8. Shock and the Weirding of Boundaries

by Thomas Davis

Ssruann’s long neck jerked up into the air
And twisted to the cave’s night opening.
Outside the storm still raged and howled with winds.
She was awake, prophetic dreams had fled.
The human girl was watching as her mother
Used unseen lines between the waking world
And universes where the shadows swarmed,
In patterns sibilant with singing winds
That dragons, humans, spirit bears, and others
Who walked could not access with eyes or dreams,
To guide her daughter’s hands into the ways
Of power she had never known while breathing.
The daughter’s hands spewed webs of light.
A dance of heat ran through the webs and burned
Through cold and snow as if they’d never been,
Exposing ground beneath the piles of snow.

The Old One’s golden eyes expanded, whirled
While power flowed into the human girl.
It was a dragon’s power, power drawn
From blood more ancient than the blood of dragons
That lived inside community inside
The caves dug deep into the mountain’s heart.

Ssruann’s two hearts were beating with a force
That seemed to echo through the caves and tunnels
Where dragons waited out the storm so they
Could climb on ledges, launch into the air
To hunt for mountain goats and sheep and deer
Now hunkered down, protected from the storm.

Where did the power now inside the girl
Orginate? What did it mean? What force
Had mother’s love sent from the songs of death
Unleashed into the world of dragons, humans,
The seasons marking, marching, passing time?

A long, low wail lunged from the unseen peaks
Above the cave and rolled with fearsome winds
So filled with shards of ice it seemed as if
The mountain’s face would sheer away and leave
A grinning skull of gaping mountain bone
Into the valley where the human girl
Turned back toward the fire that threw its warmth
Into the cottage’s deep darkness, air
Alive with possibilities not known before.

Appalled, her pounding blood a double beat
That sang the history the dragon race
Had lived inside the shining web of time,
The Old One stared into the stormy darkness.
The human girl was linked to her, she thought.
Linked somehow deep inside her dragon blood.
What sorcery is this? She thought. She’d known
The mother, but had never thought too much
About the woman living in the valley
Below the dragon’s mountains and its caves.

But now? Her blood was boiling contradictions,
A moving tapestry of fear, hope, rage, delight,
A stream that made her feel sick from the strength
That surged and ebbed inside her pounding blood.

There were no walls between the universes
That never touched except in tiny whorls
That knitted all that was together, bound
By actuality, the mind of God.
The weirding of the storm and darkness raged
Inside the webs of light the young girl wove.
Ssruann, the Old One, stared and stared at where
Her cave led out into the storm and dark,
Her long neck rigid with a dragon’s fear.

Audio version of the poem: Shock and the Weirding of Boundaries

Note: This is the eighth installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward, 7 to read the installment before this one. Click on 9 to read the next section.

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I Remember Staying Out Until Dark to Work on a Snow Fort

a photo essay by Sonja Bingen, our daughter, about William Bingen, our grandson, and his friend Spencer

Winter in March

Working on a Snow Fort

After the Work’s all Done

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Summer Night Sounds

a pastel by Ethel Mortenson Davis

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Walk

by Ethel Mortenson Davis

March
and new snow
last night.

Black dog
on white,
two miles
into the woods,
and we see
timber wolf tracks.

Then sister wolf
flashes past us,
a great roaring ball
of white and gray
whose size
dwarfs you,
dog.

But we are
not afraid.
Just in awe.

To see a glimpse
of you
is like a gift,
like an eagle
taking off
into the air,
and we are lifted up.

I see a surprise
smile on your face.

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Rocky Shore

a photograph by Sonja Bingen

Note: Along the shores of Lake Michigan

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People Speaking, Mixing Up Words, Glossing Over Details

by Alazanto, Kevin Davis, our son

below the hasty gridlock of contradictions
and among minced words on tall podiums,
a man preaches about compassion,
his eyes limpid.

an annishinabe woman once told me about relationships:
her people, skidding across moments, carried by wisdom,
the blood of her people seeping through these moments,
droplets ingrained with the soil.

but does the soil judge us as a merciless god?
my eyes follow a parched river basin.
the sun retreats to greet those who have been forgotten.

resting on the horizon, the flow of the river can still be felt.
bloods join, racing through the veins of sleepy sandstone cliffs.
their faces emerge in the crisp warmth of sunset, eyes limpid.

compassion and inequality, conflated, are left to fend on barren streets.
the woman taught me that no matter our origins,
drops of our blood seek out clemency.

rivers flow.
soils take root.
the earth does not judge,

but among our minced words progress paves over the basins,
and our blood is sealed away.

