Category Archives: Thomas Davis

Beauty’s Human Scent

by Thomas Davis

As cold as morning mist upon a hill
Above the lake that danced light from the sun,
The woman stood and felt a warning chill
That screamed at her and made her want to run,
But, frozen, scared, she turned toward the wood
And shadows where a massive white wolf stood.

She did not move. The wolf’s wild, pale green eyes
Stared balefully at her, its body tense
With energies she somehow felt, the skies
Above them darkening with clouds so dense
A twilight lengthened shadows, made her feel
A rush of fear she thought she should conceal.

Eyes fixed on her, the wolf stepped from the trees
So slowly that she barely saw him move.
She could not make her rigid legs unfreeze,
But stared back at the wolf as if to prove
The fear she felt was courage free of fear
Though pale green eyes, half closed, made death seem near.

The wolf crouched down as if to spring at her,
But then its head jerked north toward a stand
Of young white pine, eyes concentrated, fur
Around its neck alive. The woman’s hand
Moved, broke paralysis. A great gray bear
Rose up inside the pines, the wolf’s cold glare.

The bear glanced at the woman as she backed
Away from wolf and bear, then, anthracite
Inside its eyes, glared at the wolf, strength stacked
Against a spirit brimming with a light
That darkened morning skies and choked the day
With time suspended as it stalked its prey.

The great bear roared. The white wolf bared its teeth
And growled, its spirit kicking up a breeze
That blew into the bear’s black eyes beneath
A dead still canopy, the forest’s trees
Now covered with a brooding, bristling night
Contrasting with the wolf’s bright, shining white—

And then the wolf was gone, the bear alone.
It stared at where the wolf had stood and felt
The emptiness beneath the trees, the drone
Of singing wind as rain began to pelt
The ground and run in muddy rivulets
That clouded in the bear’s stirring spirit.

At last the bear fell down and stuck his claws
In earth, the human woman haunting him:
The fear inside her eyes, the wolf’s white paws
Prepared to spring into the stunning hymn
Of beauty circling her, the way she held her head
As wolf’s eyes counted her as prey soon dead.

The bear sniffed stormy air and found the path
She’d used to flee the wolf and him and stalked
Toward impossibility, an aftermath
That could not be, that mocked him as he walked
In air perfumed with beauty’s human scent,
A woman’s song of being, heaven sent.

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Sonnet 12

Before we reached the bank two twelve year olds
were on the water in the good canoe.
Both Brand and I looked at our sons, their coup
apparent as they grinned at us, both bold
enough to know that, ten feet out, they controlled
the moment even though the wind still blew
and rain was falling hard, the clouds a stew
of swirling turbulence and cold.
Okay, Brand said. Inside the inlet, calm
prevailed, but as we went into the lake
the waves were higher than our heads. The qualms
I’d had at seeing youngsters make their break
to manhood with a crazymad aplomb
unmanned me–as they left me in their wake.

Note: Friday, Saturday, and Sunday Brand Windmiller, Jesse Windmiller, Brand’s grandson Braxton, my grandson Will Bingen, and I spent a few days at an unimproved campsite north of Minoqua Wisconsin. I am reprinting this sonnet written while our son, Kevin, was dying of cancer, in memory of that trip as I relived a glorious part of my life that Brand and Jesse were so instrumental in helping to make happen. I will be forever grateful for that special time with my son. A couple of photos from the Minoqua trip are below:

Mist in the Early Morning
Mist in the Early Morning

In the Land of the Cranes
In the Land of the Cranes

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2

by Thomas Davis

He talked about the mirror of the lake,
reflected trees and clouds and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours, and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.
As rain begins to fall, a loon begins to cry.

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Cherry Orchard

A Miltonian Caudet Sonnet

by Thomas Davis

They crawled out from their canvas tent and stared
At stumps still littered through the opening
Their two man saw had cut into the spring-
Deep twilight made by woods so thick they dared
An axe to fell a wilderness that flared
Across so many miles no bird could wing
Its way to planted orchards blossoming
Into the dream the couple, logging, shared.

So tired she barely kept her head upright,
The woman started up the morning fire.
She sighed to see the stumps that made the field
Look strange inside the early morning light,
An emptiness surrounded by the choir
Of birds in trees where she in silence kneeled.

