Tag Archives: poems

Goldfinch

by Ethel Mortenson Davis

A small goldfinch
hit our glass door.
He lay unconscious—
in the process of dying.

“I will return later
when he is gone,”
she said.
“He needs quiet
and stillness.”

When she checked again
the bird was sitting up
and awake.
Life had come back to him.

“He will be stronger
and cherish life more,”
she thought.
“A bright spot
in his spring world,”

like the green
moss-covered stone
this winter—
shining out from under
the deep winter snows.

When she returned
he was gone.

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Cherry Orchard

A Miltonian Caudet Sonnet

by Thomas Davis

They crawled out from their canvas tent and stared
At stumps still littered through the opening
Their two man saw had cut into the spring-
Deep twilight made by woods so thick they dared
An axe to fell a wilderness that flared
Across so many miles no bird could wing
Its way to planted orchards blossoming
Into the dream the couple, logging, shared.

So tired she barely kept her head upright,
The woman started up the morning fire.
She sighed to see the stumps that made the field
Look strange inside the early morning light,
An emptiness surrounded by the choir
Of birds in trees where she in silence kneeled.

“The canopy is peeled
Away enough to let us plant the trees,”
He said. “Their blossoms will attract the bees.”

She looked and tried to tease
The cherry trees he saw into her mind,
But all she saw were stumps, work’s endless grind.

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Better Place

by Ethel Mortenson Davis

Perhaps,
if we didn’t want
to go to a better place—
they said when he died
he went to a better place—
we would want to take care
of the earth
and other species.

Perhaps,
if we thought
of the earth
as our better place,
we would revere it–
the forest and animals
would be our cathedral.

This morning
the cornered possum
lay down and played dead
until the children and dog left.
Then she got up and ran away,

returning to her cherished life,
her better place.

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Living in the Age of Information

by Thomas Davis

I dance in the Age of Information.
Like a crowd of people
Information floods over me,
Voices speaking, feet walking,
Demands crescending into emptiness
That wires constrictions around
Blue veined, throbbing heart.

You’re not too deep, you’re not too deep.
The voices sing in cacophony of meaning/
Meaninglessness.
You’re not up to the Age that is.

I walk into a pool of quiet.
An old man, dark eyes pooling
With sunfire of stars,
Flaring with emptiness between stars,
His skin the color of Nebraska soils,
Stares at me,
Then smiles.

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Unearthly

by Ethel Mortenson Davis

Unearthly stillness,
except for the sound of water
running in rivulets
down the face of cliffs
to the Great lake.
That is earthly.

Sandhill cranes
landing
as if on skirts of air,
suspended in mid-air,
slowly coming down
to start their spring dance:
Unearthly.

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The Raven’s Croak

by Thomas Davis
A Spenserian Sonnet

Hunched down beside a woodpile, ebony,
In shadows from the cedars overhead,
The raven blinked black eyes, its dishabille
Of feathers rustling, stirring up a dread
So dark it seemed as if it called up from the dead
White wisps of spirits buried in the snow.
The raven hopped on top the woodpile, head
Cocked, moving like a dancer in a show,
A shadows’ shadow pantomiming woe.

Dawn’s darkness deepened as the raven leaped
Into the sky and hovered as the glow
Of blood-light saturated earth and seeped
Into the raven’s eyes, it’s dance undone
Until its beak croaked out the blazing sun.

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Visitation

by Ethel Mortenson Davis

They were both
hanging by threads,
trying to hold together,
exhausted,
talking to people:
Lost yet another child–

But those threads
will widen,
grow strong
when they decide to live
again,
for the living–

like the herd of deer at dusk
we saw
when we drove
back across the white frozen fields

in a clearing,
on the side of a steep hill,
clinging to threads
in a trampled field
surrounded by deep winter snows.

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Desperation’s Providence

A Droighneach by Thomas Davis

Crazed, the old man fled frightened from the house, unsettled
By spirit’s substance bled by the luminescence
Of energy, jangling jags nettled and re-nettled,
Made garish by the city’s flickering fluorescence.

Furious, he’d run to the dock, waters turbulent
On wet rock, his son’s stinging words echoing
Inside his head. He shoved his drumming discontent
Into a raging rhythm fed into his paddling.

Piercing into the moonlit island’s illumination,
Ancestral roots, rising from memories,
Deracinated, raging blood sparking rumination
Unlocked from a childhood’s flood of fantasies

Fulminating feelings long forgotten,
But still a song inside his consciousness.
He heard a singing unlike the jangling begotten
Of tangling time racing through his need to decompress.

