Note: This starts a new series of poems, The Tribal College poems, that tell about the tribal college movement in the United States and the formation of the World Indigenous Nations Higher Education Consortium (WINHEC). In many ways these poems have historical importance, describing events from some of the most important higher education movements that happened in the latter part of the 20th century.
The Maori came singing in rows,
Language as musical as colors of Hawaiian flowers,
Swaying rhythms weaving through island heat,
Capturing in movement wave song of ocean.
The tribal college people came, led by a hand drum,
Feet moving to the drum’s rhythm,
Spirit inculcated into the history of this moment
Away from the tribal homeland,
Maori homeland,
In the islands of Hawaii.
The singing and drumming met
In a swirl of traditional dress
And words from scores of cultures.
The meeting created waves and tides
And a singing beyond the singing of any one people
Or group of people,
And the waves and tides swept outward
From rocky shores of Hilo, past the reef
Into the ocean of the world
As a growing began
That sent echoes rumbling
Into years and decades in the process of borning.
Hi Yah Hi!
There was a little mouse that I knew
Who was singing to the big blue sky.
“Say little mouse,” I yelled at him there.
“What do you see? A blue sky pie?”
“No,” said the mouse as he sang his song.
“I only see a cloud and the blue,blue air,
But the cloud is as white as the winter snow,
And a sky so blue is rare.”
The final passage of The Dragon Epic by Thomas Davis
The morning sun was shining on the cliffs.
The dragonflies were swarming on the pond.
The surface of the pond seemed like it had
An ever-moving veil upon its face
As tiny multi-colored bodies whirred,
Their wings invisible as bodies’ darted
A dance too intricate to recognize.
Ruarther came out of the woods, two hares
Limp in his hands, a light inside his eyes.
Beside the shed Ruanne stopped feeding chickens
That pecked around her feet and fluttered wings
And looked toward Ruarther with a smile.
“We’ll need the hares!” she called out. “Reestor’s sure
To get here near to dusk and supper time.”
Ruarther’s right arm lifted up a hare.
“I’ll get them ready for the pot,” he said
And walked toward the cottage’s oak door.
Above them, using wings to brake her speed,
Ssruanne flew past the cottage, neck outstretched,
And landed heavily upon the ground
Beside the pond and fleeing dragonflies.
Ruanne flipped up her apron, scattering
The seed into the air, as chickens squawked
And flapped their wings, excited by the food,
And walked toward the golden dragon’s shining.
Ruarther altered course and walked to join
Ruanne as warmly whirling dragon eyes
Looked at the two of them approvingly.
Behind them, from the cottage, Wei ran out
The door and shouted as she ran toward
The three of them, excitement in her voice.
“Ssruanne!” she called. “You’re here! At last you’re here!”
Ruarther dropped his hares upon the ground
As Wei ran up between them, smiling wildly,
And took their hands and skipped toward the dragon,
Her joy impelling them toward the pond.
“A human child needs human care,” Ssruanne
Declared approvingly. She reached out, touched
Her nose to Wei’s small hand, and rumbled joy
Deep down inside her chest, her dragon sense
Of life a wave that rippled out into the day.
Ruarther did not say a word, but reached out, touched
His daughter’s arm, smiled, hugged Ruanne to him,
And felt how lucky he had been to live
Into this moment when he was a human man.
To listen to this passage, click on
Note: This is the fiftieth, and last, passage of a long narrative poem, which has grown into The Dragon Epic. Originally inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on Dragonflies, Dragons and Her Mother’s Death to go to the beginning and read forward. Go to The Long Song Done to read the passage before this one.
She stands inside the garden’s blooming, still
As long green stalks that reach toward the sun.
Above her head the Arcosanti bell,
A gift brought to her by her lovely son,
Waits wind to stir its deep, pure voice to song.
Her graying hair shines in the early morning light:
A silent testament to births and how
Her son died in a place she did not understand
And how her daughters have a boundless grace
And how granddaughters gleam and grandsons spark,
One caught inside autism’s draining clinch—
A binding to the yellows, blues, and pinks
Of blooms she planted in the early spring
Then, whirring, one bold calliope bees
Up to the bright red feeder near her eyes
And slips its slender beak into the hole
Where nectar made inside her kitchen sink
Transmutes into an iridescent energy.
