Category Archives: Poetry

Letter to an American Poet

by Ethel Mortenson Davis

I have waited for the prodigal son to arrive,
looking across the line of hills each day,
hoping to see his cherub-like face again—
but they say he is still in a distant land,
throwing away his inheritance,
living a debauched life.

For he has no real needs, they say.
Not like the Russians
Pasternak, Ginsburg, Yevtushenko,
Solzhenitsyn,
men of needs and wants
who cherish their inheritance
and are called sons.

I am waiting for you to come back to life again,
waiting to take the fattened young bull
out of his pen to celebrate your return.

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A Poet’s Becoming, Fionn’s Gift Across Time

by Thomas Davis

Fionn, son of Mairne, a Chief Druid’s daughter, was instructed by the Druid…to cook for him a salmon fished for a deep pool…and forbidden to taste it; but as Fionn was turning the fish over in the pan he burned his thumb, which he put into his mouth and so received the gift of inspiration. For the salmon was a salmon of knowledge, that had fed on nuts fallen from the nine hazels of poetic art. Robert Graves, The White Goddess. 1966 (New York: Farrar, Straus, and Giroux), p. 75.
 
Upon the dark dolomite jutting
Shoreline out into lake waters,
Brooding, the poet pondered, rising
Vapors misting white where otters
Often twisted brown bodies in brightness
During days of lithesome lightness.
 
Longing to discover poetry’s essence,
Plunging into intensifying agony,
Its agitated angst and strange candescence,
Searching for wisps of hope, honey
Spirited into hazel nuts fallen
Into waters fused with wisdom’s pollen,
 
Praying, the poet chanted phrases
Empty of meaning, madness exploding
Dystopian dreams into glazes
Filming stratums in mist, imploding
Into a dance of time: Land distinct,
Shrouding tales of peoples long extinct.
 
Milky mist rose from the waters.
Paddling in a coracle, Fionn,
Singing softly as sleek otters,
Angled after salmon in an eon
Ever-ending, inspiration
Infusing words into desperation.
 
Dancing in the poet’s pounding
Heartbeat, language’s lilting incantation
Metamorphosed landscapes, people’s living,
Into a singing suffusion of creation:
Fionn spanning time and continents,
Salmon swimming past despair to resonance.

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Night Ride

by Ethel Mortenson Davis

Come with me,
down where the trees are,
for there is a line of sky
without clouds,
and soon the earth
will be the color of red honey.

Come with me,
for there is enough feed
for the horses,
and when we stop to sleep
we’ll keep the dogs close
to warm us.

Come with me,
for the songs of the Ancients
are calling.
Orion is straight above our heads,
and we must make
this night’s journey.

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By The Skin of Our Teeth, a Sonnet of Hope

by Thomas Davis

Sweet Bacchus in a passion ate his heart
As spirits floated through his pounding head.
The wood nymphs cheered, and rogues proclaimed the start
Of celebrations for the grateful dead.

The world went mad, and all the heavens rang
With shouts of drunken gods and mortal fools.
The mad embraced the mad. Chimeras sang
That chaos had replaced all laws and rules.

The stars inside the sky flew at the sun.
The peaceful moon turned red with hidden fires.
The night turned white and then began to run
Like liquid paint into the fires of funeral pyres.

But just before destruction raised its lovely head,
Sweet Bacchus died. Sweet Eros died.  Was dead.

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Climber

by Ethel Mortenson Davis
001
This is the right time
of the year
to be a climber of trees,

trusting only
the youngest
and strongest limbs
with your life,

your cheek resting
on the nook
of a shoulder—

the right time
of the year
for fireball colors.

This is the place
where one can look
back below
to see if mankind
has become a race
of Renaissance men.

Not yet,
the climber says,
not yet.

