Category Archives: Thomas Davis

Publications by Ethel Mortenson and Thomas Davis

Both Ethel and Thomas have had recent publications.  Ethel’s poem, “Love Songs,” one of the best poems she has written that has not found its way to publication until now, has just been published by Bramble, the new literary magazine of the Wisconsin Fellowship of Poets (WFOP), at http://www.wfop.org/love-songs.  Bramble (http://www.wfop.org/bramble-lit-magis a new effort by WFOP, and this is its first issue.  The poems in the first issue are well worth reading.

Tom has just had a sonnet published in Ariel Anthology 2016, Inward and Outward, “Of Those Who Could End the World — So There Osama bin Laden, ISIS, and the Archbishop of Treves!”  This is the third year his sonnets have been published in Ariel, which is arguably the best anthology published in Wisconsin.  This year’s anthology also contains two black and white drawings by Ethel, “Electric Horse” and “Night Sounds.”  Ariel can be ordered online at https://www.amazon.com/Ariel-Anthology-2016-Inward-Outward.

Tom also had two children’s poems published in an anthology by Brick Street Poetry, Inc., Words & Other Wild Things.  The poems were “Milk Maid” and “The Fisherman.”  The anthology can be ordered online at https://www.amazon.com/Words-Other-Things-Street-Poetry.

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Water Warriors

a sonnet by Thomas Davis

They danced, and then they sang, and on the plains
The winter came as men with guns and eyes,
That hated who they were, looked half insane
And tried to stop their dance and song, the pain
Engendered by the cold, their fears, dark skies,
Brave words that had the force of hurricanes.

But in the deepness of our Mother Earth,
The dance and song of waterkeepers stirred
An earth song, water song, a shining birth
Of human visions that were not deterred
By guns and eyes and human anger spurred
Alive by those whose sense of human worth
Could never see the dance or hear the earth-deep song
The drum-heart beats and beats all winter long.

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The Shore that No Man Sees

Thomas Davis

 I sit upon the rocky lakeshore, waves
Long, curving lines that sweep and sing their music
Into the rhythms of my thoughts, their cryptic,
Moon-driven spirit a metaphor that graves
Itself into the thought that strikes me, raves
Unchecked into a day so wind-blown, gray,
It makes me wonder why the disarray
I feel inside seems dark, a chasmal cave.

Then, suddenly, I see the waves as souls
That sweep into a shore that no man sees,
And as they chant into the beach, the shoals
Of rocks become a shore of certainties,
An incantation on the shore, their canticle
Eternity, immersion mystical.

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Emerging Into Freedom

by Thomas Davis

Waves rolled with curving lines into the shore.
Lake Michigan horizoned into sky.
They watched a dark brown, white crowned osprey soar
Above the waves and heard its hunting cry.

Inside pinched spirits chained by slavery
And endless hours of suffocating fear,
Bonds loosened as the dream and fantasy
Of freedom suddenly seemed real, so near
To where they stood above the giant lake
They were not sure they had not reached a future
Aware of who they were, the earth awake
To spirits that had passed through deadly danger.

Inside the distant swamp they’d been but slaves.
They stood upon a hill and listened to the waves.
Note: I have been working on a novel about a black fisherman community founded on Washington Island prior to the Civil War in the wilderness of Wisconsin. This is the eleventh sonnet published here that heads chapters in the novel. I have made slow progress, but the novel keeps expanding, so we’ll see if I have the energy and capability of finishing it. I am less than half way through at this point.

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Taliesin in New Mexico Near Inscription Rock

by Thomas Davis

 Taliesin walked in a sparse woods;
pink and white stones rose from earth into cliffs
topped with rock, pinyon, pine, and juniper trees.
This was not his native land, Ireland’s wild coast
where clerics and ancient bards warred,
declaiming words of power
into spirits of unlettered men and women,
but a land as dry as Job’s tongue:
“Where shall wisdom be found?”

The great bard had stood on a rock
jutting into a sea’s fury, called mists and forest spirits
into a gate he walked through into sweltering skies
so filled with light they felt unreal.
Standing below a tall red cliff
he sent his spirit out across a dry land
and walked, feeling how poetry faltered
in the great silence of stone, trees, and sand.

On a massive sandstone table he stopped
and stared at hairy black spiders’ frenzy
as they scuttled in a fall mating dance.
He could not understand the language
spoken by the spider’s movement.
He could not feel the spirit of poetry’s ebb and flow
where no coracle boats or sailing ships plied waves.

He studied a turquoise juniper tree’s green flame.
He tried to feel how such small trees
would move across the dry landscape,
but they seemed rooted in pink and white stone,
trees drawing sustenance from soils
not fertile enough to engender song.

Taliesin walked and walked through a long day.
In the west, above dark hills, the sun blazed.
A horned moon, slender in new waxing, rose.

The ancient bard’s heart shuddered, making him faint.
How was he to leave a land where poetry was tenuous?
Where no selkie dived beneath waves into seaweed forests?
Where he could not weave the land’s power into his voice?

He listened. The Milky Way netted above him,
luminous river of light flowing toward night’s horizon.
He listened, and then he heard . . .

women’s voices elegant and wild with creative frenzy,
men speaking words as strange as the landscape,
voices that echoed back through peoples
more ancient than even Taliesin’s time.

A red wolf howled beneath stars and horned moon.
A cold wind blew.
Pinyon, pine, and juniper branches danced and sang.

