Tag Archives: poetry

Ethel Mortenson Davis poem featured in Write On Door County’s website

Write on Door County is one of the premier writer’s retreats in the Midwest.  In addition to providing a 40 acre property in the woods that attract writers who want to refresh their spirits and spend a week or so writing, Write On provides workshops, readings, and what sometimes an endless round of events for writers and those interested in writing.

Ralph Murre and Sharon Auberele, two of Door County’s absolutely finest poets, publish a different Door County poet on the website on a regular basis.  On August 1 they published Ethel’s poem, “The Design Teacher.”  You can see the poem at http://writeondoorcounty.org.  While you’re on the site you might look around if you are at all interested in writing and writers.

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Metamorphisis

by Thomas Davis

I lay beside an ancient, quiet pool
and put my idle hand into the water.
A rainbow trout swam nibbling past.
Without a thought I held its thrashing fast.
The trout became a whiskery, wily otter.

I squeezed as if I’d turned into a ghoul
whose only thought was how to hold
an otter in my thrall forevermore.
The otter twisted like a fiend,
and when that failed, it bared sharp teeth and screamed.

My spirit quailed and heart turned icy cold.
Between two breaths the eagle was a child.
He looked at me and slowly, sadly smiled.

I dropped her when her human voice began to sing.
I looked into the shine of golden eyes;
the child became a woman beautiful and wise.

The woman turned and swiftly swam away.
I jumped into the pool, but she was gone —
And now I’ve spent these many years
bedazzled by an otter with a woman’s face,
Ensorcelled by a quiet water place.

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Sitting on a Bench Waiting for the End of Winter

by Thomas Davis

Time hides in words spoke on the radio,
Inside newspaper columns gray with print.
The young girl, in the winter, watched the flow
Of snow wisps on the lake, her dreams intent
Upon the booming chunks of gleaming ice
That spring would heave on shore, great, white walls, cold
In spite of how the sun thawed sacrifice
From frozen ground and hazed the air with gold.

The young girl took her radio outside
And read the paper sitting on a bench
As winter waited for the moon-stirred tide
To free warm waters from its icy clench.

The young girl waited on her bench for spring
When she and ice and all the world would sing.

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A Poet’s Becoming, Fionn’s Gift Across Time

by Thomas Davis

Fionn, son of Mairne, a Chief Druid’s daughter, was instructed by the Druid…to cook for him a salmon fished for a deep pool…and forbidden to taste it; but as Fionn was turning the fish over in the pan he burned his thumb, which he put into his mouth and so received the gift of inspiration. For the salmon was a salmon of knowledge, that had fed on nuts fallen from the nine hazels of poetic art. Robert Graves, The White Goddess. 1966 (New York: Farrar, Straus, and Giroux), p. 75.
 
Upon the dark dolomite jutting
Shoreline out into lake waters,
Brooding, the poet pondered, rising
Vapors misting white where otters
Often twisted brown bodies in brightness
During days of lithesome lightness.
 
Longing to discover poetry’s essence,
Plunging into intensifying agony,
Its agitated angst and strange candescence,
Searching for wisps of hope, honey
Spirited into hazel nuts fallen
Into waters fused with wisdom’s pollen,
 
Praying, the poet chanted phrases
Empty of meaning, madness exploding
Dystopian dreams into glazes
Filming stratums in mist, imploding
Into a dance of time: Land distinct,
Shrouding tales of peoples long extinct.
 
Milky mist rose from the waters.
Paddling in a coracle, Fionn,
Singing softly as sleek otters,
Angled after salmon in an eon
Ever-ending, inspiration
Infusing words into desperation.
 
Dancing in the poet’s pounding
Heartbeat, language’s lilting incantation
Metamorphosed landscapes, people’s living,
Into a singing suffusion of creation:
Fionn spanning time and continents,
Salmon swimming past despair to resonance.

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The White Bird

by Thomas Davis

Rainwater falls…

Falls…

Into puddles,
Upon rain-shining stones.

Amidst the stones
A lone white bird
Sings of cherries, sweet and black,
and spring.

You sit upon a stone
In the rain listening…
Listening,
Hearing rainwater
And the bird mingling melodies.

Life is strange,
For the rain, the white bird,
you, and the songs
Form a beautiful image.

The rain…

Falling…

Falling.

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Butterfly Lover

by Ethel Mortenson Davis

The Mourning Cloak
came to the garden
and sat near my foot.
Large, chocolate wings
greeted the sunshine.

Remember when we talked
about the butterfly effect?
You were excited
about that theory.

You talked about butterfly power.
Do you remember?

When the Chilean miners
told about the butterfly in the mine
that saved them from the cave-in,
they talked about how amazed they were
that a butterfly
was down in the dark.
They stopped to watch it
fly around their head lamps
just as the mine collapsed ahead of them.

I didn’t have to tell you, though,
because I already see a curl on your lips.

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The Old Moon Is A Cleaning Lady

a children’s poem by Thomas Davis

The old moon is a cleaning lady
With high, star-buttoned, coal-black shoes.
She comes to work when sleep and dreams
Are all that’s left of me and you.

She sweeps the cobwebs from the sky
With brooms of shining silver light
And scrubs the day floors of the sun
With waters darker than the night.