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Planting the Wings of Monarch Butterflies

by Thomas Davis

In Southern Door an aging man, face fixed,
Pulled up beside a country road and walked
Toward a wooden fence where milkweed mixed
With grass and weeds, fall’s fiery colors stalked
Into a forest’s weave of summer green,
The season’s changing edged into the day.

Beside the fence the man bent down, serene,
Intent on picking milkweed pods, a fey
Gleam in his eyes. He got into his car
And drove until he found an empty field,
Stopped, pulled a pod out of a mason jar,
And freed milk fluff into a wind that wheeled
Time through the winter to a glorious spring
That sprung a summer graced with monarch wings.

Note: After reading an editorial by Peter Devlin in the Door County Advocate.

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Fellow Travelers

by Ethel Mortenson Davis

The older Oriental woman
was not nice.
The younger men
that were of European descent
accompanied him.
Actually, they never
left his side.

He thought if he
went far enough away,
they would go away.
But they did not.

Even when he was dying
they frightened him.
That was why he moved
far away—to New York.
Perhaps all his problems
would go away.
But they did not.

He told us this at the last.
He didn’t want to hurt us.

When you were little
The voices in your head
were telling you things.

I made a mental note,
“Something is wrong.”

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Invocation to the Epic Muse

by Thomas Davis

The string's untuned! Degree, priority
And place, insisture, course, proportion, form,
Season, office, custom–all are made
Disordered, mutinous, as unified
As raging seas and shaking earth. Stability is shaked.
Commotion in the winds and changes, frights
Divert and crack, rend and deracinate.
The Clockwork Universe is dead![1]  And God,
Our Father who art in heaven, does play dice[2].
Planck’s constant[3] proves that Heisenberg’s
Uncertainty[4] is fundamental in the universe.
We look at light as if it’s made of waves,
Then see it’s made of particles that smear.
Quarks[5] live! And yet, they’re probability, a sea
That crests and falls, appears and disappears
Until, at last, improbably, uncertain, mad
With change that computations photograph,
Light is, we are, the universe exists.

I walk in Purgatory looking up
Toward the shining Earthly Paradise.
I long to see the Griffon bathed in light
Inside the Garden where the Tree of Good
And Evil grows. I long to feel the weights
Imposed upon me by the Angel Guardian
Before the Gate of Purgatory lifted off
My spirit as I rise toward a Purity of Heart. [i]

I long to be a Greek, like Kazantzakis, wild,
Sun on my head so that its Song of Light
Can spray the earth, the global grape, with life.
I am Odysseus with my long coarse hair
And body hardened by black brine, the great
Mind archer, the forty-footed dragon wreathed
With steaming blood, reflected light, and flame![ii]

I follow Virgil as he presses on apace
With darkness-wrapped Aeneas and his friend
Achates through the rough-hewn citadel
Of Carthage being built by Dido, Queen.
The cloud that swirls before my eyes is magical.
I walk down city streets among a crowd
Unseen, amazed that none perceive me there.
Then, later on, I hear the voice
Of Mercury who bids me leave the joy
Of Carthage and my love for Dido’s eyes
And go to found the Trojan city, Rome.[iii]

But gravity bends space and time, and though
I am a poet, “redy to wenden on
My pilgrymage, “[iv] and though I sit inside
This summer’s heat and pray my muse: Sing me. . .
”And through me tell the story of that man. . .,” [v]
and though I wish to find a hero large enough
To roam the wide world after he has sacked
The holy citadel of Troy, I am American,[vi]
A polyglot whose being is becoming, he
Whose language was confused at Babel, he
Whose light was scattered on the face of earth,
Mankind whose particles act just like waves.

