Category Archives: Poetry

Emerging Into Freedom

by Thomas Davis

Waves rolled with curving lines into the shore.
Lake Michigan horizoned into sky.
They watched a dark brown, white crowned osprey soar
Above the waves and heard its hunting cry.

Inside pinched spirits chained by slavery
And endless hours of suffocating fear,
Bonds loosened as the dream and fantasy
Of freedom suddenly seemed real, so near
To where they stood above the giant lake
They were not sure they had not reached a future
Aware of who they were, the earth awake
To spirits that had passed through deadly danger.

Inside the distant swamp they’d been but slaves.
They stood upon a hill and listened to the waves.
Note: I have been working on a novel about a black fisherman community founded on Washington Island prior to the Civil War in the wilderness of Wisconsin. This is the eleventh sonnet published here that heads chapters in the novel. I have made slow progress, but the novel keeps expanding, so we’ll see if I have the energy and capability of finishing it. I am less than half way through at this point.

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Wilderness

For Brand Windmiller

by Ethel Mortenson Davis

 You take a boy,
ten or eleven,
and put him
into the wilderness,

let him do
the hard work
of boating
before the destructive
influences permeate him,

and
let the wilderness
finish his training.

Let him eat berries and nuts.
And let him hear the sound of
the red-eyed loon
as she carries her young
on her back.

If once is not enough,
bring him again.
Let the wilderness
do her work.

Early in the morning,
push the bow
into the darkness
as the white fog
sits on top the water.

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Taliesin in New Mexico Near Inscription Rock

by Thomas Davis

 Taliesin walked in a sparse woods;
pink and white stones rose from earth into cliffs
topped with rock, pinyon, pine, and juniper trees.
This was not his native land, Ireland’s wild coast
where clerics and ancient bards warred,
declaiming words of power
into spirits of unlettered men and women,
but a land as dry as Job’s tongue:
“Where shall wisdom be found?”

The great bard had stood on a rock
jutting into a sea’s fury, called mists and forest spirits
into a gate he walked through into sweltering skies
so filled with light they felt unreal.
Standing below a tall red cliff
he sent his spirit out across a dry land
and walked, feeling how poetry faltered
in the great silence of stone, trees, and sand.

On a massive sandstone table he stopped
and stared at hairy black spiders’ frenzy
as they scuttled in a fall mating dance.
He could not understand the language
spoken by the spider’s movement.
He could not feel the spirit of poetry’s ebb and flow
where no coracle boats or sailing ships plied waves.

He studied a turquoise juniper tree’s green flame.
He tried to feel how such small trees
would move across the dry landscape,
but they seemed rooted in pink and white stone,
trees drawing sustenance from soils
not fertile enough to engender song.

Taliesin walked and walked through a long day.
In the west, above dark hills, the sun blazed.
A horned moon, slender in new waxing, rose.

The ancient bard’s heart shuddered, making him faint.
How was he to leave a land where poetry was tenuous?
Where no selkie dived beneath waves into seaweed forests?
Where he could not weave the land’s power into his voice?

He listened. The Milky Way netted above him,
luminous river of light flowing toward night’s horizon.
He listened, and then he heard . . .

women’s voices elegant and wild with creative frenzy,
men speaking words as strange as the landscape,
voices that echoed back through peoples
more ancient than even Taliesin’s time.

A red wolf howled beneath stars and horned moon.
A cold wind blew.
Pinyon, pine, and juniper branches danced and sang.

The great bard felt the strangeness of where he was
and smiled and raised arms out of his brown robe.
He found the rhythm of poetry’s one language
and spoke it to the night sky, trees, wind,

and suddenly he stood in darkness,
and he was on a black rock jutted
into a foaming, wind-driven sea.

Note: This is an old poem. I am not sure if I have blogged it here before.

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Cricket

by Ethel Mortenson Davis

Tonight, black cricket,
if you sing your golden song,
you can have my room.

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Lotus

by Ethel Mortenson Davis

The water lotus
should not be so beautiful
in this war-torn world.

