Category Archives: Thomas Davis

A Poet’s Becoming, Fionn’s Gift Across Time

by Thomas Davis

Fionn, son of Mairne, a Chief Druid’s daughter, was instructed by the Druid…to cook for him a salmon fished for a deep pool…and forbidden to taste it; but as Fionn was turning the fish over in the pan he burned his thumb, which he put into his mouth and so received the gift of inspiration. For the salmon was a salmon of knowledge, that had fed on nuts fallen from the nine hazels of poetic art. Robert Graves, The White Goddess. 1966 (New York: Farrar, Straus, and Giroux), p. 75.
 
Upon the dark dolomite jutting
Shoreline out into lake waters,
Brooding, the poet pondered, rising
Vapors misting white where otters
Often twisted brown bodies in brightness
During days of lithesome lightness.
 
Longing to discover poetry’s essence,
Plunging into intensifying agony,
Its agitated angst and strange candescence,
Searching for wisps of hope, honey
Spirited into hazel nuts fallen
Into waters fused with wisdom’s pollen,
 
Praying, the poet chanted phrases
Empty of meaning, madness exploding
Dystopian dreams into glazes
Filming stratums in mist, imploding
Into a dance of time: Land distinct,
Shrouding tales of peoples long extinct.
 
Milky mist rose from the waters.
Paddling in a coracle, Fionn,
Singing softly as sleek otters,
Angled after salmon in an eon
Ever-ending, inspiration
Infusing words into desperation.
 
Dancing in the poet’s pounding
Heartbeat, language’s lilting incantation
Metamorphosed landscapes, people’s living,
Into a singing suffusion of creation:
Fionn spanning time and continents,
Salmon swimming past despair to resonance.

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By The Skin of Our Teeth, a Sonnet of Hope

by Thomas Davis

Sweet Bacchus in a passion ate his heart
As spirits floated through his pounding head.
The wood nymphs cheered, and rogues proclaimed the start
Of celebrations for the grateful dead.

The world went mad, and all the heavens rang
With shouts of drunken gods and mortal fools.
The mad embraced the mad. Chimeras sang
That chaos had replaced all laws and rules.

The stars inside the sky flew at the sun.
The peaceful moon turned red with hidden fires.
The night turned white and then began to run
Like liquid paint into the fires of funeral pyres.

But just before destruction raised its lovely head,
Sweet Bacchus died. Sweet Eros died.  Was dead.

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Planting the Wings of Monarch Butterflies

by Thomas Davis

In Southern Door an aging man, face fixed,
Pulled up beside a country road and walked
Toward a wooden fence where milkweed mixed
With grass and weeds, fall’s fiery colors stalked
Into a forest’s weave of summer green,
The season’s changing edged into the day.

Beside the fence the man bent down, serene,
Intent on picking milkweed pods, a fey
Gleam in his eyes. He got into his car
And drove until he found an empty field,
Stopped, pulled a pod out of a mason jar,
And freed milk fluff into a wind that wheeled
Time through the winter to a glorious spring
That sprung a summer graced with monarch wings.

Note: After reading an editorial by Peter Devlin in the Door County Advocate.

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Invocation to the Epic Muse

by Thomas Davis

The string's untuned! Degree, priority
And place, insisture, course, proportion, form,
Season, office, custom–all are made
Disordered, mutinous, as unified
As raging seas and shaking earth. Stability is shaked.
Commotion in the winds and changes, frights
Divert and crack, rend and deracinate.
The Clockwork Universe is dead![1]  And God,
Our Father who art in heaven, does play dice[2].
Planck’s constant[3] proves that Heisenberg’s
Uncertainty[4] is fundamental in the universe.
We look at light as if it’s made of waves,
Then see it’s made of particles that smear.
Quarks[5] live! And yet, they’re probability, a sea
That crests and falls, appears and disappears
Until, at last, improbably, uncertain, mad
With change that computations photograph,
Light is, we are, the universe exists.