Deciding suddenly, spirit wild, ascendant,
The child inside inspired, the old man, elated,
Grabbed his hand-held drum, descendants
Alive inside the meld decision’s dream created.

Climbing craggy cliffs where dark pines cling silhouettes
Against moon-silvered sky, spring serenading
Night as fields sigh slender, long-grass pirouettes
Beneath a breeze’s arc of shadow-waves cascading,

Carefree, careful, the old man seeks an overhang
Where cedars circle a coal-dark pool reflective
Of sky, human spirit whole, a boomerang
Fastening the eye on an earlier-earth perspective.

Palpitating lightning pulsed eeriness.
Above the old man moonlight convulsed, uncanny,
Until the sky-fire’s fury began to evanesce
Into circled cedars, dark-pool waters unearthly.

Unmanned, heart hammering, he stared at the intersperse
Of emptiness between stars, his son’s voice gravelling
In silence, “Stupid old man, your useless universe
Is cold dead bizarre,” he’d said. “Clueless! Repelling!”

Re-singing songs inside his head, immensity
In his breath, he stutter-stepped into a cataract
Of movement, dancing wildly, whirling festivity
Around the pool as he tried to counteract

Cacophony jangling madness, mauling senselessness
Into a waning world of troubled turbulence
As stars shining on the pool began to effloresce,
Out of his desperate dance, recovering providence.

Note:

A Droighneach is an ancient Irish, or Celtic, form of poetry. It is not commonly used by contemporary poets, although both Gerald Manley Hopkins, through his experiments with sprung rhythm, and Dylan Thomas, a bit more obscurely, modified old Celtic forms for their own purposes. This poem came about when Cynthia Jobin, an American poet who blogs at littleoldladywho.net, discovered that Nick Moore (gonecyclingagain.com) and I were challenging each other to write Spenserian and Italian sonnets rather than our usual work with the Shakespearean rhyme forms. Cynthia’s response was, “Say….I have an idea. Let’s all try to write a DROIGHNEACH …..(.Just kidding.I haven’t life enough, or time…..).” On St. Patrick’s Day I started what turned into an agonizing struggle to write a Droighneach. In the meantime Ina Shroders-Zeeders, a poet and writer from the Netherlands (inaweblogisback.wordpress.com), produced one in response to the conversation between Cynthia and I, which triggered Cynthia to write a traditional praise Droighneach to Ina’s effort.

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The Lake

by Ethel Mortenson Davis

In the cold winters
around the Great Lakes,
ice moves
in constant, fluid motion
making cracking sounds,
thundering sounds
as ice heaves against ice,
shelf against shelf,
sending echoes out,
across a cold, stiff night,
that sound like a war
being waged,

like someone shooting off cannons
in some distant place.

She is telling us
she is still here;
she is still alive!

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Goose Thunder

by Thomas Davis

An Italian, or Petrarchian, Sonnet

All week green waves had groaned and cracked great chunks
Of gleaming ice onto the bay’s curved shore.
Then waves of geese, wings arched, began to pour
Onto the shining lake—small, gabbling monks
Dark-cowled in heaven’s shining, winding trunks
Of bodies stirred by Spring’s esprit de corps
As gabble after gabble, more and more,
Became a mass as open waters shrunk.

A V of snow geese, white with sun-drunk wings,
Swooped down upon the lake. The darkness stirred,
A whirling vortex wild, as honking cries
Become a water spout so large it flings
The lake into a shadow, waters blurred
By roiling, whirring-dark, goose-rising skies.

Note: Nick Moore and I have been attempting different sonnet types the last few postings. I dedicated the first sestina I wrote to both Nick and John Stevens, two poets who gave me the courage to try to write one. I then followed that up with the insanity of a double sestina, “The Time of the Poetic Spirit’s Splitting,” a poem I am still pleased that I wrote. Nick then wrote his own double sestina about cycling, one of his passions, that is better than Algernon Charles Swinburne’s “The Complaint of Lisa,” the first double sestina ever written by one of the great poets in history. All of this, along with a lot of other really good poetry, can be found on his gonecyclingagain.com blog. There are a few wordpress poets who have influenced me over the years. Nick Moore is certainly one of the most important of those poets. He has published his Italian sonnet in response to our current sonnet-writing effort on his blog, along with his Spenserian sonnet. He, like I, have long written Shakespearean sonnets. Ina Schroders-Zeeders at inaweblogisback.wordpress.com has joined us in our sonnet writing challenge.

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