Category Archives: Thomas Davis

Four Black Swans

a Spenserian Sonnet

by Thomas Davis

Four swans, crow-feather black, fly low above
The lake’s ice, white with tints of apple green.
Upon a red roof ravens, croaking of
The way the blue-black of their feather’s sheen
Swift shadows on the snow’s white shining, preen
Into a circle, stirring whispering winds
That cause white wisps to pirouette, careen
Across the fields as daylight slowly ends.

A black cat tops a hill and then descends
Into a field where fourteen cats have made
A ring beneath a full moon; each pretends
The others aren’t as eyes glow green as jade —

The wind blows cold; the silver moon is bright
As black swans fly into the spell-bound night.

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Sitting on a Bench Waiting for the End of Winter

by Thomas Davis

Time hides in words spoke on the radio,
Inside newspaper columns gray with print.
The young girl, in the winter, watched the flow
Of snow wisps on the lake, her dreams intent
Upon the booming chunks of gleaming ice
That spring would heave on shore, great, white walls, cold
In spite of how the sun thawed sacrifice
From frozen ground and hazed the air with gold.

The young girl took her radio outside
And read the paper sitting on a bench
As winter waited for the moon-stirred tide
To free warm waters from its icy clench.

The young girl waited on her bench for spring
When she and ice and all the world would sing.

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The Ballad of the Barn

by Thomas Davis

“They’ve always been half nuts,” she said.
He frowned, looked pained, and shook his head.
 
“No matter what, they’re still my brothers,”
He said.  “I almost hear my mother’s
Exasperation as she thinks
About the neighbor’s tongues, the stink
They’ve put the family in again.”
 
As pretty as an elf, her grin
Lit up her face and dark green eyes.
She looked up at the winter skies.
“Storms come and go,” she said, “and tongues
Will wag as long as songs are sung.”
 
“But Willie drove the tractor through
The barn’s west wall,” he wailed.
 
“The brew
That Sammy brews could make a knave
Out of a saint inside his grave,”
She laughed.  “They had a high old time
Until their words became a crime
Against their sense, and Sammy blocked
The barn door, shotgun ready, cocked. . .”
 
“The tractor didn’t even stall,” he said.
“It smashed right through the wall and fled
Into the fields as Sammy laughed
As if he’d taken up witchcraft
And addled who he was and sent
His soul into dark devilment.”
 
“They’ve lived together all these years,”
She said.  “They’re old now.  Human fears
Stalk dreams and make them long to see
A day when aching bones are free
Of pain, and memories aren’t lost
With morning dew or winter frost.”
 
“You give them credit when I’d like
To treat them like two kids and strike
Them with a pliant willow switch.
The tractor’s wrecked inside a ditch,
The barn’s west wall is half a hole. . .”
 
She stopped him with her hand, a droll
Look sparking flitting feelings shuttered
Like screens across her face.  He muttered,
Alarmed at how she looked at him.
He’d never felt so ill or grim.
 
“They’re old enough. . .”
 
She shook her head.
“They’re ninety eight years old,” she said.
“What is a tractor or a barn?
Ten grandkids hence, they’ll tell this yarn.”
 
He startled, grinned, chagrinned, and said,
“My mother’s neighbors are all dead.”

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A Lover’s Song

by Thomas Davis

We strung along a priceless string of stars
And made the moon a pendant just to show.
I cut the night into a dress, the bars
Of moonlight setting stars and dress aglow.

You laughed with love deep in your doe-brown eyes.
You swirled the universe upon your hem.
As dizzy as a lover filled with love’s first lies,
I watched your eyes grow dazzled by your gems.
 
Then, with a shrug, your dress fell to the ground.
The night became a puddle at your feet.
Stars glistened in a heap, their skies cut down.
The moon gleamed silver-cold without your heat.
 
We swirled together deep into the night,
Our years illuminated, blazing light.

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In Search of Poetry

by Thomas Davis

Eyes scudded dark, a roiling rage of storm,
The poet stood upon gray rock, the roar
Of boiling waves the cruciform
Of time, the slates of history a lore
Long lost, but still inside the chanting names
That sang a weaving with the waves.

The poet waves his arms. His presence claims
The past. He reaches past the earth of graves
And strains to bring the fire of poetry
From campfires blazing in forgotten nights
Beside the ferment of a Celtic sea
Onto a wild Wisconsin shore, old rites
Engendering a music mad with winds
That spills through words, a storm that never ends.

