Category Archives: Poetry

Newport Beach

by Ethel Mortenson Davis

It is the end
of Door Peninsula,
the Newport  Beach  forest,
 
less dense now
from the gale winds
of last September
that toppled dead trees,
crisscrossing their trunks
ahead on our path
amidst living, smaller trees.
 
There are no words
to describe the large
old pines and cedars,
the largest trees
I have ever seen in Wisconsin —
 
not the picked over
forest trees
of two and three cuttings
that mostly remain here.
 
So tall these trees
along Lake Michigan,
dripping morning fog
on top of our heads and faces
from their skyscraper canopy.

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On Mother’s Day

by Thomas Davis

Outside winds howled with snow and bitter cold.
The phone rang: “Mrs. Davis?” asked a girl.
She sounded frightened. “Yes?” Her voice controlled,
too soft, the girl said, “Kevin…” Strong emotions swirled
into the howling of the storm, the cold, the snow.
“I’m scared,” she said at last. His mother caught her breath.
He’s hours away, she thought. It’s twenty-five below.
The roads are ice. This is a night for death.
“I’ll wait here with him, but you have to come.”
No cars were on the road that late at night.
She crawled across the miles, the constant drum
of howling winds accentuating fright
that made her fierce when, shaken, stunned,
she put her arms around her struggling son.

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Restoration

by Ethel Mortenson Davis

The lips of the rain,
soft at first,
become
cold and stiff
from last night’s
freezing temperatures.

Out on the lake
The black-winged Pelicans
fish in huddles.
They are restored
to their ancient places,
the Great Lakes.

If only we could restore
the people to their rightful places,
bringing young and old back
to their ancient lands.

Instead millions are pushed out
from wars and famines
into a great movement

like schools of fish,
swarming,
moving like a great wheel
across the face of the deep.

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In the Nursing Home

by Thomas Davis

Memory silks like a worm
into a place where comfort ought to be.

Inside a kitchen, bristling with energy,
the woman sits beside a young man
who looks as if he’s lost what self he had.

“You can’t tell anyone, no relatives.”
Her voice was hitched, almost a whisper,
but still as strong as springtime river currents.

The young man looks at her, tongue-tied.

“In Dalhart, Texas, years ago,
you had a second cousin birth twins,”
she said. “The scandal tore the family
as if a funnel cloud had come from nowhere,
ripping our family tree and smashing it
to smithereens, its remnants strewn debris.”

She looked at the young man, saw how words
had brought blood to eyes, reddening them,
hands clutched below the table.

“One twin was black, the other white,” she said.
“Your cousin’s husband concluded sin the moment
the doctor tossed the news into his craw.”

She wrung her hands upon the tabletop.
“It weren’t no sin, though, not a raindrop’s worth.
They traced the family back to New Orleans
where a white Frenchman married a slave woman,
giving our family Nigerian blood.”

“Our family?” the young man asked, stunned out of hurt.

She grinned, triumphant. She’d nicked away the words
nursed inside his I-ought-to-go-eat-worms.

“Your relatives deny it’s true,” she said.
“People in that bigoted town saw twins
downtown, a boy and girl, and slurred their hate
in spit-fulls, but it wasn’t sin at all.
It was human spinning generations
into a mix that makes humanity.”

She looked at him again. “The relatives
Will kill me if they know I’ve told that tale.”

Inside the small, dark room, I look at her,
Into her eyes. She doesn’t look at me.
Alive inside her emptiness, old age
An eraser, she doesn’t know I’m here.

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Open Water

by Ethel Mortenson Davis

Today we saw
black swans flying
close to the shore,

looking for open water.

We too look for open water
in our lives,
places that will
nourish and sustain us,

propel us through rocks and ice
that entangle us,
grab at our limbs
and minds, and bury us.

We yearn
for the boundless waters
of this vast lake

as glistening
black swans
yearn for spring’s
warming light.

