Myth: Spider and Spider Web

a photograph by Sonja Bingen in response to the poem, Myth.

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Bee on a Wildflower in Late Fall

a photograph by Sonja Bingen, our daughter

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Myth

by Thomas Davis

1

A young man with a fear of spiders on a train
Saw spiders inside, outside the dining car.
His heart began to beat; he had no breath,
Sweat poured from pours he did know he had.

The spiders, hairy, black and yellow, eyes
As big as saucers put beneath a coffee cup,
Ignored the man, but wove their silken webs
Into the air, silk flowing from the train
Into the soils, the meadows, mountains, seas.

As eons passed inside the young man’s mind,
A revelation germinated fire
Inside his head as blinding streams of light
Lit up the beads of rain drops on the web
Where rain was falling, making verdant earth.

He heard the elephants sing songs with voices
So low that only other elephants
Could hear the rumbling along deep veins of rock.
He saw, in total blackness, octopi
Illuminating barren sands with rainbow light.
He understood, at last, how small he was,
How much he throbbed inside the living earth.

Inside immenseness, fear, sweat, beating heart
Were melodies, part of the melodies
Sung softly by the planet earth to space.

2

A woman crawled into a gaping hole,
A lamp strapped on her forehead, ropes and pitons
Tied to her dull green army issued belt.
She clambered over rocks, around a fissure,
Until she found a cavern sparkling
With crystal white stalactites hanging down
From ceilings covered with the wings of bats.

She smiled and crawled until she came
Upon a pool of water clear as glass,
The stone beneath its depths a smooth, round bowl.
She bent and took a drink from waters cold
As all beginnings, as all the universe.

The water in the pool sank into earth.
The woman, startled, jumped back from the pool.
The water shimmered in the darkness, breathing
Around the smallness of her small, harsh lamp.

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Mask: Sleeping Woman, a pastel by Ethel Mortenson Davis

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Language of the Women

by Ethel Mortenson Davis

The women of the village
started to weave
a new language
into their fabric—
shapes and forms
into their dress,
so they could communicate
with each other.

The men of the village
had treated them cruelly,
along with the children
and the animals
(whose spirits are interwoven).
Girls that tried to escape
had their ears and noses
cut off or worse.

Now, when the women
are in the market,
watched and separated,
they are able to send
messages to each other.

They are getting stronger
every day—

Mighty like the great river
that one day will flow out of that country.

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Moonrise at Red Mountain, a photograph by Alazanto

Alazanto was our son, Kevin Davis. This photo was taken in the San Juan Mountains of Colorado

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Unlike the song that I could sing,

if I had voice to make a song,

cold mist slips over red rock cliffs
and pours toward the valley floor
in falling streams of cloud-like veils.

In front of flowing mists cliffs jut
away from faces of the rock,
and sunshine lights afire the red
that burns the spirit of the rock alive.

The silence of the early morning song
is interrupted by the flash
of yellow on a black bird’s wings,
and then the liquid sound of birds
lifts from the valley’s desert floor

as mist slips over red rock cliffs
behind the sunfire streamed through clouds
into the pools of blackbird songs

unlike the song that I could sing.

Thomas Davis

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Sky and Leaves in Water, Fall

a photograph by Will Bingen

Will Bingen, our grandson, is starting to show the talent that is so strong in our family.

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Prayer

Is the prayer
of the Snowy Egret
less

than the Monk’s supplication?

Ethel Mortenson Davis

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Ambience, a design by Alazanto

 

 

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