Tag Archives: Ethel Mortenson Davis

The Ministering

by Ethel Mortenson Davis

The dominant horse
acted queer:
Ran around in a circle
in his pasture,
finally resting near
a black clump
on the ground.

The black clump moved
every once in awhile.
It was the black dog
that ran wild
along our fence.
He had been shot
and had gotten
as far as the horses,
trying to get home.

What happened next
took my breath away.
The horse stayed
near the dog,
nuzzling with it’s soft lips,
going over and over it’s body
for a long period of time
until there was no movement.

© 2010, I Sleep Between the Moons of New Mexico

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The Tree, Desert, Iris, and Progress

by Ethel Mortenson Davis

The Tree

Everything depends
on the apricot tree in bloom
across my neighbors fence—

A tree of butterflies!

Desert

The cornflowers are gaining
and soon will be in bloom.
Where are the rain-showers
of spring?

Iris

Cold nights
catch us off guard.
Will the iris
lose its life again?

Progress

Progress
is the budding branch,
the Painted Ladies
warming their wings
on my garden wall.

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The Seeking

a pastel by Ethel Mortenson Davis

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April Spring

Photographs of Spring by Sonja Bingen, our daughter

 

April
a poem by Ethel Mortenson Davis

April on tossed hair,
in trees,
across the paths and grass
with branches stuck in seas of sky,
comes,

and
nowhere
is the snow
that covered us
and protected us,
but now
green
pushes up,
and
i
hold on
a moment like bark
and hear

a swinging down
out of trees

and
i see
your surprised
face
when
the earth jumps up fast to meet your legs.

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Sonnet 41

by Thomas Davis

We kissed his forehead, yellow, cold, inert,
sobbed our goodbyes, left his body, drove
to Poet’s Walk above the Hudson, hurt
beyond expression, where, on hills, small groves
of ancient trees are interspersed with fields,
a place where, Kevin said, he liked to go.

And as cremation’s fires consumed, annealed
his spirit to our spirits, as the glow
of July’s sun warmed flesh too numb to feel,
we walked where he had walked and tried to find
our balance in a world turned sad, unreal—
our son was gone, his smile, his wondrous mind.

And as we walked the wings of butterflies,
black mourning cloaks, danced through the summer skies.

At the University of New Mexico Cancer Center in Albuquerque, where I am now being treated once a week, a healing bear greets patients as they enter the building. Marked with ancient symbols, shining black in the sun, Ethel and I stand before it every time we come to the Center. The major question in my mind at the moment, one that I cannot shake, is, why am I surviving my bout with bladder cancer while Kevin, only 28 years old, did not survive? I would have given him my life without a thought if he could still be present, thinking about butterflies that were such a constant, powerful symbol to him from the time he was a child to the day of his death when, as Ethel has written in a powerful poem not yet posted, a butterfly visited his hospital room so many stories up in the middle of the city. I understand there is no answer to such a question, and I am deeply grateful to have more years with Ethel, my children, and grandchildren, but both Ethel and I miss our son. This sonnet was written after our visit to Poet’s Walk Park on the Hudson River in New York. Ethel has also written about our experience there. After this moment we flew back home to New Mexico. Just over a year later we discovered my cancer. One of Ethel’s many photographs of the healing bear is below as a symbol of survival and strength in the face of devastating tribulation.

photograph by Ethel Mortenson Davis

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Study in Triangles

an abstract pastel by Ethel Mortenson Davis

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The Aureate Song

by Ethel Mortenson Davis

The golden-throated lark
has returned to play
his gilded song,
a three-dimensional tune,
as if it comes
from golden instruments
cast in some
heavenly place–
like the music
from the golden singing
bowls of Tibet,
hammered and made beautiful
by Buddhist monks.

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Horses

by Ethel Mortenson Davis

Because they can’t feed them,
the poorest people
turn their horses loose
in the desert.

These horses find some
grass and weeds
a couple of months in a year,
but mostly brown stubble,
and water that is impossible
to find.

Finally they round some of them up,
with sand in their bellies,
and ship them to slaughter houses
in Mexico
where men with knives kill them
by stabbing them up to twenty times
before they are brought down,

before they see
grass as tall as their shoulders
near a watering stream.

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Dream of Horses

an abstract pastel by Ethel Mortenson Davis

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Branches and Sky, a Song

a photograph by Ethel Mortenson Davis

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