I walk in Purgatory looking up
Toward the shining Earthly Paradise.
I long to see the Griffon bathed in light
Inside the Garden where the Tree of Good
And Evil grows. I long to feel the weights
Imposed upon me by the Angel Guardian
Before the Gate of Purgatory lifted off
My spirit as I rise toward a Purity of Heart. [i]

I long to be a Greek, like Kazantzakis, wild,
Sun on my head so that its Song of Light
Can spray the earth, the global grape, with life.
I am Odysseus with my long coarse hair
And body hardened by black brine, the great
Mind archer, the forty-footed dragon wreathed
With steaming blood, reflected light, and flame![ii]

I follow Virgil as he presses on apace
With darkness-wrapped Aeneas and his friend
Achates through the rough-hewn citadel
Of Carthage being built by Dido, Queen.
The cloud that swirls before my eyes is magical.
I walk down city streets among a crowd
Unseen, amazed that none perceive me there.
Then, later on, I hear the voice
Of Mercury who bids me leave the joy
Of Carthage and my love for Dido’s eyes
And go to found the Trojan city, Rome.[iii]

But gravity bends space and time, and though
I am a poet, “redy to wenden on
My pilgrymage, “[iv] and though I sit inside
This summer’s heat and pray my muse: Sing me. . .
”And through me tell the story of that man. . .,” [v]
and though I wish to find a hero large enough
To roam the wide world after he has sacked
The holy citadel of Troy, I am American,[vi]
A polyglot whose being is becoming, he
Whose language was confused at Babel, he
Whose light was scattered on the face of earth,
Mankind whose particles act just like waves.

What mutiny runs through the song I sing!
Community and brotherhood contend
For order, shatters, builds, then bends to change.
As Sitting Crow kneels in his cold garage
He dreams that glory can be forged from pain.
He is the first American, black hair, black eyes.
Beside him, on the concrete floor, are stolen tires.
A part of living, reproducing, dying earth,
He sits inside the cold garage and dreams.
He laughs at death and wraps into its dark,
Holds fires of glory in his hands and throws
Out globes of flame into the darknesses
That plague his people’s lives:

Alcohol
And drug addiction, poverty, and squalidness
That wraps its cloak about the Reservation towns,
Each dawn so hopeless that it spreads a dull,
Blank dread inside the streaming morning light.
He dreams, and like a planet throned and sphered
By gravity, he bends time, government, and space
Into the universe that whorls out from his dream.
He strives to rent the fabric of America,
But makes, instead, a symbol of the way
That chaos builds complexity, which leads,
According to a probability distribution not
Yet computated, to a glory that might yet become.

O, listen to the winds inside my mind,
O muse, O Calliope, Moon Woman, water mixed
Into the Hippocrene’s deep well where Pegasus
Once struck his hoof and made a drinking place
For poets mad enough to court their frenzied dreams.
Stir up my words inside the winds and make
A tempest strong enough to bear this tale.
I am a man and not a god. I wear the cloak
Humility has fashioned for my race
Of kindred hearts and spirits. Only you,
O muse, O Calliope, can let my song
Run wild among the stars and worlds found there.
I sing of war and of men at war. . .

[1] Sir Isaac Newton, the great physicist and mathematician, saw the universe as having the regularity and celestial mechanisms of a clock.
[2] Albert Einstein, in response to the quantum physics, exclaimed that God does not play dice with the universe.  Einstein believed in saying this that the universe is governed by unified laws and principles.
[3] Planck’s discovery unifies the seemingly contradictory observations that energy sometimes acts like a wave and at other times acts as if it is made up of particles.
[4] A principle in quantum mechanics holding that increasing the accuracy of measurement of one observable quantity increases the uncertainty with which another conjugate quantity may be known.
[5] A physical particle that forms one of the two basic constituents of matter, the other being the lepton.
[i] Alegieri, Dante, The Purgatorio, translated by John Ciardi (New York:  New American Library, 1957).
[ii] Kazantzakis, Nikos, The Odyssey, A Modern Sequel, translated by Kimon Friar (New York:  Simon and Schuster, Inc., 1958).
[iii] Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[iv] Chaucer, Geoffrey, “Prologue,” The Canterbury Tales (Ruggiers, Paul G., General Editor, facsimile of the Hengwrt Manuscript (Norman, OK:  University of Oklahoma Press and Wm. Dawson and Sons, Ltd., Folkestone, 1979).
[v] Homer, The Odyssey, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[vi] Modified from Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990.

Note: I have written two epics. This “Invocation to the Epic Muse” introduces one I wrote decades ago, An American Spirit, An American Epic. It is considerably longer than “The Dragon Epic.”

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2

by Thomas Davis

2

He talked about the mirror of the lake,
reflected trees and cloud and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.

As rain begins to fall, a loon begins to cry.

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14

by Thomas Davis

On Friday nights I’d work all day, then walk
home from the office where two teenaged girls
were streaming past their mother with their talk
about this boy, this girl, their endless whirl
of friend, near-friend relationships that bloomed
and changed like clothing changed from day to day.