The great bard felt the strangeness of where he was
and smiled and raised arms out of his brown robe.
He found the rhythm of poetry’s one language
and spoke it to the night sky, trees, wind,

and suddenly he stood in darkness,
and he was on a black rock jutted
into a foaming, wind-driven sea.

Note: This is an old poem. I am not sure if I have blogged it here before.

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Chicago on the Road to Freedom

a terza rima sonnet

By Thomas Davis

Cacophony, noise, horses, people, smells,
A raging restlessness and energy
Unbounded from the places spirit dwells,
Infected them and made them want to flee
Their fleeing even as Chicago seethed
And made them wonder if their slavery
Was more than whips and white men wreathed
In arrogance, but something in their souls,
Their consciousness, the very air they breathed
That filled their lives with loss and empty holes
Where dreams should live and let life soar in skies
Removed from fear and all the deadly shoals
That, hidden, suddenly materialize
And snatch away a slave’s most longed-for prize.

Note: This continues the sonnet sequence I am writing. The sonnets, all of them different kind of sonnets, head each chapter in a novel that is giving me endless trouble. In the novel a large group of slaves from different plantations, led by a fiery Preacher, escape southern Missouri and head north toward Washington Island in Wisconsin. At this point in their escape they have reached Chicago.

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Inside the Place where Joy and Hope is Made

A sonnet from Thomas Davis

Inside the barn the memories of war
As horses ate their hay and cows were fed:

Inside three men, one white, two black, the roar
Of cannon, sight and sound of men that bled
Their lives out as the living and the dead
Were showered with hot, splintering fusillades
Flung in the wave-tossed night from hell, the dread
Of battle dancing as the barricades
Of what you were in being human fades
Into the chaos burning through the night.

The Preacher frowned: “Destruction serenades
Our hearts against our spirit’s holy light,”
He said. The others nodded. Each had prayed
To find the place where joy and hope was made.

Note: This is the next in the series of sonnets written as heads of chapter for a novel I am trying to work on. I have published several of these sonnets with previous posts. The sequence presents insights into an escape of slaves to Washington Island in Wisconsin before the Civil War. There was a small community of blacks on the island just before passage of the Fugitive Slave Act of 1850.

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A Force Inside the Dream of God

by Thomas Davis

Their stomachs ached, they felt ice cold, their eyes
Sank back into their sockets. Still, worn out,
They kept on moving, moving. When the skies
Were dark enough, they got up, brushed the flies,
Mosquitos off, shoved fear and gnawing doubt
Into their bellies’ emptiness, and ran, their route
Through hills and fields, past roads, an exercise
In dreams that live on while the body dies.

But as they moved, the Preacher was a force
Inside the dream of God, a man possessed.
He would not fade. His tongue, without remorse,
Whipped legs too tired to move to movement, stressed
Them all until a blessed miracle
Made life and dreams again seem possible.

Note: I have been posting two of these sonnets at a time. Since I am in the rewriting mode of the novel at the moment, going backward unfortunately, I am afraid I’ll run out of postings for the series before I get to a place where I can keep up the sequence. This is the fifth sonnet I’ve posted from the series. I am working on a novel with a sonnet at the beginning of each chapter. The sonnets themselves are a mixture of forms. This particular sonnet is a Spenserian sonnet.

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Publication in The Lyric

I just posted two sonnets and then the latest issue of The Lyric arrived in the mail.  The Lyric is the oldest magazine dedicated to traditional verse forms in the North America. Its website can be found at https://thelyricmagazine.com. My Shakespearean sonnet, “A Lover’s Song,” which was written to Ethel several years ago, is in the new issue. I subscribe to the magazine and have had another sonnet published in it about a year ago.

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The Miracle Inside a Storm from Hell Inside the Turning Wheels of Time

Sonnets by Thomas Davis

The Miracle Inside a Storm from Hell

Their misery growing as they splashed through streams
And felt huge clouds above the battered trees
That flung down branches as the sorceries
Of wind and hunger screamed and screamed, and screams
Into their fears, their hatred, useless dreams
The Preacher cultivated with an ease
That wasn’t true, not when the miseries
Of hell danced in the storm’s wild, fierce extremes.

And then, as if inside a miracle,
They reached a lonely church, the raging storm
So fierce they quailed inside its crucible,
And knew the light of God, their spirits warm,
The dreams the Preacher preached so lyrical
It made them feel, inside their hell, reborn.

Inside the Turning Wheels of Time

Inside the rhythm of the wagon’s wheels,
The Preacher, with his people crammed beside
Him underneath a false floorboard, untied
His consciousness from who he was, ordeals
He’d face for years now in the past, and reels
Of rainbow light exploded, amplified
A vision where he felt Ezekiel’s tide
Of prophecies burn like a fire that heals.

He saw his Promised Land, boats filled with fish,
A land of gardens lush as men could wish,

And in the garden of his vision, black
As midnight skies, a shining Adam spoke
A chant so sibilant with grace the almanac
Of hours turned like the wagon wheel’s spokes.

Note:  These two sonnets continue the series that constitute the beginnings of chapters in a book on a black community that existed on Washington Island before the coming of the Civil War.  These sonnets are part of the sequence that deals with the escape of people from the community from the plantations where they were enslaved.   The sonnets are written using a mixture of sonnet forms.  “The Miracle Inside a Storm from Hell” is a Spenserian sonnet.  “Inside the Turning Wheels of Time” is a French sonnet.

 

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