A moment more and clouds of hummingbirds
Kaleidoscope around her head; her eyes
And spirit swirled into a halo born
Of flowers, bell, the hummingbirds, the light
Of early morning, all the life she’s lived.
Ruanne’s, the dragon’s, song gave strength to Wei.
She moved her wings inside the nothingness,
Ignoring wisps of spirits straining past
The place she occupied while still alive.
She felt her father, mother, in the void,
But only saw the swirling spirit ghosts
That danced and disappeared in currents stronger
Than any sense of being in a mind.
As other humans joined the song Ruanne
Sang with the dragons, Wei began to feel
A tide that seemed to have a substance absent
From hurricanes of absent spirits flung
About within the coldness of the void.
She spread her human dragon wings and forced
Herself to move into the feeble tide,
Its current stronger as she moved against
Its force, its substance growing grainier.
The song of life Ruanne had brought alive
Surrounded her and gave increasing strength
Until, at last, she saw them in the grayness,
Her father’s and her mother’s arms alive
With weaving substance out of vapored absence.
The universe was dying in her world.
The sentience inside the trees was shorn
Of time that let them draw their sustenance
From earth and rich, black soils; the beating hearts
Of dragons and of humans boiled their essence
Outside the power of Ruanne’s wild song
Into the nothingness hidden by a veil
Millennia had held until the day
Wei’s mother’s love had reached beyond her grave
And made the weirding storm now powerful
Enough to end all living on the earth.
Wei drew the song life sang into her hearts
And sang her love toward the substance holding
Her mother and her father’s selves together.
The chaos roared inside her ears and self.
It seemed as if the nothingness had gained
A life and hated anyone who threatened
To end the substance it now was inside.
The buffeting of cold assailing Wei
Began to draw her from the doorway where
Her mother wove her spells into the world.
Wei gathered up the song of life and hurled
It, filled with all she was, toward her mother.
Her mother’s form, so ghostly in the void,
Became as solid as the love that tucked
A blanket to her daughter’s chin at night
And let her daughter know the safety knit
Into the certainty of mother’s love.
Her father touched her mother’s arm and shook
His ghostly head and waved toward his daughter.
Receding, Wei saw sadness in her mother’s eyes.
Her mother reached toward the power song
Surrounding Wei, and then the substance built
Inside a place where substance could not be
Began to dissipate into reality.
The dire wolves’ howled beneath the canopy
Of forest where they lived the ravening.
The hearts of dragons thundered as they flew
Above the village smouldering from war.
Wei saw her mother die a second time.
She would not visit as a ghost again.
Inside the dusk of chaos tattering
Into the substance of a normal sky
Grief wailed into Wei’s triple hearts and shivered
Across the snow plains to the mountain peaks.
She felt her wings dissolving in the air.
She did not care, she thought. She did not care.
2
The Old One felt the shift inside the chaos.
She spread her wings and tried to see where Wei
Was in the ending of the weirding storm.
A cleansing, bitter wind was blowing hard
Down from the mountain peaks into village.
She strained her wings into the shrieking wind.
Behind her, Mmirrimann was following.
She saw the rainbow dragon sparking light
Into the darkness scattering away
From where the rainbow bands were shooting out
Across the surface of the wintered earth.
Ssruuanne felt that she might be much too late.
She flew much faster than she’d ever flown.
The rainbow dragon detonated light
Into the darkness as the sky turned blue.
A child fell from the light toward the earth.
Ssruuanne swooped low and grabbed the child
Inside her claws and climbed back to the sky.
Ruanne’s song drifted off into a silence,
Her long chant done; her strength gone from her heart.
Beneath Ssruuanne Wei did not try to move.
She breathed, but did not seem to be alive.
To listen to this passage, click on The Long Song Done.
Note: This is the forty ninth passage of a long narrative poem, which has grown into The Dragon Epic. There is one more passage after the one to be put on fourwindowspress. Originally inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on Dragonflies, Dragons and Her Mother’s Death to go to the beginning and read forward. Go to Upon the Brink of Destruction to read the passage before this one. The next, and last passage, is at Having Become Human.
My love’s breasts are full of milk honey,
And the seed of life lies heavily within her.
I praise the quietness of the gentle night
When my voice can love play with her voice,
And the round, straight features of her face are clear.
It is then that the surging waves of the sea
Are drowned in the music of their own singing,
And the cool green depths of an underwater world
Drift through the star milk moods of silence
Running intermittently through the clatter of our tongues.