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A Poet’s Becoming, Fionn’s Gift Across Time

by Thomas Davis

Fionn, son of Mairne, a Chief Druid’s daughter, was instructed by the Druid…to cook for him a salmon fished for a deep pool…and forbidden to taste it; but as Fionn was turning the fish over in the pan he burned his thumb, which he put into his mouth and so received the gift of inspiration. For the salmon was a salmon of knowledge, that had fed on nuts fallen from the nine hazels of poetic art. Robert Graves, The White Goddess. 1966 (New York: Farrar, Straus, and Giroux), p. 75.
 
Upon the dark dolomite jutting
Shoreline out into lake waters,
Brooding, the poet pondered, rising
Vapors misting white where otters
Often twisted brown bodies in brightness
During days of lithesome lightness.
 
Longing to discover poetry’s essence,
Plunging into intensifying agony,
Its agitated angst and strange candescence,
Searching for wisps of hope, honey
Spirited into hazel nuts fallen
Into waters fused with wisdom’s pollen,
 
Praying, the poet chanted phrases
Empty of meaning, madness exploding
Dystopian dreams into glazes
Filming stratums in mist, imploding
Into a dance of time: Land distinct,
Shrouding tales of peoples long extinct.
 
Milky mist rose from the waters.
Paddling in a coracle, Fionn,
Singing softly as sleek otters,
Angled after salmon in an eon
Ever-ending, inspiration
Infusing words into desperation.
 
Dancing in the poet’s pounding
Heartbeat, language’s lilting incantation
Metamorphosed landscapes, people’s living,
Into a singing suffusion of creation:
Fionn spanning time and continents,
Salmon swimming past despair to resonance.

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By The Skin of Our Teeth, a Sonnet of Hope

by Thomas Davis

Sweet Bacchus in a passion ate his heart
As spirits floated through his pounding head.
The wood nymphs cheered, and rogues proclaimed the start
Of celebrations for the grateful dead.

The world went mad, and all the heavens rang
With shouts of drunken gods and mortal fools.
The mad embraced the mad. Chimeras sang
That chaos had replaced all laws and rules.

The stars inside the sky flew at the sun.
The peaceful moon turned red with hidden fires.
The night turned white and then began to run
Like liquid paint into the fires of funeral pyres.

But just before destruction raised its lovely head,
Sweet Bacchus died. Sweet Eros died.  Was dead.

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Planting the Wings of Monarch Butterflies

by Thomas Davis

In Southern Door an aging man, face fixed,
Pulled up beside a country road and walked
Toward a wooden fence where milkweed mixed
With grass and weeds, fall’s fiery colors stalked
Into a forest’s weave of summer green,
The season’s changing edged into the day.

Beside the fence the man bent down, serene,
Intent on picking milkweed pods, a fey
Gleam in his eyes. He got into his car
And drove until he found an empty field,
Stopped, pulled a pod out of a mason jar,
And freed milk fluff into a wind that wheeled
Time through the winter to a glorious spring
That sprung a summer graced with monarch wings.

Note: After reading an editorial by Peter Devlin in the Door County Advocate.

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Invocation to the Epic Muse

by Thomas Davis

The string's untuned! Degree, priority
And place, insisture, course, proportion, form,
Season, office, custom–all are made
Disordered, mutinous, as unified
As raging seas and shaking earth. Stability is shaked.
Commotion in the winds and changes, frights
Divert and crack, rend and deracinate.
The Clockwork Universe is dead![1]  And God,
Our Father who art in heaven, does play dice[2].
Planck’s constant[3] proves that Heisenberg’s
Uncertainty[4] is fundamental in the universe.
We look at light as if it’s made of waves,
Then see it’s made of particles that smear.
Quarks[5] live! And yet, they’re probability, a sea
That crests and falls, appears and disappears
Until, at last, improbably, uncertain, mad
With change that computations photograph,
Light is, we are, the universe exists.