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Chicago on the Road to Freedom

a terza rima sonnet

By Thomas Davis

Cacophony, noise, horses, people, smells,
A raging restlessness and energy
Unbounded from the places spirit dwells,
Infected them and made them want to flee
Their fleeing even as Chicago seethed
And made them wonder if their slavery
Was more than whips and white men wreathed
In arrogance, but something in their souls,
Their consciousness, the very air they breathed
That filled their lives with loss and empty holes
Where dreams should live and let life soar in skies
Removed from fear and all the deadly shoals
That, hidden, suddenly materialize
And snatch away a slave’s most longed-for prize.

Note: This continues the sonnet sequence I am writing. The sonnets, all of them different kind of sonnets, head each chapter in a novel that is giving me endless trouble. In the novel a large group of slaves from different plantations, led by a fiery Preacher, escape southern Missouri and head north toward Washington Island in Wisconsin. At this point in their escape they have reached Chicago.

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Fractals

by Ethel Mortenson Davis

Wilderness embraces us
this wet morning
with pictures of chaos.

Fractals,
repeating patterns
of symmetry
that quiets,
sets our minds free.

These lovely patterns
in trees, rivers, coastlines,
mountains, and seashells
give us designs that are graceful. . .

like the wild dogwood,
a signature tree in the forest,
whose fractal symmetry
is like no other.

The most beautiful grace
I have ever seen
brings rest to our minds —
our souls.

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Inside the Place where Joy and Hope is Made

A sonnet from Thomas Davis

Inside the barn the memories of war
As horses ate their hay and cows were fed:

Inside three men, one white, two black, the roar
Of cannon, sight and sound of men that bled
Their lives out as the living and the dead
Were showered with hot, splintering fusillades
Flung in the wave-tossed night from hell, the dread
Of battle dancing as the barricades
Of what you were in being human fades
Into the chaos burning through the night.

The Preacher frowned: “Destruction serenades
Our hearts against our spirit’s holy light,”
He said. The others nodded. Each had prayed
To find the place where joy and hope was made.

Note: This is the next in the series of sonnets written as heads of chapter for a novel I am trying to work on. I have published several of these sonnets with previous posts. The sequence presents insights into an escape of slaves to Washington Island in Wisconsin before the Civil War. There was a small community of blacks on the island just before passage of the Fugitive Slave Act of 1850.

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A Force Inside the Dream of God

by Thomas Davis

Their stomachs ached, they felt ice cold, their eyes
Sank back into their sockets. Still, worn out,
They kept on moving, moving. When the skies
Were dark enough, they got up, brushed the flies,
Mosquitos off, shoved fear and gnawing doubt
Into their bellies’ emptiness, and ran, their route
Through hills and fields, past roads, an exercise
In dreams that live on while the body dies.

But as they moved, the Preacher was a force
Inside the dream of God, a man possessed.
He would not fade. His tongue, without remorse,
Whipped legs too tired to move to movement, stressed
Them all until a blessed miracle
Made life and dreams again seem possible.

Note: I have been posting two of these sonnets at a time. Since I am in the rewriting mode of the novel at the moment, going backward unfortunately, I am afraid I’ll run out of postings for the series before I get to a place where I can keep up the sequence. This is the fifth sonnet I’ve posted from the series. I am working on a novel with a sonnet at the beginning of each chapter. The sonnets themselves are a mixture of forms. This particular sonnet is a Spenserian sonnet.

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How Hard

by Ethel Mortenson Davis

 
We talked about children,
their schooling,
their boyfriends.
How they are becoming
serious about their relationships.

We talked about children
becoming people.
How hard it is.

We talked about
how hard creating
a new piece of art is.

How much energy
the making of art takes —
an extraordinary piece of art.

How hard that is:
Like the yellow orchid
in the forest this morning
among the blue waters.
How hard the earth struggled
to bring about that flower:

Like my ancestors
that were sailors,
sailing to other lands —
among the blue waters —

how hard.

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