The minute that I touched the door excitement spumed
as I gulped down a meal before Green Bay—
and then we drove for forty country miles
to where two girls could dance and laugh to songs
and show that small town girls had mastered styles
that big town girls would envy all night long.

I sat inside a dinghy Burger King
and read while daughters spread their teen club wings.

Note: This sonnet was published earlier on fourwindowspress.

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The Rhyming of Love

by Thomas Davis

Our fathers died, and then your mother left
And took a train ride to her resting place.
There are no words for senses left bereft
The moment living left our son’s good face.

Our love was glory when it first began to bloom.
We walked brown hills and felt the sky breathe light—
You took your hesitant, unlikely groom
And gave him more of life than was his right.

The days of work and turmoil, gladness, stress,
Have slowed us down and made us feel our years
As separateness has ground against the press
Of love through joyous days and bitter tears.

From gnarling roots of memories and time,
Love forges symphonies of changing rhyme.

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Beauty’s Human Scent

by Thomas Davis

As cold as morning mist upon a hill
Above the lake that danced light from the sun,
The woman stood and felt a warning chill
That screamed at her and made her want to run,
But, frozen, scared, she turned toward the wood
And shadows where a massive white wolf stood.

She did not move. The wolf’s wild, pale green eyes
Stared balefully at her, its body tense
With energies she somehow felt, the skies
Above them darkening with clouds so dense
A twilight lengthened shadows, made her feel
A rush of fear she thought she should conceal.

Eyes fixed on her, the wolf stepped from the trees
So slowly that she barely saw him move.
She could not make her rigid legs unfreeze,
But stared back at the wolf as if to prove
The fear she felt was courage free of fear
Though pale green eyes, half closed, made death seem near.

The wolf crouched down as if to spring at her,
But then its head jerked north toward a stand
Of young white pine, eyes concentrated, fur
Around its neck alive. The woman’s hand
Moved, broke paralysis. A great gray bear
Rose up inside the pines, the wolf’s cold glare.

The bear glanced at the woman as she backed
Away from wolf and bear, then, anthracite
Inside its eyes, glared at the wolf, strength stacked
Against a spirit brimming with a light
That darkened morning skies and choked the day
With time suspended as it stalked its prey.

The great bear roared. The white wolf bared its teeth
And growled, its spirit kicking up a breeze
That blew into the bear’s black eyes beneath
A dead still canopy, the forest’s trees
Now covered with a brooding, bristling night
Contrasting with the wolf’s bright, shining white—

And then the wolf was gone, the bear alone.
It stared at where the wolf had stood and felt
The emptiness beneath the trees, the drone
Of singing wind as rain began to pelt
The ground and run in muddy rivulets
That clouded in the bear’s stirring spirit.

At last the bear fell down and stuck his claws
In earth, the human woman haunting him:
The fear inside her eyes, the wolf’s white paws
Prepared to spring into the stunning hymn
Of beauty circling her, the way she held her head
As wolf’s eyes counted her as prey soon dead.

The bear sniffed stormy air and found the path
She’d used to flee the wolf and him and stalked
Toward impossibility, an aftermath
That could not be, that mocked him as he walked
In air perfumed with beauty’s human scent,
A woman’s song of being, heaven sent.

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Sonnet 12

Before we reached the bank two twelve year olds
were on the water in the good canoe.
Both Brand and I looked at our sons, their coup
apparent as they grinned at us, both bold
enough to know that, ten feet out, they controlled
the moment even though the wind still blew
and rain was falling hard, the clouds a stew
of swirling turbulence and cold.
Okay, Brand said. Inside the inlet, calm
prevailed, but as we went into the lake
the waves were higher than our heads. The qualms
I’d had at seeing youngsters make their break
to manhood with a crazymad aplomb
unmanned me–as they left me in their wake.

Note: Friday, Saturday, and Sunday Brand Windmiller, Jesse Windmiller, Brand’s grandson Braxton, my grandson Will Bingen, and I spent a few days at an unimproved campsite north of Minoqua Wisconsin. I am reprinting this sonnet written while our son, Kevin, was dying of cancer, in memory of that trip as I relived a glorious part of my life that Brand and Jesse were so instrumental in helping to make happen. I will be forever grateful for that special time with my son. A couple of photos from the Minoqua trip are below:

Mist in the Early Morning
Mist in the Early Morning

In the Land of the Cranes
In the Land of the Cranes

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2

by Thomas Davis

He talked about the mirror of the lake,
reflected trees and clouds and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours, and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.
As rain begins to fall, a loon begins to cry.

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