I walk in Purgatory looking up
Toward the shining Earthly Paradise.
I long to see the Griffon bathed in light
Inside the Garden where the Tree of Good
And Evil grows. I long to feel the weights
Imposed upon me by the Angel Guardian
Before the Gate of Purgatory lifted off
My spirit as I rise toward a Purity of Heart. [i]

I long to be a Greek, like Kazantzakis, wild,
Sun on my head so that its Song of Light
Can spray the earth, the global grape, with life.
I am Odysseus with my long coarse hair
And body hardened by black brine, the great
Mind archer, the forty-footed dragon wreathed
With steaming blood, reflected light, and flame![ii]

I follow Virgil as he presses on apace
With darkness-wrapped Aeneas and his friend
Achates through the rough-hewn citadel
Of Carthage being built by Dido, Queen.
The cloud that swirls before my eyes is magical.
I walk down city streets among a crowd
Unseen, amazed that none perceive me there.
Then, later on, I hear the voice
Of Mercury who bids me leave the joy
Of Carthage and my love for Dido’s eyes
And go to found the Trojan city, Rome.[iii]

But gravity bends space and time, and though
I am a poet, “redy to wenden on
My pilgrymage, “[iv] and though I sit inside
This summer’s heat and pray my muse: Sing me. . .
”And through me tell the story of that man. . .,” [v]
and though I wish to find a hero large enough
To roam the wide world after he has sacked
The holy citadel of Troy, I am American,[vi]
A polyglot whose being is becoming, he
Whose language was confused at Babel, he
Whose light was scattered on the face of earth,
Mankind whose particles act just like waves.

What mutiny runs through the song I sing!
Community and brotherhood contend
For order, shatters, builds, then bends to change.
As Sitting Crow kneels in his cold garage
He dreams that glory can be forged from pain.
He is the first American, black hair, black eyes.
Beside him, on the concrete floor, are stolen tires.
A part of living, reproducing, dying earth,
He sits inside the cold garage and dreams.
He laughs at death and wraps into its dark,
Holds fires of glory in his hands and throws
Out globes of flame into the darknesses
That plague his people’s lives:

Alcohol
And drug addiction, poverty, and squalidness
That wraps its cloak about the Reservation towns,
Each dawn so hopeless that it spreads a dull,
Blank dread inside the streaming morning light.
He dreams, and like a planet throned and sphered
By gravity, he bends time, government, and space
Into the universe that whorls out from his dream.
He strives to rent the fabric of America,
But makes, instead, a symbol of the way
That chaos builds complexity, which leads,
According to a probability distribution not
Yet computated, to a glory that might yet become.

O, listen to the winds inside my mind,
O muse, O Calliope, Moon Woman, water mixed
Into the Hippocrene’s deep well where Pegasus
Once struck his hoof and made a drinking place
For poets mad enough to court their frenzied dreams.
Stir up my words inside the winds and make
A tempest strong enough to bear this tale.
I am a man and not a god. I wear the cloak
Humility has fashioned for my race
Of kindred hearts and spirits. Only you,
O muse, O Calliope, can let my song
Run wild among the stars and worlds found there.
I sing of war and of men at war. . .

[1] Sir Isaac Newton, the great physicist and mathematician, saw the universe as having the regularity and celestial mechanisms of a clock.
[2] Albert Einstein, in response to the quantum physics, exclaimed that God does not play dice with the universe.  Einstein believed in saying this that the universe is governed by unified laws and principles.
[3] Planck’s discovery unifies the seemingly contradictory observations that energy sometimes acts like a wave and at other times acts as if it is made up of particles.
[4] A principle in quantum mechanics holding that increasing the accuracy of measurement of one observable quantity increases the uncertainty with which another conjugate quantity may be known.
[5] A physical particle that forms one of the two basic constituents of matter, the other being the lepton.
[i] Alegieri, Dante, The Purgatorio, translated by John Ciardi (New York:  New American Library, 1957).
[ii] Kazantzakis, Nikos, The Odyssey, A Modern Sequel, translated by Kimon Friar (New York:  Simon and Schuster, Inc., 1958).
[iii] Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[iv] Chaucer, Geoffrey, “Prologue,” The Canterbury Tales (Ruggiers, Paul G., General Editor, facsimile of the Hengwrt Manuscript (Norman, OK:  University of Oklahoma Press and Wm. Dawson and Sons, Ltd., Folkestone, 1979).
[v] Homer, The Odyssey, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[vi] Modified from Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990.

Note: I have written two epics. This “Invocation to the Epic Muse” introduces one I wrote decades ago, An American Spirit, An American Epic. It is considerably longer than “The Dragon Epic.”

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2

by Thomas Davis

2

He talked about the mirror of the lake,
reflected trees and cloud and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.

As rain begins to fall, a loon begins to cry.

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