It is then that my love becomes more beautiful
Than the bazaar of women who display charms
So cunningly to an awaiting, breathless world.
My love’s breasts are full of milk honey,
And the seed of life lies heavily within her.
Note: This was written when Ethel and I were expecting our first child, a daughter, a long time ago.
As Sshruunak and his followers began
To flee the village, Mmirrimann sent out
A panicked plea to stop. Ssruaanne had swerved
To miss the ground near where Ruanne was chanting
Her power song and started following
The beaten dragon horde toward the chaos
That swirled its void around the village walls.
“Join with the witches’ singing!” Mmirrimann
Demanded. “Find a balance for the world!”
The realms of death swept over cottages
And sang their chaos deep in sentient minds.
Ssruaanne wheeled in the sky and linked her mind
Into the song Ruanne was singing, coldness
Numbed deep beneath her scales into her hearts.
She felt the power flowing from the singing Wei
Who’s linked into the words Ruanne was chanting.
She felt the search that Wei was making, lost
Inside the storm of nothingness, the flotsam
Of spirits, once alive, a ghostly dance
That swirled into the living universe
And started disassembling the order
That made time’s arrow flow, its winging gluing
Together possibilities of sentient life.
As Mmirrimann’s strong spirit joined the song
And other dragons found the stream of beauty
Entwined into the magic Ruanne made,
The cording of the music found the fear
In human, dragon hearts and grew until
The silent sound formed bubbles that surrounded
The village and the forest and the lives
That gave the earth its meaning laced in time.
Reality, assaulted by the winds
Of death, rose out of humans, dragons, trees,
And shimmered as another war erupted,
The chaos trembling over all of life
As life fought back with sentient hearts and song.
Below the floors where children hid from dragons,
Their mothers held their small ones close and tried
To ward away the chilling cold with love.
Inside the caves where guardians hovered over
The clutches of the dragon eggs, stunned dragons
Reached out to find the song Ruanne had started
And tried to use the warmth inside the song
To keep the eggs from crumbling to mist
So fierce it penetrated stone-deep walls
Protecting caves and cliffs and dragon life.
2
Ruarther tried to move his legs toward
The cottage wall he’d almost reached when mist
Descended over him and took away
Reality from eyes and touch and smell.
He felt the Spirit Bear, still whole, beside
Him, looking for a way into his physicality,
But, like he’d done inside the weirding wood,
He drove into himself until he felt
The song Ruanne was in his life and started
The process of building who he was from scratch,
His burning core alive inside the deadness.
He could not feel his movement through the mist,
But still he struggled, pushing out from deep
Inside himself into the world he knew existed.
Then, like a hint of morning light before
Light filtered dusk into a cloud cloaked sky,
He thought he heard Ruanne, her sweet, strong voice,
Outside his head, but still inside his mind.
He reached for her and fell into abyss
As dragon minds and human minds were linked
And drummed as loud as any symphony
Had ever been at any human time.
The power of the mind-song slammed his heart.
He even felt the song sung by the stones
That only moved inside eternal time.
He moved inside the sound until he found
The chanting of Ruanne’s sweet voice and joined
His voice to hers and wove a melody
Of two inside the strands of music weaving
Defense against the terror of the void.
There needs to be some certainty in life,
He thought. Inside the certainty is love.
To listen to this passage, click on .
Note: This is the forty eighth passage of a long narrative poem, which has grown into The Dragon Epic. Originally inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on Dragonflies, Dragons and Her Mother’s Death to go to the beginning and read forward. Go to Living Inside Chaos to read the passage before this one.
The dire wolf woke Ruarther from his daze.
A male as large as any that he’d seen,
Eyes red, fur ragged, black as moonless nights,
Snarled, bold, into the opening between
The stone fence where Ruarther stood and woods.
It saw Ruarther, crouched in hunting stance,
And stared at him, its baleful eyes twin cauldrons
That bubbled hatred, blind ferocity.
Ruarther jumped down from the wall and grabbed
The bow from Cragdon’s lifeless hands and sent
An arrow at the wolf in one smooth motion.
The wolf, wise to the wiles of men, moved sideways,
The arrow burying into a tree.
Ruarther pulled the bow again and aimed
At where he thought the wolf would move to dodge
His arrow’s flight; the wolf howled; other wolves
Began to come out of the forest trees.