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Sinking Chair

a photograph by Alazanto, Kevin Davis, our son

Taken on the Atlantic shore June 15 2008

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Old Woman

by Ethel Mortenson Davis

i the old woman,
with breath on my hand,
have come before–
down this hill with stoney sides–

have come
with
the spears of grass
against my legs–

and then the sea
and its green smells
after the rain–
until this garden.

i have come
thinking
the flowers to be richer
in the coming spring,
reaching out for their smell
with only my finger tips,
sitting awhile,
and waiting.

i the old woman
have passed
the sea
many times,
not looking
at the whale
of the waves,
thinking i have
time,

tomorrow.

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7. The Heat of Webbed Light

by Thomas Davis

The snow kept falling for a second day.
Wei looked at wood piled up inside the bin
And thought about the difficulty facing
Her if the wind kept growing drifts of snow.
At times the wind died down as giant flakes
Came drifting from the skies, and, looking out
The frost encrusted window by the door,
She saw how deep the drifts were piling up.
Each time the blizzard winds died down, they started
Again, ferocious, constant, howling rage.

As evening darkened skies, her nervousness
So great she felt half sick, she pushed the door.
It did not move, the snow too dense to move.
She strained to open up a crack. She stopped
And tried to force the panic rising up
Inside her chest to calm into her thoughts.

What could she do? She had potatoes still,
And onions. Though she needed meat for strength,
She would not starve, but wood! Beside the shed
Her daily work had built a high, square pile,
But if the drifts imprisoned her inside,
The fire would turn to ash and cold. What then?
She put her back against the door where cold
Seeped in. What then? The question froze her arms
And made her legs as heavy as her thoughts.

She had not cried since burying her mother,
But now she felt as if she was a little girl
Who needed comfort, needed mother’s love.
Her body heaved from sobs that made her shake.
The fire would die without more wood to burn.
She wailed aloneness, fear into the night.

She forced the sobs to end. She could have walked
The mountainside to stone built houses, walls,
But living in her dreams she’d thought her strength
Could let her stay beside her mother’s grave.
She got up from the floor and put a log
Into the embers red with dying flames.

And then, behind her and the fire. . . She turned.
The firelight dancing on the wooden floor,
She saw no source for noise. Her skin crawled, tingled. . .

Beside her mother’s empty bed the darkness
Seemed solid, like a pool that shimmered substance
Into a place where substance could not be.
Wei stared into the darkness, opened up
Her mouth and tried to scream, but silence swallowed sound.

Inside the pool of darkness, small, intense,
A light began to grow. Wei held her breath.
Her mother’s body, lined in pulsing light
Upon the narrow bed where she had died,
Began to weave her graceful arms and hands.
Wei gasped, her sudden grief subsumed by awe.
Her mother here? The storm outside so fierce?
The light glowed like her mother’s gentle smile,
And then an unreal darkness swallowed light;
Then darkness was the darkness of the night.

The sudden disappearance of the light
Hit Wei as if a fist had slammed her stomach.
The fire behind her felt as if the dark
Had fed its flames and made the cabin bright
As just before the day’s last light fled sky.
Wei straightened, looked into her hands, and saw
Her mother’s motions as she’d moved as light.
Wei walked, entranced, toward the window.
She made the pattern from her mother’s hands.
A web of burning light flowed from her fingers
Through window glass into the howling dark.
Her hands felt warm, as if the light she webbed
Through glass into the night was more than light.

The crusted frost upon the windowpane
Evaporated in the freezing dark.
Wei stopped the movement of her arms and hands.
Her mother, buried under snow, had given her
Survival from the storm, she thought. Her life.

The door would open as she moved her hands.
She’d melt a path to get more wood come dawn.
She had to think about the webs of light.
Her skill had uses she’d not understood.
She felt so tired she wondered if she’d stay
Awake enough to keep the fire alive.

The Heat of Light audio file

Note: This is the seventh installment of a long poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers to reach other sections, or go to the Categories box to the right under The Dragon Epic. 1, 6 to read other parts of the epic. Go to 8 to reach the next section.

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Sunrise on Cherry Tree Branches

photograph by Ethel Mortenson Davis

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