Unheard Prayer in the Ancient Ruins

by Ethel Mortenson Davis

Let me tell you
that the old gods
will not help us.

When we pray
by the wayside
they will not
listen to our tears.

For they are deaf,
stone deaf

like the ancient boulders
we walked between
this morning—
cold and unconcerned—
among the sweetness
of blooming honeysuckle.

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Apple Blossom Spring

photograph by Sonja Bingen, our daughter

Apple Blossom Spring

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Sonnet 12

Before we reached the bank two twelve year olds
were on the water in the good canoe.
Both Brand and I looked at our sons, their coup
apparent as they grinned at us, both bold
enough to know that, ten feet out, they controlled
the moment even though the wind still blew
and rain was falling hard, the clouds a stew
of swirling turbulence and cold.
Okay, Brand said. Inside the inlet, calm
prevailed, but as we went into the lake
the waves were higher than our heads. The qualms
I’d had at seeing youngsters make their break
to manhood with a crazymad aplomb
unmanned me–as they left me in their wake.

Note: Friday, Saturday, and Sunday Brand Windmiller, Jesse Windmiller, Brand’s grandson Braxton, my grandson Will Bingen, and I spent a few days at an unimproved campsite north of Minoqua Wisconsin. I am reprinting this sonnet written while our son, Kevin, was dying of cancer, in memory of that trip as I relived a glorious part of my life that Brand and Jesse were so instrumental in helping to make happen. I will be forever grateful for that special time with my son. A couple of photos from the Minoqua trip are below:

Mist in the Early Morning
Mist in the Early Morning

In the Land of the Cranes
In the Land of the Cranes

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Like Water Around the Trees

a photo essay by Ethel Mortenson Davis

Like Water Around the Trees

006

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How Could I Know?

by Ethel Mortenson Davis

It looks to me as though
you’ve been around, perhaps,
since time began—
and I have lived at least
as long.

Oh? Only that much time?

I’m sure there was no life
before for you or me.
How could I know your face
so well?

As well as some old rock
I’ve seen hang, clinging
to a mountain wall,

and I know what wave of brightness,
or of darkness, to expect there
waiting for me.

You step and make some rounded move.
I know beforehand which way to go.
How could I know? Unless. . .

You’ve been around, perhaps,
since time began.
I know I’ve lived at least as long.

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Louvre at Dusk

a photograph by Alazanto, Kevin Davis, our son

Louvre at Dusk November 15, 2008

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2

by Thomas Davis

He talked about the mirror of the lake,
reflected trees and clouds and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours, and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.
As rain begins to fall, a loon begins to cry.

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Will’s Doodle

an abstract drawing by William Bingen, our grandson

Will Doodle

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Goldfinch

by Ethel Mortenson Davis

A small goldfinch
hit our glass door.
He lay unconscious—
in the process of dying.

“I will return later
when he is gone,”
she said.
“He needs quiet
and stillness.”

When she checked again
the bird was sitting up
and awake.
Life had come back to him.

“He will be stronger
and cherish life more,”
she thought.
“A bright spot
in his spring world,”

like the green
moss-covered stone
this winter—
shining out from under
the deep winter snows.

When she returned
he was gone.

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Early Spring

a photograph by Ethel Mortenson Davis

Early Spring

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