The wolf dodged sideways once again, but true
To how Ruarther’s aim had been, the arrow
Imbedded sharpened stone in flesh; the wolf,
Now maddened, blindly charged toward Ruarther.
Ruarther sent another arrow deep
Into the charging wolf’s dark heart; it fell
As other wolves howled rage that shivered
Into the roiling clouds behind their movement.
The chaos sang with noises not of earth.
A coldness colder than the fiercest storm
Rolled to the wall and poured into the village.
The howling voices of the wolves were silenced.
Ruarther heard the spirit bear, who’d tried
To occupy his body, in the cold.
It sniffed at him, then sniffed at Cragdon’s body,
Then turned toward the village as a dark
That was no dark descended on the world.
2
Above the battle Wei kept circling
As humans sent their flaming arrows splashing
Across hard dragon scales and dragons fought
With dragons as the village cottages
Caught fire and filled the air with smoke and flames.
She felt the chant Ruanne was singing deep
Inside her spirit, the song so powerful
It seemed to alter how time’s arrow moved
Across the day toward night’s distant rising.
Each time she wheeled to keep herself aloft,
She saw the clouds of chaos moving like
An anvil, dense as molten iron, toward
The village, humans, dragons, and the war.
She felt her mother’s and her father’s songs
Inside the chaos, felt her mother buried
Inside her human dragon triple hearts.
Extinction swirled inside the freezing clouds.
Wei felt the message from her mother’s singing.
A dragon flying through the air, she longed
To feel her mother’s loving human touch
Upon her cheek before her mother tucked
Her gently into bed, the long day done–
But she had lost her childhood when her hands
Had woven dragon flesh around her spirit
And made her more than what she should have been.
At last, the boiling clouds intense with cold
Near village walls, she joined Ruanne’s strong chant
And started changing it away from dragons
That spewed their fire toward her slender body
Toward the chaos threatening the lives
Of every creature, every tree, on earth.
The surge of power as she linked her voice
To Ruanne’s voice was startling; she flew
Toward the anvil-looking clouds and reached to find
Her mother’s and her father’s voice in chaos,
Their struggle as they tried to make an order
Inside a universe that knew no order.
Her mind was buffeted by winds so strong
And cold they numbed her sense of who she was
And almost knocked her from the skies she flew.
Her scales seemed like they would dissolve in cold
And flow into the winds that were no winds,
Her spirit part of nothingness that hurled
Its nothingness around for all eternity.
How could she live inside the nothingness?
The stream of chanting from Ruanne dissolved
Into a song so small she hardly knew
That it still tied her to the world beyond
The gray that sucked at her and tried to meld
Her spirit with the fleeting hints of life
That flowed and merged into the whirlpool-flow
That mocked the order that her parents sought.
Deep in her self, beyond the human dragon
That she had made, she reached toward a song
Beyond her individuality.
She tried to find the hearts of who she was
Beyond the being that she was, the truth
Of how life’s impulse strained against the chaos
Imbedded in existence, making possible
The beauty and the substance of the world.
3
Ruarther faced the cloud and cold and felt
The raging storm of nothingness unman
Him from the human man that he’d become.
He did not flinch, but reached into the place
That let him throw the surging spirit bear
Away from who he was and meld his essence
Into the spirit of the self he was.
The chaos storm’s noise roared into his flesh
And numbed the beating of his human heart.
The cold bit down into his will and sucked
Determination from the spirit that he was.
He turned toward the village, feeling nothing
Inside the dark that raged around his body,
And tried to feel his way toward Ruanne.
She had to be alive. His love for her,
Denied so often in his stupid pride,
Was strong enough to will that she still lived.
To listen to this passage click on
Note: This is the forty seventh passage of a long narrative poem, which has grown into The Dragon Epic. Originally inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on Dragonflies, Dragons and Her Mother’s Death to go to the beginning and read forward. Go to Retreat to read the passage before this one.
Our fathers died, and then your mother left
And took a train ride to her resting place.
There are no words for senses left bereft
The moment living left our son’s kind face.
Our love was glory when it first began to bloom.
We walked brown hills and felt the sky breathe light—
You took your hesitant, unlikely groom
And gave him more of life than was his right.
The days of work and turmoil, gladness, stress,
Have slowed us down and made us feel our years
As separateness has ground against the press
Of love through joyous days and bitter tears.
From gnarling roots of memories and time,
Love forges symphonies of changing rhyme.
fourwindowspress 