Walk

by Ethel Mortenson Davis

March
and new snow
last night.

Black dog
on white,
two miles
into the woods,
and we see
timber wolf tracks.

Then sister wolf
flashes past us,
a great roaring ball
of white and gray
whose size
dwarfs you,
dog.

But we are
not afraid.
Just in awe.

To see a glimpse
of you
is like a gift,
like an eagle
taking off
into the air,
and we are lifted up.

I see a surprise
smile on your face.

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Rocky Shore

a photograph by Sonja Bingen

Note: Along the shores of Lake Michigan

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People Speaking, Mixing Up Words, Glossing Over Details

by Alazanto, Kevin Davis, our son

below the hasty gridlock of contradictions
and among minced words on tall podiums,
a man preaches about compassion,
his eyes limpid.

an annishinabe woman once told me about relationships:
her people, skidding across moments, carried by wisdom,
the blood of her people seeping through these moments,
droplets ingrained with the soil.

but does the soil judge us as a merciless god?
my eyes follow a parched river basin.
the sun retreats to greet those who have been forgotten.

resting on the horizon, the flow of the river can still be felt.
bloods join, racing through the veins of sleepy sandstone cliffs.
their faces emerge in the crisp warmth of sunset, eyes limpid.

compassion and inequality, conflated, are left to fend on barren streets.
the woman taught me that no matter our origins,
drops of our blood seek out clemency.

rivers flow.
soils take root.
the earth does not judge,

but among our minced words progress paves over the basins,
and our blood is sealed away.

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Sinking Chair

a photograph by Alazanto, Kevin Davis, our son

Taken on the Atlantic shore June 15 2008

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Old Woman

by Ethel Mortenson Davis

i the old woman,
with breath on my hand,
have come before–
down this hill with stoney sides–

have come
with
the spears of grass
against my legs–

and then the sea
and its green smells
after the rain–
until this garden.

i have come
thinking
the flowers to be richer
in the coming spring,
reaching out for their smell
with only my finger tips,
sitting awhile,
and waiting.

i the old woman
have passed
the sea
many times,
not looking
at the whale
of the waves,
thinking i have
time,

tomorrow.

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7. The Heat of Webbed Light

by Thomas Davis

The snow kept falling for a second day.
Wei looked at wood piled up inside the bin
And thought about the difficulty facing
Her if the wind kept growing drifts of snow.
At times the wind died down as giant flakes
Came drifting from the skies, and, looking out
The frost encrusted window by the door,
She saw how deep the drifts were piling up.
Each time the blizzard winds died down, they started
Again, ferocious, constant, howling rage.

As evening darkened skies, her nervousness
So great she felt half sick, she pushed the door.
It did not move, the snow too dense to move.
She strained to open up a crack. She stopped
And tried to force the panic rising up
Inside her chest to calm into her thoughts.

What could she do? She had potatoes still,
And onions. Though she needed meat for strength,
She would not starve, but wood! Beside the shed
Her daily work had built a high, square pile,
But if the drifts imprisoned her inside,
The fire would turn to ash and cold. What then?
She put her back against the door where cold
Seeped in. What then? The question froze her arms
And made her legs as heavy as her thoughts.

She had not cried since burying her mother,
But now she felt as if she was a little girl
Who needed comfort, needed mother’s love.
Her body heaved from sobs that made her shake.
The fire would die without more wood to burn.
She wailed aloneness, fear into the night.

She forced the sobs to end. She could have walked
The mountainside to stone built houses, walls,
But living in her dreams she’d thought her strength
Could let her stay beside her mother’s grave.
She got up from the floor and put a log
Into the embers red with dying flames.

And then, behind her and the fire. . . She turned.
The firelight dancing on the wooden floor,
She saw no source for noise. Her skin crawled, tingled. . .

Beside her mother’s empty bed the darkness
Seemed solid, like a pool that shimmered substance
Into a place where substance could not be.
Wei stared into the darkness, opened up
Her mouth and tried to scream, but silence swallowed sound.

Inside the pool of darkness, small, intense,
A light began to grow. Wei held her breath.
Her mother’s body, lined in pulsing light
Upon the narrow bed where she had died,
Began to weave her graceful arms and hands.
Wei gasped, her sudden grief subsumed by awe.
Her mother here? The storm outside so fierce?
The light glowed like her mother’s gentle smile,
And then an unreal darkness swallowed light;
Then darkness was the darkness of the night.

The sudden disappearance of the light
Hit Wei as if a fist had slammed her stomach.
The fire behind her felt as if the dark
Had fed its flames and made the cabin bright
As just before the day’s last light fled sky.
Wei straightened, looked into her hands, and saw
Her mother’s motions as she’d moved as light.
Wei walked, entranced, toward the window.
She made the pattern from her mother’s hands.
A web of burning light flowed from her fingers
Through window glass into the howling dark.
Her hands felt warm, as if the light she webbed
Through glass into the night was more than light.

The crusted frost upon the windowpane
Evaporated in the freezing dark.
Wei stopped the movement of her arms and hands.
Her mother, buried under snow, had given her
Survival from the storm, she thought. Her life.

The door would open as she moved her hands.
She’d melt a path to get more wood come dawn.
She had to think about the webs of light.
Her skill had uses she’d not understood.
She felt so tired she wondered if she’d stay
Awake enough to keep the fire alive.

The Heat of Light audio file

Note: This is the seventh installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers to reach other sections, or go to the Categories box to the right under The Dragon Epic. 1, 6 to read other parts of the epic. Go to 8 to reach the next section.

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Sunrise on Cherry Tree Branches

photograph by Ethel Mortenson Davis

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The Story

by Ethel Mortenson Davis

This morning
my black dog
found a story
in the grasses.
She sat down,
lingered and mulled
over it,
relishing every detail
and every character.

I hope that people
will linger and mull
over my poems
someday.
I could envision
them being copied
and recopied
on exquisite parchment
by cloistered monks…

But if not,
the joy
is in the playing
of the stringed instrument
and riding its vibrations
out and across
the face of the moon,
lingering and mulling
over its details.

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Red Rock Cliffs

a photograph by Sonja Bingen, our daughter

Note: Ethel and I live in a beautiful place. Red rock cliffs can be seen from our house and are spectacular, looking down from the Zuni Mountains while walking the road to isolated ranches Ethel walks most days. Sonja and William visited us during Spring break two years ago now, and this is one of the photographs of the red rock cliffs she took.

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Sonnet 37

To Sonja, Mary, and Kevin

by Thomas Davis

The genius in our children blesses us,
their energy in teaching, art, and poetry
transforming who we are, their lives a trust
born from the hymn of life, the sea
of possibilities, and trails that free
the spirit, leading to a forest made of light
that livens thoughts into a garden fantasy
of flowers blooming selves for our delight
at breathing who we are, the fahrenheit
of humans seeking out the truth of dreams.
Our children are our lives, a vein so bright
inside our spirits that their independence gleams
a pathway as we walk past all the streams

that act as barriers against the life we’d lead
if living stopped producing endless needs.

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