How Hard

by Ethel Mortenson Davis

 
We talked about children,
their schooling,
their boyfriends.
How they are becoming
serious about their relationships.

We talked about children
becoming people.
How hard it is.

We talked about
how hard creating
a new piece of art is.

How much energy
the making of art takes —
an extraordinary piece of art.

How hard that is:
Like the yellow orchid
in the forest this morning
among the blue waters.
How hard the earth struggled
to bring about that flower:

Like my ancestors
that were sailors,
sailing to other lands —
among the blue waters —

how hard.

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In the Dark Universe of Fire

a photograph by Sonja Bingen

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Publication in The Lyric

I just posted two sonnets and then the latest issue of The Lyric arrived in the mail.  The Lyric is the oldest magazine dedicated to traditional verse forms in the North America. Its website can be found at https://thelyricmagazine.com. My Shakespearean sonnet, “A Lover’s Song,” which was written to Ethel several years ago, is in the new issue. I subscribe to the magazine and have had another sonnet published in it about a year ago.

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The Miracle Inside a Storm from Hell Inside the Turning Wheels of Time

Sonnets by Thomas Davis

The Miracle Inside a Storm from Hell

Their misery growing as they splashed through streams
And felt huge clouds above the battered trees
That flung down branches as the sorceries
Of wind and hunger screamed and screamed, and screams
Into their fears, their hatred, useless dreams
The Preacher cultivated with an ease
That wasn’t true, not when the miseries
Of hell danced in the storm’s wild, fierce extremes.

And then, as if inside a miracle,
They reached a lonely church, the raging storm
So fierce they quailed inside its crucible,
And knew the light of God, their spirits warm,
The dreams the Preacher preached so lyrical
It made them feel, inside their hell, reborn.

Inside the Turning Wheels of Time

Inside the rhythm of the wagon’s wheels,
The Preacher, with his people crammed beside
Him underneath a false floorboard, untied
His consciousness from who he was, ordeals
He’d face for years now in the past, and reels
Of rainbow light exploded, amplified
A vision where he felt Ezekiel’s tide
Of prophecies burn like a fire that heals.

He saw his Promised Land, boats filled with fish,
A land of gardens lush as men could wish,

And in the garden of his vision, black
As midnight skies, a shining Adam spoke
A chant so sibilant with grace the almanac
Of hours turned like the wagon wheel’s spokes.

Note:  These two sonnets continue the series that constitute the beginnings of chapters in a book on a black community that existed on Washington Island before the coming of the Civil War.  These sonnets are part of the sequence that deals with the escape of people from the community from the plantations where they were enslaved.   The sonnets are written using a mixture of sonnet forms.  “The Miracle Inside a Storm from Hell” is a Spenserian sonnet.  “Inside the Turning Wheels of Time” is a French sonnet.

 

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“I Let My Students Read Outside Today”

a photograph by Sonja Bingen

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U.S. educational policy today emphasizes “informational text” and performing well on standardized tests based upon a “common core” of knowledge.  The academics, businesspeople, and politicians who insist upon such nonsense have clearly forgotten what learning is all about.  My two daughters, Sonja Bingen and Mary Wood, both teachers, remember how their love of learning was originally sparked, so they are actually teachers who work to instill a love of learning in their students.  If the educational theorists would take a vacation from their heavy thoughts and the hieroglyphics of statistics generated from assessment data and spend some time in Sonja’s classroom reading with her students beneath a blooming fruit tree in early spring, perhaps they would remember that it is not knowledge, but an entertaining book or an excited teacher capable of waking a young mind that leads to learning.  Maybe then they would stop all the unnecessary testing and pontificating and begin to give teachers the support and freedom they need to generate the drive to learn that enriches those lucky enough to have lost themselves in a book on a gloriously sunny day spent outside in the school’s yard.

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Door

by Ethel Mortenson Davis

There,
in the bright morning,
hepatica,
whose leaves stay alive
under the dead layer
all winter,
send up flowers
before all others.
 
It is here where
the pale pink and lavender
are the door opening
to where my god lives:
 
Her angels are the birds
opening their wings.

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Publications

Ethel and I continue to have success at getting poems published.  We both had poems in this year’s Wisconsin Poets Calendar:  http://www.wfop.org/poets-calendar-1/2016-poets-calendar.  We got our copies when we went to the Wisconsin Fellowship of Poets fall convention in Madison, Wisconsin this weekend.  Door County Living Magazine released an article Gary Jones, a fine poet in his own right who had a poem in the last release of the Blue Heron Review that also included a poem by Ethel, wrote at https://doorcountypulse.com/spirits-born-light-poet-tom-davis.  At the end of the article the magazine published a Miltonian sonnet I wrote called “Cherry Orchard.”

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Cherry Blossom Spring

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a photograph by Sonja Bingen

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Two Sonnets: Washington Island’s Black Community

by Thomas Davis

Like Moses in the Wilderness

Like Moses fleeing from the Pharaoh’s wrath
Before the miracle of waters parting,
The Preacher blazed a trail on freedom’s path
As fear possessed their endless fleeing.
 
What was that man or woman really seeing
That passed them while they tried to run and hide?
What accident of fate would send them running
When slavers found them tired and terrified?
 
The Preacher prayed away grim miles and tried
To make their spirits testify that dreams
Are greater than the fear that crucified
Their faith that they could get across the streams
 
And past the towns that blocked their way and threatened
To let the slavers pounce and leave them bludgeoned.
 
The Bridge that was a Wall

The bridge, inside the night, was like a wall,
Small, wooden, unassuming, houses dark
Beside a path that seemed to be a call
To all who needed passage to embark
Upon a journey to the river’s other side.
They hid in brush, mouths dry, dread strong enough
To make them sick, and, silently, wide-eyed,
Saw spectres armed with whips and iron cuffs
Stand shining where they’d have to cross the bridge
Without disturbing dogs or waking up
The people in the houses as the ridge
Beyond the river beckoned past the interrupt
That stood between their anxious dreams and where
Their breaths would feel God’s freedom in the air.

Note:
These two sonnets continue the long series that tells the fictional story of the people of a black community that actually lived on Washington Island in the 1850s before unexpectedly disappearing. Two sonnets from this series were posted earlier.

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Lake Michigan Before Night at Cave Point

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a photograph by Sonja Bingen

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