“The canopy is peeled
Away enough to let us plant the trees,”
He said. “Their blossoms will attract the bees.”

She looked and tried to tease
The cherry trees he saw into her mind,
But all she saw were stumps, work’s endless grind.

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Living in the Age of Information

by Thomas Davis

I dance in the Age of Information.
Like a crowd of people
Information floods over me,
Voices speaking, feet walking,
Demands crescending into emptiness
That wires constrictions around
Blue veined, throbbing heart.

You’re not too deep, you’re not too deep.
The voices sing in cacophony of meaning/
Meaninglessness.
You’re not up to the Age that is.

I walk into a pool of quiet.
An old man, dark eyes pooling
With sunfire of stars,
Flaring with emptiness between stars,
His skin the color of Nebraska soils,
Stares at me,
Then smiles.

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The Raven’s Croak

by Thomas Davis
A Spenserian Sonnet

Hunched down beside a woodpile, ebony,
In shadows from the cedars overhead,
The raven blinked black eyes, its dishabille
Of feathers rustling, stirring up a dread
So dark it seemed as if it called up from the dead
White wisps of spirits buried in the snow.
The raven hopped on top the woodpile, head
Cocked, moving like a dancer in a show,
A shadows’ shadow pantomiming woe.

Dawn’s darkness deepened as the raven leaped
Into the sky and hovered as the glow
Of blood-light saturated earth and seeped
Into the raven’s eyes, it’s dance undone
Until its beak croaked out the blazing sun.

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Desperation’s Providence

A Droighneach by Thomas Davis

Crazed, the old man fled frightened from the house, unsettled
By spirit’s substance bled by the luminescence
Of energy, jangling jags nettled and re-nettled,
Made garish by the city’s flickering fluorescence.

Furious, he’d run to the dock, waters turbulent
On wet rock, his son’s stinging words echoing
Inside his head. He shoved his drumming discontent
Into a raging rhythm fed into his paddling.

Piercing into the moonlit island’s illumination,
Ancestral roots, rising from memories,
Deracinated, raging blood sparking rumination
Unlocked from a childhood’s flood of fantasies

Fulminating feelings long forgotten,
But still a song inside his consciousness.
He heard a singing unlike the jangling begotten
Of tangling time racing through his need to decompress.

Deciding suddenly, spirit wild, ascendant,
The child inside inspired, the old man, elated,
Grabbed his hand-held drum, descendants
Alive inside the meld decision’s dream created.

Climbing craggy cliffs where dark pines cling silhouettes
Against moon-silvered sky, spring serenading
Night as fields sigh slender, long-grass pirouettes
Beneath a breeze’s arc of shadow-waves cascading,

Carefree, careful, the old man seeks an overhang
Where cedars circle a coal-dark pool reflective
Of sky, human spirit whole, a boomerang
Fastening the eye on an earlier-earth perspective.

Palpitating lightning pulsed eeriness.
Above the old man moonlight convulsed, uncanny,
Until the sky-fire’s fury began to evanesce
Into circled cedars, dark-pool waters unearthly.

Unmanned, heart hammering, he stared at the intersperse
Of emptiness between stars, his son’s voice gravelling
In silence, “Stupid old man, your useless universe
Is cold dead bizarre,” he’d said. “Clueless! Repelling!”

Re-singing songs inside his head, immensity
In his breath, he stutter-stepped into a cataract
Of movement, dancing wildly, whirling festivity
Around the pool as he tried to counteract

Cacophony jangling madness, mauling senselessness
Into a waning world of troubled turbulence
As stars shining on the pool began to effloresce,
Out of his desperate dance, recovering providence.

