Category Archives: Ethel Mortenson Davis

Chaos

by Ethel Mortenson Davis

The piñons
have become brittle
in this dry desert heat.

How I yearn
for the sound of water—
a sound of rain
running in rivulets
and then into fast
moving streams,
finally joining
the rushing rivers.

How I’ve yearned
for the blue-green arms
of Lake Superior
to hold me again
with its disordered forests,
with every kind
of fern and moss
dotting its shoreline.

But the giant piñon,
in its fluid dance
toward the sky,
twists and turns
into the deepest
part of us
and gives peace
to our psyches.

The chaos of nature
brings the mind
to order—
the unplanned spacings
of land and water,
wilderness,
keeps the soul
from flying apart.

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One Moment of Madness

by Ethel Mortenson Davis

One moment of madness
in a thousand is enough
when the brain slips
back into some old wound,

a wound made almost painless
by the shading of years.
Yet the old grooves
are easily found—
like a seal of shame
worn open in the sun.

And in the splitting of madness
all is lost to one emotion,
but regained
in the clear-formed thought

as seeing the precious stone
occasionally in deep rock.

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Butterfly Lover

by Ethel Mortenson Davis

The Mourning Cloak
came to the garden
and sat near my foot.
Large, chocolate wings
greeted the sunshine.

Remember when we talked
about the butterfly effect?
You were excited
about that theory.

You talked about butterfly power.
Do you remember?

When the Chilean miners
told about the butterfly in the mine
that saved them from the cave-in,
they talked about how amazed they were
that a butterfly
was down in the dark.
They stopped to watch it
fly around their head lamps
just as the mine collapsed ahead of them.

I didn’t have to tell you, though,
because I already see a curl on your lips.

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Harmony

an abstract pastel drawing by Ethel Mortenson Davis

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Cranes

by Ethel Mortenson Davis

At sunset
the birds of heaven
came in low to land.
A flock of gray and red
sandhill cranes
filled a stage-like sky
with laughter
that echoed across
the wetlands of Superior,
across the jutting gray rocks
and ragged white pine,
and through
hearts and lungs
and minds.

Note: The phrase “the birds of heaven” came from a book of that name by Peter Mathiessen.

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Sequins

by Ethel Mortenson Davis

I am not a sequins person,
so I cut all the sequins off
the shirt I bought.

It took two hours
because each sequin was
knotted and sewn by hand.
The tag said,
”hand sewn garment.”

It had taken the child,
or young woman,
many hours to complete—
piece-work she had perhaps
taken home to make a few
extra pennies.

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Exchange

by Ethel Mortenson Davis

A hummingbird came
to the garden at sunrise,
close to my left shoulder,
then my face—a female Black-Chin.

She came for the sparkling droplets
glistening from my sprinkler—

a morning bath
in a parched land.

She presented her gift
as she took mine.

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Hatchlings

a photograph by Ethel Mortenson Davis

Every year in one of our lilac bushes by our front gate, the long-tailed blackbirds that frequent our yard, along with orioles, hummingbirds, purple and yellow finches, sparrows, phoebes, western and mountain bluebirds, robins, ring necked and white winged doves, pinyon jays, and a bunch of others, build a nest at about eye level. Earlier I posted a photo of their eggs. This is a photo of the hatchlings that came from those eggs. We are always excited to see the new hatchlings with their beaks open, waiting for their parents to feed them. The day I took this photo, however, after the dogs and I came back from our daily walk into the Zuni Mountains, these hatchlings were gone. I came into the yard and the two parents dive bombed me and made a distressed fuss as if I was the reason their hatchlings were now missing. Every year the story seems to be the same. The ravens are hanging around the field on the Zuni side of our house, normally trying to get away from long-tailed blackbirds harassing them. Hawks circle in the sky. Snakes are not uncommon in New Mexico, and every year the hatchlings hatch, then, after awhile, disappear. This photo is the only evidence that they ever lived.

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Cancer

by Ethel Mortenson Davis

On an early walk,
a large rattlesnake
lay on the road
warming himself
from the freezing night.

His large head contains
flesh-dissolving venom.

With hearts pounding
we walk in an opposite
direction, in a large circle,
away from him.

A second snake
looms on the road.
We don’t know
what he will do.

We can’t step
away from him.

Instead we must
embrace him,
do the dance
with him,
while looking
into his yellow eyes.

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New Mexico

a pastel by Ethel Mortenson Davis

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