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Four Black Swans

a Spenserian Sonnet

by Thomas Davis

Four swans, crow-feather black, fly low above
The lake’s ice, white with tints of apple green.
Upon a red roof ravens, croaking of
The way the blue-black of their feather’s sheen
Swift shadows on the snow’s white shining, preen
Into a circle, stirring whispering winds
That cause white wisps to pirouette, careen
Across the fields as daylight slowly ends.

A black cat tops a hill and then descends
Into a field where fourteen cats have made
A ring beneath a full moon; each pretends
The others aren’t as eyes glow green as jade —

The wind blows cold; the silver moon is bright
As black swans fly into the spell-bound night.

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Whiteness

by Ethel Mortenson Davis

On earth
there are no elements
here of humankind
that work in harmony,

but in the whiteness
of snow there are.
The whiteness is like
no other white.

The snowshoe rabbit
this morning looked
brown against it.

White is holy.
It fights back
the grayness
that is human

and wins —
for a few moments.

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Sitting on a Bench Waiting for the End of Winter

by Thomas Davis

Time hides in words spoke on the radio,
Inside newspaper columns gray with print.
The young girl, in the winter, watched the flow
Of snow wisps on the lake, her dreams intent
Upon the booming chunks of gleaming ice
That spring would heave on shore, great, white walls, cold
In spite of how the sun thawed sacrifice
From frozen ground and hazed the air with gold.

The young girl took her radio outside
And read the paper sitting on a bench
As winter waited for the moon-stirred tide
To free warm waters from its icy clench.

The young girl waited on her bench for spring
When she and ice and all the world would sing.

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Two Roads

by Ethel Mortenson Davis

I can’t remember
when I learned
to love animals,
but it was when
I was very young,

along with my three sisters.

Perhaps it started
when we were called
good-for-nothing girls,
forcing us toward
the animals.

It was where I learned
animals love their young
as much as we love
ours,

when the mother cow,
desperate that night,
cried in low,
hysterical bellows
for her dead calf.

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The Ballad of the Barn

by Thomas Davis

“They’ve always been half nuts,” she said.
He frowned, looked pained, and shook his head.
 
“No matter what, they’re still my brothers,”
He said.  “I almost hear my mother’s
Exasperation as she thinks
About the neighbor’s tongues, the stink
They’ve put the family in again.”
 
As pretty as an elf, her grin
Lit up her face and dark green eyes.
She looked up at the winter skies.
“Storms come and go,” she said, “and tongues
Will wag as long as songs are sung.”
 
“But Willie drove the tractor through
The barn’s west wall,” he wailed.
 
“The brew
That Sammy brews could make a knave
Out of a saint inside his grave,”
She laughed.  “They had a high old time
Until their words became a crime
Against their sense, and Sammy blocked
The barn door, shotgun ready, cocked. . .”
 
“The tractor didn’t even stall,” he said.
“It smashed right through the wall and fled
Into the fields as Sammy laughed
As if he’d taken up witchcraft
And addled who he was and sent
His soul into dark devilment.”
 
“They’ve lived together all these years,”
She said.  “They’re old now.  Human fears
Stalk dreams and make them long to see
A day when aching bones are free
Of pain, and memories aren’t lost
With morning dew or winter frost.”
 
“You give them credit when I’d like
To treat them like two kids and strike
Them with a pliant willow switch.
The tractor’s wrecked inside a ditch,
The barn’s west wall is half a hole. . .”
 
She stopped him with her hand, a droll
Look sparking flitting feelings shuttered
Like screens across her face.  He muttered,
Alarmed at how she looked at him.
He’d never felt so ill or grim.
 
“They’re old enough. . .”
 
She shook her head.
“They’re ninety eight years old,” she said.
“What is a tractor or a barn?
Ten grandkids hence, they’ll tell this yarn.”
 
He startled, grinned, chagrinned, and said,
“My mother’s neighbors are all dead.”

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