Note:

A Droighneach is an ancient Irish, or Celtic, form of poetry. It is not commonly used by contemporary poets, although both Gerald Manley Hopkins, through his experiments with sprung rhythm, and Dylan Thomas, a bit more obscurely, modified old Celtic forms for their own purposes. This poem came about when Cynthia Jobin, an American poet who blogs at littleoldladywho.net, discovered that Nick Moore (gonecyclingagain.com) and I were challenging each other to write Spenserian and Italian sonnets rather than our usual work with the Shakespearean rhyme forms. Cynthia’s response was, “Say….I have an idea. Let’s all try to write a DROIGHNEACH …..(.Just kidding.I haven’t life enough, or time…..).” On St. Patrick’s Day I started what turned into an agonizing struggle to write a Droighneach. In the meantime Ina Shroders-Zeeders, a poet and writer from the Netherlands (inaweblogisback.wordpress.com), produced one in response to the conversation between Cynthia and I, which triggered Cynthia to write a traditional praise Droighneach to Ina’s effort.

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Goose Thunder

by Thomas Davis

An Italian, or Petrarchian, Sonnet

All week green waves had groaned and cracked great chunks
Of gleaming ice onto the bay’s curved shore.
Then waves of geese, wings arched, began to pour
Onto the shining lake—small, gabbling monks
Dark-cowled in heaven’s shining, winding trunks
Of bodies stirred by Spring’s esprit de corps
As gabble after gabble, more and more,
Became a mass as open waters shrunk.

A V of snow geese, white with sun-drunk wings,
Swooped down upon the lake. The darkness stirred,
A whirling vortex wild, as honking cries
Become a water spout so large it flings
The lake into a shadow, waters blurred
By roiling, whirring-dark, goose-rising skies.

Note: Nick Moore and I have been attempting different sonnet types the last few postings. I dedicated the first sestina I wrote to both Nick and John Stevens, two poets who gave me the courage to try to write one. I then followed that up with the insanity of a double sestina, “The Time of the Poetic Spirit’s Splitting,” a poem I am still pleased that I wrote. Nick then wrote his own double sestina about cycling, one of his passions, that is better than Algernon Charles Swinburne’s “The Complaint of Lisa,” the first double sestina ever written by one of the great poets in history. All of this, along with a lot of other really good poetry, can be found on his gonecyclingagain.com blog. There are a few wordpress poets who have influenced me over the years. Nick Moore is certainly one of the most important of those poets. He has published his Italian sonnet in response to our current sonnet-writing effort on his blog, along with his Spenserian sonnet. He, like I, have long written Shakespearean sonnets. Ina Schroders-Zeeders at inaweblogisback.wordpress.com has joined us in our sonnet writing challenge.

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Flow of the Albino Does

a Spenserian sonnet by Thomas Davis

Albino does emerge from banks of snow
Into the moonlight of the winter night.
The sheen of silver from the ghostly glow
Of luminance stained from the full moon’s light
Spreads through the shadows where the snow’s soft white
Moves with the movement of the silent deer.

The maple trees begin to stir, a slight
Breath silent through a sky pristinely clear.
A huge tree cracks. A wave of startled fear
Jerks through the deer. A wind begins
To blow through barking trees, the atmosphere
Alive with movement as the moonlight spins
Light dancing through an empty field that flows
With running waves of ghostly silver does.

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The Eagle and the Pelican

by Thomas Davis

The day was shining, water dancing blue
Below the hill still glittering with dew.
Achat, with Hurit by his side, looked down
Toward the pebble beach and lake, his frown
Intense with memories he’d long suppressed,
His heartbeat beating loudly in his chest.
Long years had passed since he had stood above
The place reminding him of timeless love.

His childish body hid behind a birch
Inside a grove upon the hill, his perch
The perfect place to watch his father run
Toward his mother on the beach, the sun
So bright with summer heat it bent the air
And danced above the terror of despair.

That night his father, in a shallow cave,
Had whispered, “When it’s light you’ll have to save
Yourself by hiding. They won’t try to kill
Your Mom and I. They want you dead. Your skill
In hiding where you can’t be found is all
The hope that’s left.” His mother’s night-bird call
Had told them she was near. “Remember, hide!”
He’d said, then left the cave, his son inside.

Five hunters left the trees. His father ran.
His mother stopped and watched. The biggest man
Stopped, pulled his bow string, let an arrow fly.
It struck his father’s back. His mother’s cry
Of anguish shattered silence. The big man’s yell
Of triumph echoed as his father fell.

A boy of ten, he knelt and watched the men
Walk slowly down the beach, knives drawn, a grin
Upon their faces as his mother cried
Until the bloody moment when she died.

