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Tom’s new sonnet in The Road Not Taken

The new issue of The Road Not Taken, a Journal of Formal Poetry has just published one of my sonnets, “Spreading Wings.” You canhttp://journalformalpoetry.com, then click on the Spring 2016 issue and scroll down. Since both of our daughters, Sonja and Mary, were present at the poetry reading at the Reader’s Loft Bookstore in Green Bay (http://www.houseofthetomato.com/march), I read this Italian sonnet there. The sonnet is about them when they were young. I wrote it during an extremely terrifying time in Ethel’s and my life when Kevin, our 27 year old son, was in the process of dying from cancer. Writing sonnets (I wrote 44 in all) was the only way I could bear what Ethel, I, and, of course, Kevin most of all, were going through. What concerned me day after day was our family and remembering incidents that made up the substance of our lives as a family. This sonnet tells of a time that I remember with great love in my spirit.
Raising children is not always easy, but I like to think that at least part of what Ethel and I have achieved in life is the way our two daughters have reflected into our granddaughters and grandsons. They both are beyond outstanding parents, always willing to sacrifice so that their children can meet whatever promise they have in life. I am also convince that they are great teachers because of the spirit they have inculcated from the time they were toddlers, dancing through life with a verve that gives no quarter to a universe that is not always kind.
I hope those of you who go to read the sonnet will enjoy it.

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Mallard Ducks at the Backyard Feeder In a Snowstorm

photograph by Ethel Mortenson Davis

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by Thomas Davis

Inflamed Imagining: Freedom

Inside the swamp, beside a cypress tree,
White herons in the water, bullfrog croaks
A symphony as dusk, as stealthily
As cat’s feet stalking small, shy birds, evokes
The coming night, the Preacher slowly stokes
The fire blazed in his heart and starts to sing
Songs powerful enough to loosen yokes
White masters forged through endless menacing.

The words he’d use burned deep; he felt their sting
And saw his spirit fire alive in eyes
Awake to dreams, inflamed imagining
Of days spent free beneath glad years of skies.

The darkness deepened underneath the tree.
He’d preach, he thought, then, later on, they’d flee.

Freedom’s First Night, Before Dawn
A Miltonian Sonnet with Two Coda

The white man, with his wide brimmed hat and face
Stunned pale inside a night that breathed with sounds
From woods they’d passed through in their frantic race
Against the coming dawn, turned back around
To look toward the barn that loomed ahead
Of where six families hid in scratchy brush.
He sighed as if he couldn’t flee the dread
He felt in dark before dawn’s first red blush.

“I made a space to hide you runaways,”
He said. He turned again and looked at eyes
That looked at him, cold fear a noxious glaze
Infecting even how the dreaded sun would rise.

“Six families can’t escape at once,” he said.
“I’ve got my family too. They’re still in bed.”

The Preacher looked into the man.
His eyes looked past white outer flesh
Into the place his soul began.
The white man turned again, the mesh

Of eyes surrounding him afraid
To move, to dream, to think they’d leave
This place before their master flayed
Their spirits, made their spirits grieve.

Note:  I’ve included two sonnets from my series on Washington Island’s black community that existed in the 1800s here.  I’ve posted others in the series earlier, although they were not written originally in a chronological order, so they represent how they are written, not how they should appear.  I didn’t know what I was doing at first.  However, the owner of the Fair Isle Bookstore on Washington Island convinced me to write a book about the 1800s black community since no books on that topic exist.  I thought about it, did some research, found some primary source documents, but they were not enough to produce a non-fiction work.  This series of sonnets began to expand.  Then I started writing a novel, which is in progress, with a sonnet ahead of each chapter.  These are the first two chapter heading sonnets in the novel.

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House of Tomato Post of Thomas and Ethel Mortenson Davis’s Green Bay Reading

The House of Tomato website, developed by Tori Grant Welhouse, one of Wisconsin’s most important poets, a graduate of Antioch University London, and the Vice President for the Wisconsin Fellowship of Poets in northeast Wisconsin, has posted a podcast from the poetry reading Ethel and I did in Green Bay on Thursday at the Reader’s Loft Bookstore. The website address is http://www.houseofthetomato.com/march for those who might be interested.

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The Debut of Wisconsin Spring

a photograph by Sonja Bingen

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Ladies Need Fur Coats

by Ethel Mortenson Davis

She went to the great black first,
then the bay.

She had carrots
in one of her coat pockets.

“Which pocket?” she asked.
Their soft muzzles always
found the right one,
happy to munch the carrots.

Then one day
the black was gone,
his stall cleaned out,
and shovels put in his place.

“Where’s Dick?” she asked.

“He went to the fox farm because
ladies need fur coats,” he said.

The bay remained for
a number of years,
sleeping in the winter sun
with his head too low to the ground.

Then one day the bay too
was gone,
his great body and his work
folded into the fields
outside his window.

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Barn Owl

by Ethel Mortenson Davis

BarnOwl

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March Ice on Green Bay

Photograph by Mary Wood, our daughter

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The ice on the bay is darkening and will soon completely melt. It reminds me of when my daughters would pick milkweed laden with a Monarch butterfly chrysalis. The bright green chrysalis would slowly darken as the butterfly was about to emerge. Much like the bay waters in March.

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Northwest Cedars

by Ethel Mortenson Davis

The trees whisper.

He will not lay us low
with the blade,
or render us invisible
with the axe —

So we will light his way
with birds,
music to titillate
his broken heart.

We will get the white bear
to lay salmon at our feet,
streams overflowing
with the red fish.

He believes
he is kin to us
as he climbs
the rocky cliffs
and looks out
across the valley,
exchanging chemicals
with us

like human beings
exchanging pheromones.

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Esopus Lighthouse on the Hudson River

a photograph by Alazanto, Kevin Davis, our son, whom we never stop remembering

Esopus Lighthouse on the hudson river

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