Swimmer

a pastel by Ethel Mortenson Davis

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Village

a pastel by Ethel Mortenson Davis

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Wholly Human

by Ethel Mortenson Davis

Fannie Lou Hamer
was beaten by a policeman
until he couldn’t beat her any longer,
so he had his partner continue
the beating.

That day, Fannie Lou
left part of her brain
there on the ground,
but she didn’t leave her courage.
She came back for more.

Because she only wanted
her people to be free,
free from fear,
free from beatings,
free from death
just free to enjoy life,
to be wholly human.

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Bird of Paradise

a pastel by Ethel Mortenson Davis

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Three Sails

A pastel by Ethel Mortenson Davis

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Why Night Was Made

by Ethel Mortenson Davis

I’m sure night was made
when man invented war
so that darkness would
put her arms around him,
slowing him down
so that he could think things over.
And then at dawn
start new again.

I’m sure night was made
when war came to this family,
breath knocked out of the man,
the woman and child 
languishing in the street.
Darkness would give them
a few moments of relief.

I’m sure darkness was made
when man invented war.

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Rapids at Box Canyon Falls

a photograph by Kevin Michael Davis, 2/16/1982 – 7/23/2010

Outside of Ouray, Colorado. He would have been 40 years old today. We miss him.

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Laughing as He Went

by Ethel Mortenson Davis

Now,
they want to clip
the ears of the Gray Wolf,
clip them back
until the wolves are almost decimated,
weakening their packs
to almost extinction.

The native tribes of Wisconsin and Montana
have stood up for the wolf.
They see themselves parallel to the wolf.
They too were killed back
to almost extinction,
starved and hounded,
brothers to the wolf
in life and suffering.

The hunters carry away
the great, large bodies of wolves
in their arms, 
laughing as they go.

I remember the Gray Wolf
that morning as he rolled
down a steep embankment,
looking like a great ball
of white and gray fur,
laughing as he went.

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Melodies of the Sun

a pastel by Ethel Mortenson Davis

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Moss Piglet, a Literary Journal

Ethel and I just received the January issue of “Moss Piglet” today, and boy are we excited! Ethel has three pastels and two poems in this issue, and I have two poems. I don’t know how many of you are familiar with the “Moss Piglet,” but I have a recommendation for you. Go to the “Moss Piglet” website, order a copy, and then submit a poem as soon as you possibly can.

Neither Ethel nor I knew about this publication until a couple of months ago when Ron Czerwien, the President of the Council of Wisconsin Writers, mentioned that we ought to consider submitting to it, that he was absolutely blown away by the publication with its full color art, superior design, and great poetry. Following Ron’s advice always seems like a good idea, so Ethel and I sent in some poems. Ethel decided to send in three pastels as well.

We were amazed when we got almost immediate acceptance emails from John Bloner, the Editor. Then, curious about what the publication was about, I ordered a three month subscription. Like Ron, I was blown away when our December issue showed up in the mail. This is maybe the most beautiful literary journal I’ve ever seen.

I’ve put together three magazines/literary journals in my lifetime. Richard Brenneman, today a Boston poet, and I did “The Rimrock Poets Magazine” in Grand Junction, Colorado when I was a young college student. Then I became the Associate Editor (or something like that) of “The New Quiver,” which won All American honors while I was at the University of Wisconsin-Oshkosh. Working with the Shawano County Arts Council I worked with Russell Ferrall, the great Wisconsin poet who was a pioneering presence in the Wisconsin Fellowship of Poets, to put together “Wisconsin Trillium.” I’ve also published two major poetry anthologies, and Ethel and I have put out a small library of books with Four Windows Press. This doesn’t count the time that Ethel and I acted as Editors for one issue of “Bramble.”

What I want to say by saying all of this is that both Ethel and I understand how challenging publishing can be. It is a slog, working ceaselessly to find good content and then putting it together into a package that is worth looking at and reading. The truth is that “Moss Piglet” is a home run. It’s a blazing star at its beginnings in a star incubator shining out into the glory of the universe.

I urge everyone reading this post to get a copy and submit their best work to it. This is a publication worth supporting with a subscription so that John Bloner doesn’t get tired and stop producing what is a monthly series of masterpieces.

A moss piglet, by the way, is an animal, a Tardigrade, an eight legged, segmented micro-beast that is almost indestructible. It can even survive in the vacuum of space for extended periods of time.

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