As Hurit watched the shadows on his face,
Tears welled into her eyes. “This is the place?”
She asked. He stared into the distant past
And felt the shock and terror that had gasped
Into his spirit, forced him up the hill.
“Not here,” he said. “Up there. I saw them kill
My mother and my father here. I fled
So that I wouldn’t have to see them dead.”

He turned abruptly, climbing up toward
The cliffs above them. As an eagle soared
From off the rising rocks, Achat stopped, glanced
At Hurit, beautiful and strong, entranced
By mysteries she did not understand.

He felt his twisted back and twisted hand
Send shudders through the villagers who looked
At him. His gross deformities had hooked
A terror that their spirits could not shake
No matter how his parents tried to make
Him like another boy, a villager
And not some dark, unholy, malformed cur.

The eagle circled from the cliffs to where
They climbed; its piping cries a solitaire,
Bleak ritual that seemed to integrate
Their movements with dark auguries of fate.

The men upon the beach had seen him climb
Into the open. Scared and grieving, time
A shrinking leather strap about his neck,
He started scaling up the cliffs, a speck
Of darkness in the sky above him, fear
Inside each breath he took, his thoughts not clear.
At last, upon the cliff rim, looking down,
He watched the hunters point, an eagle’s brown,
Swift body suddenly above the cliffs,
A pelican below the eagle, riffs
Of offshore winds a trembling under wings
That folded as a beak’s bright yellow flings
Into the flying pelican as two
Large birds fell tumbling through the sky’s bright blue.

As blood spewed from the pelican, dense mist
Spread from the blood, a shadowy encyst
So thick Achat, the child, had lost his sight.
The summer day had turned into a night
So dark he could not move. He tried to hear
The hunters at the cliff’s rock base, a queer
Infinity inside his head, but all
He’d heard were whispers in the murky pall
That chilled his bones and goaded him to see
Again the murderous, wild sense of glee
That plunged a knife into his mother’s heart
And tore his sense of who he’d been apart.

As Hurit took his hand upon the rim
Above the cliff and bay, he looked so grim
He frightened her. “This is the place,” she said.

He felt the awful sense of blinding dread
That once had paralyzed him as he stood
In mist, the hunters out of sight, childhood
A past forgotten. “When my father came
And led me from this cliff,” he said. “My shame
At having hidden as my parents died
Was more than I could take. I thought the tide
Of life had ended, leaving me a husk
Who’d live his life inside an endless dusk.
I never thought I’d love or feel again.
My living felt as if it was a sin.”

“My father found you in a cedar swamp,”
She said. “He frightened me,” he said. “The clomp
Of boots through muck continued what assailed
Me while I dreamed of dying, as I railed
Against my hand and back and longed for death.”

“My father said he heard your rasping breath
Before he found you on a spit of land,”
She answered. “When you couldn’t even stand
He carried you. He’s always said he knew
That you were someone special, someone who
Would give to all our people special gifts.”

He looked down at the beach below the cliffs.
He saw the arrow in his father’s back
And saw his mother as a spirit, black
Eyes urging him to run, his father’s voice
An insubstantial whisper sapping choice
About continued living from his will,
His father’s running swift, but yet dead still.
A guttural howling haunted hate into his eyes.
He heard again his mother’s anguished cries.

“I watched you save my mother’s life,” she said,
Voice soft. “You took the fever from her head
And put it in the air. I saw you call
Old Weso back from death, the awful pall
Of waxen lifelessness inside his skin,
His face weird, twisted by his death-mask grin.”

He took a deep, long breath. The eagle flew
Above their heads. The sunlight seemed to skew
Into a twisted ball of blinding light.
The eagle disappeared, its soaring flight
An emptiness of bright blue summer sky.

Inside his head the pelican’s sharp cry,
As eagle talons sank into its flesh,
Forged summer light into an augered mesh
That jolted fire into a boy that made
His way through mist behind his father’s shade.

He looked at Hurit and his twisted hand.
He felt the power in the cliffs, this land.
He wondered, as he stared at distant waves,
If he was looking at his parent’s graves.

The day was shining, water glinting blue.
He said to Hurit, “I’m in love with you.”

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