What mutiny runs through the song I sing!
Community and brotherhood contend
For order, shatters, builds, then bends to change.
As Sitting Crow kneels in his cold garage
He dreams that glory can be forged from pain.
He is the first American, black hair, black eyes.
Beside him, on the concrete floor, are stolen tires.
A part of living, reproducing, dying earth,
He sits inside the cold garage and dreams.
He laughs at death and wraps into its dark,
Holds fires of glory in his hands and throws
Out globes of flame into the darknesses
That plague his people’s lives:

Alcohol
And drug addiction, poverty, and squalidness
That wraps its cloak about the Reservation towns,
Each dawn so hopeless that it spreads a dull,
Blank dread inside the streaming morning light.
He dreams, and like a planet throned and sphered
By gravity, he bends time, government, and space
Into the universe that whorls out from his dream.
He strives to rent the fabric of America,
But makes, instead, a symbol of the way
That chaos builds complexity, which leads,
According to a probability distribution not
Yet computated, to a glory that might yet become.

O, listen to the winds inside my mind,
O muse, O Calliope, Moon Woman, water mixed
Into the Hippocrene’s deep well where Pegasus
Once struck his hoof and made a drinking place
For poets mad enough to court their frenzied dreams.
Stir up my words inside the winds and make
A tempest strong enough to bear this tale.
I am a man and not a god. I wear the cloak
Humility has fashioned for my race
Of kindred hearts and spirits. Only you,
O muse, O Calliope, can let my song
Run wild among the stars and worlds found there.
I sing of war and of men at war. . .

[1] Sir Isaac Newton, the great physicist and mathematician, saw the universe as having the regularity and celestial mechanisms of a clock.
[2] Albert Einstein, in response to the quantum physics, exclaimed that God does not play dice with the universe.  Einstein believed in saying this that the universe is governed by unified laws and principles.
[3] Planck’s discovery unifies the seemingly contradictory observations that energy sometimes acts like a wave and at other times acts as if it is made up of particles.
[4] A principle in quantum mechanics holding that increasing the accuracy of measurement of one observable quantity increases the uncertainty with which another conjugate quantity may be known.
[5] A physical particle that forms one of the two basic constituents of matter, the other being the lepton.
[i] Alegieri, Dante, The Purgatorio, translated by John Ciardi (New York:  New American Library, 1957).
[ii] Kazantzakis, Nikos, The Odyssey, A Modern Sequel, translated by Kimon Friar (New York:  Simon and Schuster, Inc., 1958).
[iii] Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[iv] Chaucer, Geoffrey, “Prologue,” The Canterbury Tales (Ruggiers, Paul G., General Editor, facsimile of the Hengwrt Manuscript (Norman, OK:  University of Oklahoma Press and Wm. Dawson and Sons, Ltd., Folkestone, 1979).
[v] Homer, The Odyssey, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990).
[vi] Modified from Virgil, The Aeneid, translated by Robert Fitzgerald (New York:  Vintage Classics, Random House, Inc., 1990.

Note: I have written two epics. This “Invocation to the Epic Muse” introduces one I wrote decades ago, An American Spirit, An American Epic. It is considerably longer than “The Dragon Epic.”

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Lesser World

by Ethel Mortenson Davis

I saw them
in strings,
making the shape of V’s,
Canadian Geese,

flying high enough
to use the lake’s edge
as their guide:
Blue-green water
with white foam
at the edges,
over rushes with dark red plumes
on their trek
southward.

For our world will
become lesser
without them,
not as full of life
as the wet summer
has been

while we wait
for the silent season
of winter—

and for the quiet winter
of our life,
a more diminished one,
a lesser world.

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2

by Thomas Davis

2

He talked about the mirror of the lake,
reflected trees and cloud and sky, the still
so absolute, the waters dark, opaque,
no wind, no breath, no birds, no human will
to mar the moment made for memory
entangled in the webs of days and hours
that jumble, jangle, pounce, drone, laugh, and flee
across and through the fields of flowers
surrounding us and all the love we miss
but know inside our livers, gall stones, hearts
as hours blend into hours and all our bliss
becomes a mirror that is but a part
of floating on a lake of trees and sky.

As rain begins to fall, a loon begins to cry.

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