Category Archives: Ethel Mortenson Davis

The Deer

by Ethel Mortenson Davis

You came to the edge of the woods today
to catch my eye.
My dog did not see you, though,
young girl-deer.

You came to tell me “thank you,”
or so it seemed that way,
for digging you out of the mud yesterday.

Flailing, you were caught up to your neck.
My dog and I saw you
throwing your head from side to side, exhausted—
on our walk in the rain-soaked morning.

Two came to dig you out,
and, after resting, you got up
and ran away.

So today you came back with gratitude,
or your face looked that way—
like my long lost daughter.
You came to make me understand
that you were full of thankfulness,
to catch my eye,
or so it seemed that way.

Copyright © 2010, I Sleep Between the Moons of New Mexico

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The Sickness

by Ethel Mortenson Davis

The people in the village
tied their sicknesses
onto the spotted jaguar.
Then men chased him
out of the village with sticks,

but the people
did not chase him far enough—
because in the night
he came back
and took my love.

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Spanish Village

a pastel by Ethel Mortenson Davis

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The Winter Nights Are Best

by Ethel Mortenson Davis

The winter nights are best:
Her floors are swept
back and forth
and back again
with heaps of snow.
Her wind howls
like timber wolves
in some cold, inhuman land.

She’s almost thought
to be, in her heart, a beast,

But her snow
drifts too deep;
her wind blows too strong,

and weakness flees
the human heart again.

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The Black Snake

by Ethel Mortenson Davis

In the center
of our galaxy
the Milky Way,
a great black snake lives
and mesmerizes stars
so they will
get close enough
for her to swallow—
while, at the same time,
she gives birth
to new stars.
They come out of her
and go flying off
into the cosmos
as far as they can go
to escape
her clutches.

Copyright © 2011, White Ermine Across Her Shoulders

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The Engineer

by Ethel Mortenson Davis

In winter
a boy or girl could ice skate
up the branch
of Little Sandy Creek
as far as their strength could hold out
before the heavy snows of January
spoiled the ice.

It was here
they would dream
about who they would become,
about what they would do
with their lives
when they grew up—
before the willows
became too thick and
turned them back,

or when the shallow spots,
under the bridges,
with stones
would stop them.

Charlie could skate for miles
before he went home
to put steaming copper kettles
of water on his stove
to bend slats of wood
to make skis with curled ends

before the heavy snows of January and February
swept across us.

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Habitat

by Ethel Mortenson Davis

The monsoons
sweeten the bounty
of the high desert meadows.
Curious blossoms
burst out everywhere.
Green grass
carried in the bellies of horses
finally becomes enough.

Perhaps the monsoons
will not return next year.
Our earth is not a permanent habitat.
One day our sun will explode
and melt our earth.
It will not care for us forever–

like my dog knows instinctively
when I leave her in the driveway.
Perhaps I will not return.
Perhaps that means
the end of her.

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Ancestor

pastel by Ethel Mortenson Davis

Image

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Evening in Continental Divide, NM

We have, over the life of fourwindowspress.com, presented poetry and essays about Continental Divide, New Mexico. It is a small place off Interstate 40 to the east of Gallup. The area has a variety of races and tribes, Navajo, Pueblo (especially Zuni and Acoma), Hispanics, people from the Middle East, and Anglos. The majority of the population are Native Americans. This photograph by Ethel Mortenson Davis is taken just on the other side of the fence around our house looking southwest–more west than south, at sunset. You can see the Zuni Mountains behind the rabbit brush, sagebrush, juniper, cedar, and piñon trees. There are about 360,000 acres of pristine wilderness in the Zuni Mountains. What you cannot see in the photograph are the elk, mule deer, jack rabbits, rattlesnakes, mountain lions, bobcats, lynx, black bears, grizzly bears, cattle, horses, coyotes, and dogs that sometimes make noises in the night that get our two wonderful dogs, Pax and Juneau, barking. This is only one angle from our house. The forest is thicker if you swing the camera lens just a little bit. From our second story you can see the red cliffs to the north and Mount Taylor, the area’s towering mountain rich in Navajo and Pueblo beliefs, to the east. We live in a wild, rural place that presents some challenges–we are sometimes without electricity or water for a day, but that also causes tourists to stop and get out their cameras.

Photograph by Ethel Mortenson Davis

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The Source

by Ethel Mortenson Davis

I am going deep within myself,
to where gates no longer open,
but instead
walls are crossed upon walls
between the four directions.
Here is where the wolf
cannot penetrate again,
and the lion cannot eat my flesh.

Like some wounded animal
that crawls back to his source,
I am going deep within myself
to find the cool stillness.
I will not come out again
until my skin has thickened.

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