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Cranes

by Ethel Mortenson Davis

At sunset
the birds of heaven
came in low to land.
A flock of gray and red
sandhill cranes
filled a stage-like sky
with laughter
that echoed across
the wetlands of Superior,
across the jutting gray rocks
and ragged white pine,
and through
hearts and lungs
and minds.

Note: The phrase “the birds of heaven” came from a book of that name by Peter Mathiessen.

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20. Inside a Furnace

an epic poem by Thomas Davis

He felt as if he was inside a furnace,
The brick kiln burning with a glowing heat,
His skin so sensitive it seared with pain
As if he’d touched a fiery red-hot coal
And spread its agony across his face,
Hours blistering into eternity,[1]
The fire from dragon’s breath a shroud he wore
That made each wracking gasp for air his life.

Inside this pain he still got to his feet
And gathered wood and kept the fire alive
As night turned day turned night turned day again.
He would not die, he said inside his mind.
He could not think, but still, he told himself.
I will not die. I’ll live another day.

A dawn rose golden over mountain peaks.
Snow sheened sky gold across the wilderness.
Asleep at last, arms twitching uncontrollably
As nightmares danced with fire and pain,
Ruarther did not see the bear rise from
The ashes of the dwindling fire so huge
It seemed as if it was the spawn of dragons,
Its dark, brown fur tinged gold by morning light.
Its smell was strong enough to have a whiff
Of sulfur as it shimmered, then solidified
Above the man who whimpered in his sleep.

The great bear wove its arms above the man.
Ruarther woke, his blood shot eyes wide with his fear.
The bear stood silent, waiting, coiled intensity.
Ruarther tried to gather thoughts from pain,
The shroud of heat consuming who he was.

“I have to kill the witches’ child,” he croaked,
His throat so dry with heat it hurt to talk.

The bear’s eyes gleamed and glared at him.
“Blood is a juice of rarest quality,”[2] it said.

“You are a spirit bear,” Ruarther said.
“You have the strength to take this pain away.”

The bear just stared at him. Light streamed around
Its massive form and shimmered as the sun
Rose up above the mountain peaks and golden light
Blurred deep into the blue of winter sky.

“I’ll feed upon your pain,” the great bear said.
“I’ll feed upon the pain your hatred burns
Into the human and the dragon worlds.”

The fire behind it blazed a dance of flames.
The great bear turned and seemed to sway with winds
Not felt within Ruarther’s winter world.
It roared, the sound so loud if shook a crest
Of snow and sent it plummeting from off
The ridge above Ruarther’s camp, a cloud
That stung Ruarther’s skin and chilled the shroud
Wrapped round his burning flesh and mind.

Ruarther gasped. He could not breathe. The cold
Of nothingness pierced deep into his bones.
He felt as if he had no eyes or ears,
As if his human senses had dissolved
Into a void where men did not belong.
The bear was in the void, a monstrous shape
That had no form, but whirled into a wind
That was no wind, but ash that heaped its blackness
Into a glittering beside a fire
That wisped with smoke into the freezing skies.

Ruarther’s lungs gasped air. He shuddered, gulped
The bitter cold into his lungs as if
It was ambrosia, life, unexpected joy!
He was amazed to feel that he was still
Alive, a human not possessed by spirits
That roamed the earth in search of human souls.
He touched his arm. His flesh was hot.
He flinched to feel the pain his touch could cause.
His weariness ached deep inside his mind
And made each joint and bone seem brittle, sore,
But he felt cold. The shroud of fiery heat
Had dissipated when the bear turned back
Into the ash he’d risen from to life.

What now? He asked himself. He was alone.
The fields of snow were blinding bright with sun.
He had to have a fire to stay alive.
The huge, black dragon dove out of the dark
Toward the boulder that he hid behind.
He closed his eyes and felt the wind of wings
That lifted blackness through the moonlit skies.
He had to end the dragon threat of war.
Inside his universe of pain he’d kept that chant.
He glanced toward his bow and deadly arrows.

The bear had given back his life and will.
He’d kill the witches’ child. He’d kill the child.
He smiled. He’d rest; then, with the coming dawn,
He’d start the journey to the meadow where
A cottage sat below the caves of dragons.
He’d drive an arrow through the child’s black heart.

1 This passage was inspired by Jonathan Edwards’ famous sermon, “The Future Punishment of the Wicked Unavoidable and Intolerable,” delivered in 1741.
2 From Scene IV of Faust by Johanne Wolfgang von Goethe.

To listen to this section click Inside the Furnace.

Note: This is the twentieth installment of a long narrative poem. Inspired by John Keats’ long narrative poem, Lamia, it tells a story set in ancient times when dragons and humans were at peace. Click on the numbers below to reach other sections, or go to the Categories box to the right under The Dragon Epic. Click on 1 to go to the beginning and read forward. Go to 19 to read the installment before this one. To read the next installment, click on 21.

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Sequins

by Ethel Mortenson Davis

I am not a sequins person,
so I cut all the sequins off
the shirt I bought.

It took two hours
because each sequin was
knotted and sewn by hand.
The tag said,
”hand sewn garment.”

It had taken the child,
or young woman,
many hours to complete—
piece-work she had perhaps
taken home to make a few
extra pennies.

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