?

Or
the wing
of the Monarch
in the afternoon’s late light?

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